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SFJAZZ Collective: Live in New York Season 8 - Music of Stevie Wonder
by John Kelman
SFJAZZ Collective Live in New York Season 8: Music of Stevie Wonder SFJAZZ 2011 One old adage says, “If it ain't broke, don't fix it." But another says, “Change is good." For the first time in its eight touring seasons, the SFJAZZ Collective has found a way to manage ...
Roswell Rudd: The Musical Magus Turns 75
by Raul d'Gama Rose
"Years ago it would have seemed an impossible dream to get to record with this musical magus, but here we are... and what a thrill!" class="f-right">--Charlie Kohlhase, From liner notes to Eventuality: The Charlie Kohlhase Quintet Plays the Music of Roswell Rudd (Nada, 2001) I see him suddenly as if in a ...
Jackie Cain & Roy Kral: A Wilder Alias
by Chris May
Jackie Cain & Roy KralA Wilder AliasCTI Masterworks2011 (1974) Producer Creed Taylor's 1970s' label, CTI, has had a controversial history. Some of its detractors, averse to the lush sound and embrace of fusion, have been reluctant even to recognize CTI as a jazz label. The New Grove ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by Eugene Holley, Jr.
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor ...
Miles Davis: Live at Montreux - Highlights 1973-1991
by John Kelman
Miles DavisLive at Montreux--Highlights 1973-1991 Eagle Eye Media2011 When Miles Davis plugged in towards the end of the 1960s, it may have been a huge shot fired across the bow of the jazz intelligentsia, who loudly cried foul and began the first of many accusations of “selling ...
Ryan Truesdell: The Gil Evans Project
by Victor L. Schermer
Imagine the commotion when previously unknown manuscripts of Beethoven or Bach were discovered. In the jazz world, the equivalent of such an event might occur with regard to the music of innovators like Duke Ellington or Gil Evans. Indeed, that is exactly what composer-arranger-conductor-producer Ryan Truesdell has uncovered with Evans' music. He researched and found a ...
Take Five With Paul Lieberman
by AAJ Staff
Meet Paul Lieberman: After a session at Mickey Hart's, Gil Evans noted to Airto Moreira: “everything he plays sounds right," and David Sanborn responded to a show in New York with a surprise kiss. Saxophonist and flutist Paul Lieberman's 2011 CD ibeji features a number of legendary musicians: Rufus Reid and Nilson Matta on ...
CrossCurrent 3: A Cry for Cultural Development
by Gian Paolo Galasi
CrossCurrent Festival 3: Press Conference Piazza Loggia, Café Aquarium Brescia, Italy June 21, 2011 This space may not be the most fitting for an extended cultural/sociological analysis of how artistic expression and economical acknowledgment feeds each other, but there are events that can be taken as a good starting point for ...
Susana Santos Silva Quintet: Devil's Dress
by Chris Mosey
Matosinhos, a northern suburb of Oporto, Portugal, is renowned for its high quality fish and seafood--and, increasingly nowadays, its jazz. It is home to the 20-piece Orquestra Jazz de Matosinhos, best known internationally for its collaborations with veteran US saxophonist Lee Konitz and, most recently, with guitarist Kurt Rosenwinkel on Our Secret World (Wommusic, 2010)..
Evan Weiss: Math or Magic
by David Rickert
Combining jazz improvisation and classical composition has been an irresistible idea for many--an intellectual problem promising that, perhaps, the result will combine the best qualities of both. However, in practice, the third stream movement has largely been an indication of boring, pretentious recordings to avoid. But then a guy like Evan Weiss comes along with his ...
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