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Samuel Blaser Quartet: Boundless
by Glenn Astarita
In his relatively brief tenure as a professional jazz musician who derives influences from classical music studies and John Cage-tinted abstractions, Swiss trombonist Samuel Blaser's craft teems with curiously interesting applications and concepts. He's recorded for other prominent European record labels, but debuts on the historic Swiss-based hatOLOGY label with Boundless.Blaser imparts a penchant ...
Ozric Tentacles: Paper Monkeys
by Glenn Astarita
A band that has endured the dips and spikes of the progressive-rock genre since its inception back in 1983, UK-based Ozric Tentacles has the beat on jam-based space-rock via its signature style of execution. With undulating synths, driving pulses and layered sculpting techniques, the quartet almost always bestows a sweeping plane, centered on lucid imagery and ...
Rudresh Mahanthappa: Samdhi
by Glenn Astarita
Paralleling the recent world-music phenomena, saxophonist Rudresh Mahanthappa has become a champion of Indo-Jazz applications. By integrating Indian classical ragas, Mahanthappa fuses a highly progressive jazz base into his undulating and, at times, mesmeric compositions. With touches of jazz-fusion, framed on sprawling improvisational forums, the artist's global approach reaps additional rewarding factors via his signature sound, ...
Jon Lundbom & Big Five Chord: Quavers! Quavers! Quavers! Quavers!
by Glenn Astarita
Since 2003, guitarist Jon Lundbom and his Big Five Chord unit have been crashing and slashing through the jazz-rock idiom, often lying on the perimeter of the avant-garde spectrum. With a support band comprised of solo artists and first-call session aces, the music is often hard-edged and chockfull of off-kilter innuendoes and ballsy soloing excursions.
The Ames Room: Bird Dies
by Glenn Astarita
Encompassed by the 48-minute marathon title track, the live performance captured on Bird Dies is irrefutably exhilarating. Featuring French alto saxophonist Jean Luc Guionnet's lead voice, The Ames Room embarks on a splintered approach to free-bop, propelled by drummer Will Guthrie's penetrating beats and bassist Clayton Thomas' pumping bottom. Perhaps the album title serves ...
Dick Wood: Not Far From Here
by Glenn Astarita
California reed man Dck Wood's heterogeneous union of influences from New Orleans, Louis Armstrong, John Cage and a consortium of other luminaries are rather subliminally packaged throughout this audacious studio date. Here, the artist gives the always-thriving West Coast progressive-jazz scene yet another jolt, as his semi-structured arrangements are fashioned with shadowy song-forms, peppered with dissonant ...
Jeff Williams: Another Time
by Glenn Astarita
Drummer Jeff Williams' affiliation with New York City's fabled loft scene, amid stints with saxophonist Dave Liebman's revered 1970s band Lookout Farm, is but one highlight of a sprawling career positioned in numerous jazz-based platforms. On this quartet date, featuring an impressive supporting lineup, Williams draws a paradox of sorts via subtle complexities often filtered through ...
3 Cohens: Family
by Glenn Astarita
It's a family affair that provides a luminous glimpse into the 3 Cohen's' broad jazz vernacular and notable technical expertise. With a formidable supporting lineup, the artists communicate an appealing mix of standards and originals, positioned on a It's a family affair that provides a luminous glimpse into the 3 Cohens' broad jazz vernacular and notable ...
Post Jazz Mistress: Global Warming
by Glenn Astarita
This Italian trio aims on imparting a new paradigm, concerning the somewhat populist integrations of jazz, progressive-rock, fusion and world music. With electric guitarist Osvaldo Di Dio's big sound, aligned with an acoustic rhythm section, the program is underscored by absorbing contrasts and tonalities. Largely consisting of slow to medium-tempo works, the sonorous soundscapes ...
Neil Cowley Trio: Radio Silence
by Glenn Astarita
With this British trio's third album--and perhaps its finest hour to date--a heartwarming assault on the customary jazz piano trio format surges onward. Here, pianist Neil Cowley merges rock, pop sentiment and mainstream jazz into a stylistic enterprise, aided by a highly rhythmic undercurrent. Cowley injects a sense of antiquity into the program, via his slightly ...
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