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Article: Album Review

Erik Palmberg: First Lines

Read "First Lines" reviewed by James Fleming


The playing is spare, cooled. At its best it shines like a new blade in the sunlight, with all the pointed passion of a brilliant sentence. At its lowest, Erik Palmberg's First Lines loses that shine and replaces it with sheen: the glittering finish of studio perfection. A coat worn to flesh out the music. But ...

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Article: Album Review

Mark Masters Ensemble: Our Metier

Read "Our Metier" reviewed by Dan McClenaghan


Mark Masters, an extraordinarily talented and perhaps undersung arranger of large ensembles jazz, has spent a good deal of artistic energy on crafting recordings that explore other people's compositions. His Capri Records output includes The Clifford Brown Project (2003), celebrating the sounds of the too-soon-gone trumpet legend; Porgy and Bess (2005), from the George Gershwin songbook; ...

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Article: Album Review

Claudia Döffinger: Monochrome

Read "Monochrome" reviewed by Jerome Wilson


There are a lot of very fine composers working with large jazz ensembles today, but what Claudia Doffinger does is in a class by itself. A native of Germany, here she leads the Austrian Graz Composers Orchestra in a program that mixes the colors and gestures of big band jazz with the language and rhythms of ...

Article: Album Review

Lydian Sound Orchestra: We Resist!

Read "We Resist!" reviewed by Angelo Leonardi


Cogliere lo spirito del passato nell'affrontare il presente. Sembra essere questo il tratto peculiare della Lydian Sound Orchestra e del suo leader Riccardo Brazzale, un tratto che ritroviamo quanto mai esplicito in questo palpitante lavoro ispirato a We Insist! Freedom Now Suite, il disco-manifesto di Max Roach del 1960. L'album è stato inciso all'Auditorium Parco della ...

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Article: Album Review

Andrew Rathbun Large Ensemble: Atwood Suites

Read "Atwood Suites" reviewed by Jerome Wilson


Andrew Rathbun is a Canadian saxophonist who has made a major musical statement here with this collection of suites, two of which are based on the poetry of author Margaret Atwood. Rathbun's writing shows the influence of another Canadian, Kenny Wheeler, in its lush sonority, the frequent gorgeous flugelhorn solos by Tim Hagans and the role ...

Article: Multiple Reviews

Joseph Daley: Tuba Maestro!

Read "Joseph Daley: Tuba Maestro!" reviewed by Giuseppe Segala


Ci sono musicisti che con il proprio suono e con il proprio carattere hanno saputo dare un'impronta a numerosi e differenti contesti, pur non apparendo in qualità di leader. Joseph Daley, solista eccellente di tuba ed eufonio (ma anche di trombone a pistoni), si mise in luce per l'agilità e la precisione del suo contributo, in ...

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Article: Album Review

Charles Pillow Large Ensemble: Electric Miles

Read "Electric Miles" reviewed by Mark Corroto


You thought not, but you can put the genie back in the bottle. What we're talking about is the specter unleashed by Miles Davis with Bitches Brew (Columbia, 1970). Davis' expanded lineup for BB with ten-plus musicians, including the electric pianos of Joe Zawinul, Chick Corea, and Larry Young, Bennie Maupin playing bass clarinet, a young ...

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Article: Album Review

Michel Legrand: Legrand Jazz

Read "Legrand Jazz" reviewed by Patrick Burnette


Michel LeGrand is best known for his long and fruitful career in movie soundtracks, but as a young man in 1958 he was featured in an arranger's showcase with a collection of jazz masters, including Ben Webster, John Coltrane, Bill Evans, and Miles Davis. Columbia Records in 1958 had an unparalleled roster to offer ...

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Article: Extended Analysis

Wodgi

Read "Wodgi" reviewed by Duncan Heining


Trumpeter Dave Holdsworth has graced a number of key jazz recordings over the years, notably with Mike Westbrook, Barry Guy and Tony Oxley. At the same time, he recorded rather less than many of his peers from that important period in British jazz in the late '60s/early '70s. Instead of the vagaries of a career in ...

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Article: Album Review

Geof Bradfield: Yes, and...Music for Nine Improvisers

Read "Yes, and...Music for Nine Improvisers" reviewed by Jerome Wilson


The Compass Players was a legendary theatrical ensemble in Chicago whose members developed several improvisational games to stimulate their creative instincts. One of these was called “Yes, and..." where one person would start telling a story and everyone who followed would have to continue the story however they wished from the point the previous speaker ended. ...


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