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450

Article: Album Review

Grutronic: Essex Foam Party

Read "Essex Foam Party" reviewed by Glenn Astarita

by Glenn Astarita

Grutronic is a free improvising collective, featuring musicians spanning progressive jazz, free jazz and experimental persuasions. On Essex Foam Party, the core electronics-based quartet aligns with special guests, vibraphonist Orphy Robinson and sampler Paul Obermayer. With liquefying, trickling and ping ponging effects, the musicians implement analog and digital equipment to play with tricks with the psyche, ...

443

Article: Album Review

Manuel Mengis Gruppe 6: Dulcet Crush

Read "Dulcet Crush" reviewed by Glenn Astarita

by Glenn Astarita

With his third group-led album for hatOLOGY, trumpeter Manuel Mengis projects multiple vistas within a progressive-jazz framework, spanning fusion, jazz-rock and experimental aspirations. Yet the key aspect lies with his ability to design a distinct band-centric stylization, as each subsequent release yields an extension of previously exercised routes. Mengis also abides by a polytonal outlook, resplendent ...

329

Article: Album Review

Rez Abbasi: Things To Come

Read "Things To Come" reviewed by Glenn Astarita

by Glenn Astarita

With his sixth outing as a leader, Pakistani-American guitar hero Rez Abbasi continues to reinvent himself, both musically and ideologically. He intertwines the quest for growth with a sense of humanity on this compelling release. Interspersed with ceremonious Eastern song-forms, Abbasi helps turn a new leaf on the sometimes staid, progressive-jazz realm. Featuring the highly-regarded and ...

378

Article: Album Review

Anthony Braxton / Joelle Leandre: Duo (Heidelberg Loppem) 2007

Read "Duo (Heidelberg Loppem) 2007" reviewed by Glenn Astarita

by Glenn Astarita

Two masters of improvisation and innovation realign for a series of three duet pieces, spanning two discs, captured live at the Heidelberg Cafe in Belgium. Pulling out the proverbial stops as contrasts abound, Anthony Braxton switch-hits on reeds while bassist Joëlle Léandre delivers contrapuntal responses amid the duo's role-reversal undertakings. It would normally equate ...

136

Article: Album Review

Uwe Oberg / Christof Thewes / Michael Griener: Lacy Pool

Read "Lacy Pool" reviewed by Glenn Astarita

by Glenn Astarita

Three well-versed European progressive-jazz denizens impart a rather majestic blend of song-form and improvisation when covering the late, great soprano saxophonist Steve Lacy's discography. Approaching this album from a mindset that eliminates comparisons to Lacy's original performances lent to a more appropriate route for the listening experience. Without a saxophonist and bassist, the piano-trombone-drums ...

254

Article: Album Review

Random Touch: A Way From the Heard

Read "A Way From the Heard" reviewed by Glenn Astarita

by Glenn Astarita

The Illinois based-trio had its origins in the 1970s and is steeped within experimental and improvisational factors. Over the years, the musicians have investigated numerous slants, comprising the acoustic-electric element amid heavy-duty and, wily percussion jaunts, evidenced on their exploratory 2009 LP, Turbulent Flesh. Yet free-expressionism rules the roost within the musicians' core methodology. And they ...

275

Article: Album Review

Dom Minasi String Quartet: Dissonance Makes The Heart Grow Fonder

Read "Dissonance Makes The Heart Grow Fonder" reviewed by Glenn Astarita

by Glenn Astarita

Legendary New York City guitarist Dom Minasi explores and projects dissonance in luminous detail on his affectionately titled Dissonance Makes The Heart Grow Fonder. On the heels of his 2006 The Vampire's Revenge (CDM), Minasi scales back a fifteen-musician ensemble to the more mobile quartet format for this release. Think avant-chamber, where the guitarist serves as ...

292

Article: Album Review

Michael Bellar As-Is Ensemble: Turned On Turned Up

Read "Turned On Turned Up" reviewed by Glenn Astarita

by Glenn Astarita

Fans of Medeski, Martin & Wood and the generally hip might dig the upbeat and refreshing sounds of keyboardist Michael Bellar's As-Is Ensemble. Its band members perform with notable artists when not on tour, amid previous duties as the house band for New York City's famed Blue Note club. And while the trio abides by a ...

223

Article: Album Review

Thisisashakedown: Love Kills

Read "Love Kills" reviewed by Glenn Astarita

by Glenn Astarita

Hailing from Cleveland, Ohio, Thisisashakedown's debut offers a highly-listenable potpourri of stylizations. The foursome merges acid-rock, progressive-metal, house grooves, techno and space-rock into a tightly organized package. And the respective artists' significant technical acumen translates into a party music album with a distinct edge, nicely contrasted by memorable hooks and Brandon Zano's resonating vocals. ...

343

Article: Album Review

Max Roach & Archie Shepp: The Long March

Read "The Long March" reviewed by Glenn Astarita

by Glenn Astarita

Bebop was considered a radical departure for jazz music during its formation in the 1940s and 1950s, pioneered by drummer Max Roach, Charlie Parker and Dizzy Gillespie among others. Coupled with tenor saxophonist Archie Shepp's 1960s avant-garde jazz proclivities, the artists respectively helped procure a prismatic and non-traditional perspective on the jazz idiom. However, their discographies ...


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