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3

Article: Album Review

Joe Hertenstein - Achim Tang - Jon Irabagon: Future Drone

Read "Future Drone" reviewed by Glenn Astarita


Now residing in New York City, Germany-reared drummer Joe Hertenstein employs musicians from Europe or the US and to some extent, merges the avant-garde strata and stylistic tendencies into an opportunistic creative forum. This trio outing is a prime example. Featuring Viennese bassist Achim Tang and American tenor saxophonist Jon Irabagon, the album pronounces a shrewd ...

4

Article: Album Review

William Hooker Quintet: Channels of Consciousness

Read "Channels of Consciousness" reviewed by Glenn Astarita


Drummer William Hooker was a mainstay at New York City's downtown jazz haven The Knitting Factory, amid several cross-functional albums for its record label. He's a freethinker, possessing a broad musicality, largely immersed in improvisation, and communicates a comfort zone whether tackling or expanding numerous world music stylizations nestled within free-jazz, avant-rock and other genres. Recorded ...

5

Article: Album Review

Samuel Blaser Quartet: As The Sea

Read "As The Sea" reviewed by Glenn Astarita


Allocating his time between Europe and New York City, Swiss-born trombone maestro Samuel Blaser has recorded for prominent record labels, specializing in the outside jazz realm. Thus, As The Sea is the quartet's follow-up to Boundless (hatOLOGY, 2011). Blaser's recognizable plight to lay out nouveau frontiers remains a continuum. No wonder why he's garnered the assistance ...

6

Article: Album Review

Sidony Box: Rules

Read "Rules" reviewed by Glenn Astarita


French mix-master Venux Deluxe (Magma, Gong), duly captures his fellow countrymen's exuberant sound amid his penchant for detail on the trio's third album which is a powerful composite of jazz power trio fare and other stylistic factors. Thumping backbeats, thorny time signatures, pumped-up grooves and a few quieter moments make for a comprehensive program.

2

Article: Album Review

Ligro: Dictionary 2

Read "Dictionary 2" reviewed by Glenn Astarita


Moonjune Records has performed a service for progressive-rock and jazz-fusion aficionados by propagating an influx of stellar albums by Indonesian artists and bands that morph Western traditionalism into a distinct sound spectrum. One such ensemble is the power trio Ligro that, in Indonesian lingo, translates to “crazy people." Formed in 2004, its second release, Dictionary 2 ...

2

Article: Album Review

Dylan Ryan Sand: Sky Bleached

Read "Sky Bleached" reviewed by Glenn Astarita


Faintly anarchic song-forms, coupled with a new-wave formulation of the jazz-rock trio setting forges a compelling imprint with drummer Dylan Ryan's debut solo effort. And it's one of those match made in heaven type of scenarios, where the respective musicians' styles, synergy, and use of space as a supplementary instrument coalesce into a program that bears ...

5

Article: Album Review

Michael Wolff & Mike Clark: Wolff & Clark Expedition

Read "Wolff & Clark Expedition" reviewed by Glenn Astarita


This jazz piano trio date by world-class musicians is all about the groove. Drummer Mike Clark, revered for his slippery jazz-funk beats, hearkening back to this tenure with Herbie Hancock's Headhunters, is touted as one of the most sampled drummers of the digital age. However, he is first and foremost a jazz drummer, as his resume ...

5

Article: Album Review

Jeremy Pelt: Water and Earth

Read "Water and Earth" reviewed by Glenn Astarita


Change is often a precursor for innovation. After many years of straddling modern mainstream, and progressive jazz via his burgeoning solo career and first-call session duties, trumpeter Jeremy Pelt leans a few notches toward the jazz-fusion spectrum on Water and Earth. However, the artist doesn't take matters to the extreme and serves up a compellingly divergent ...

7

Article: Album Review

Manu Katche: Manu Katche

Read "Manu Katche" reviewed by Glenn Astarita


A celebrated session drummer and solo artist, Manu Katche's infamous method of crafting a backbeat may parallel the lyrical, dancelike aura for which late jazz drummer Paul Motian was noted. However, Katche's jazz roots are largely evident via his small group formats for ECM Records. On this self-titled release comprised of a multinational quartet, rock-solid pulses, ...

5

Article: Album Review

Mostly Other People Do the Killing: Slippery Rock

Read "Slippery Rock" reviewed by Glenn Astarita


Strangely enough, bandleader and bassist Moppa Elliot derived inspiration for his compositions on Slippery Rock from smooth jazz albums of the late 1970s and '80s. However, it's more like smooth jazz under siege; with resonating rhythms, scorching and wily horns choruses, the program offers subliminal detections of commercial jazz fare as the band often breaks into ...


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