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Joey DeFrancesco: Never Can Say Goodbye: The Music of Michael Jackson
by Glenn Astarita
Cross-pollinating jazz and pop does not always yield fruitful residuals--in many instances, it equates to an unbalanced succession of musical events. Here, however, Hammond-B3 titan Joey DeFrancesco renders a happy medium by jazzing up the songbook from the late pop icon Michael Jackson, with jazz, funk and rock stylizations, while retaining its inherent components. DeFrancesco and ...
Steve Coleman and Five Elements: Harvesting Semblances and Affinities
by Glenn Astarita
Celebrated and highly influential alto saxophonist Steve Coleman reenters the progressive jazz context with his cutting-edge Five Elements band. A purveyor of M-Base processes, which are centered upon a synchronous balance between structure and improvisation, Coleman's odd-metered metrics revert to kaleidoscopic sentiment on “Clouds."Trombonist Tim Albright launches the track with warmly stated choruses, underscored ...
Univers Zero: Clivages
by Glenn Astarita
Belgian-based chamber-rock pioneer Univers Zero's Clivages is a polytonal and multidimensional sojourn that follows suit with dabs and expansions of its comprehensive discography hearkening back to the late 1970s. The band often aligns dark sensibilities with glimmer, gusto and melodic choruses. “Retour de Foire," serves as a classical interlude among the absorbing, intricate ...
Jon Irabagon: Foxy
by Glenn Astarita
Saxophonist Jon Irabagon is a promising talent who has garnered notoriety via his work with the clever and explosive quintet, Mostly Other People Do the Killing. On Foxy, legendary drummer Barry Altschul and bassist Peter Brendler provide sturdy support throughout the 78-minute sax solo extravaganza. On the opening title track, Irabagon launches an ...
Matt Bauder: Paper Gardens
by Glenn Astarita
The album title, Paper Gardens, parallels saxophonist Matt Bauder's work for an architecture firm, concerning the design of a new garden for an elementary school. Upon his initial visit, he observed construction paper models of the proposed garden, which served as the basis for this curiously interesting, avant-garde, chamber-jazz foray. Here, Bauder forges a homogenous program, ...
Loren Connors & Jim O'Rourke: Are You Going To Stop...In Bern?
by Glenn Astarita
Recorded in 1997, this 2010 reissue--featuring guitarists Jim O'Rourke and Loren Connors--imparts a prismatic view of where experimentalism and Americana intersect folk-jazz, minimalism and improvisation. Connors' prolific discography hearkens back to the 1970s, releasing over 50 albums amid recordings with guitar legend John Fahey and Sonic Youth's Thurston Moore. Coupled with O'Rourke's worldly ...
George Brooks: Spirit and Spice
by Glenn Astarita
Tenor saxophonist George Brooks equalizes the union of Indian classical music and jazz, abetted by an all-universe rhythm section and East Indian instrumentalists. With Spirit and Spice, Brooks projects a distinct voice as he poignantly merges the core attributes of both genres, and it's a happy marriage, indeed. Brooks' authoritative presence looms on ...
Jacky Terrasson: Push
by Glenn Astarita
There's no lack of variety on pianist Jacky Terrasson's debut for Concord Records. With his trio and special guests, Terrasson generates a multihued program, featuring jazz-funk, spunky bop and cleverly envisioned ballads, such as Thelonious Monk's timeless classic, “Ruby My Dear." On this piece, Terrasson and harmonica ace Gregoire Maret share the lead ...
Elliot Sharp/Carbon: Void Coordinates
by Glenn Astarita
Nearly every album by guitar whiz Elliot Sharp intimates a sound-shaping experience, loaded with surprises and ingenuity. His long-running Carbon band is primarily steeped in hardcore avant-garde rock mania, spiced with sizzling meltdowns and free-jazz style improvisation. On “Fermion," the quartet launches a haunting sonic assault, which at times may seem like anti-pop morphed ...
Nobu Stowe: Beyond Free
by Glenn Astarita
The music of NS (Nobu) Stowe is synonymous with the musical storytelling characterized with spontaneity and melodic romanticism--a true rarity in the field of fully improvised music. Stowe has not only mastered the art of total improvisation--a method of fully improvised music that embraces song-like melody, tonal harmony and rhythmic propulsion as well as more commonly ...
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