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127

News: Video / DVD

Gerry Mulligan's "Jazz America"

Gerry Mulligan's "Jazz America"

Gerry Mulligan, Jazz America (MVD Visual). The film's opening alternates clips of Mulligan smiling, playing his baritone sax and speaking. That brief documentary sequence establishes the good feeling that prevails in this 1981 performance at Eric's, a New York club. From there on, it's all music. Mulligan's rhythm section—pianist Harold Danko, bassist Frank Luther, drummer Billy ...

137

News: Book / Magazine

"The History Of Jazz" Second Edition By Ted Gioia

The History of Jazz, Second Edition is a tale of giants: Jelly Roll Morton, Louis Armstrong, Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker and Dizzy Gillespie's advocacy of modern jazz in the 1940s, Miles Davis's 1955 performance at the Newport Jazz Festival, all ...

239

Article: Big Band Report

BuJazzO: That's German for Swinging Big Band Jazz

Read "BuJazzO: That's German for Swinging Big Band Jazz" reviewed by Jack Bowers


On August 8, my friend Wes Pfarner and I drove to Santa Fe for a once-in-a lifetime event: a performance by the German Federal Youth Jazz Orchestra, better known to big band enthusiasts by its more condensed and colorful name, BuJazzO. The twenty-piece ensemble, directed by Jiggs Whigham, an American trombonist and educator from Cleveland, Ohio, ...

154

News: Radio

The Music of President Lester Young This Week on Riverwalk Jazz

The Music of President Lester Young This Week on Riverwalk Jazz

This week on Riverwalk Jazz, Vernel Bagneris and Topsy Chapman paint a picture of Lester Young's life based on his own first-person accounts and those of musicians who knew him. The Jim Cullum Jazz Band, with tenor saxophonists Brian Ogilvie and Ron Hockett, offer their homage to the “President of Tenor Sax." The program is distributed ...

244

Article: Interview

Ray Scro: What Jazz Education Means

Read "Ray Scro: What Jazz Education Means" reviewed by Andrew J. Sammut


For Ray Scro, music education is a redundancy. He's been performing, studying and teaching music for nearly fifty years in his home of Staten Island, and throughout New York City. In the early seventies Scro studied under saxophonist and guru Lee Konitz, and he's played with Jimmy Knepper, Chuck Wayne, Charlie Persip, and Chico Hamilton, among ...

205

Article: Take Five With...

Take Five With Jackson Evans

Read "Take Five With Jackson Evans" reviewed by AAJ Staff


Meet Jackson Evans: Based in Savannah, Georgia, Jackson is known throughout the southeast as an in-demand band leader, composer, arranger and accompanist. In addition to organizing several regional tours he has performed in concert series and festivals including an appearance as a featured guest at the Savannah Jazz Festival.Jackson holds a BM ...

275

Article: Reassessing

Ornette Coleman: The Shape Of Jazz To Come

Read "Ornette Coleman: The Shape Of Jazz To Come" reviewed by C. Michael Bailey


Ornette ColemanThe Shape Of Jazz To ComeAtlantic1959 Ornette Coleman's Contemporary Records releases Something Else!!!! (1958) and Tomorrow Is The Question! (1959) documented the alto saxophonist's development from the last vestiges of bebop toward a harmonically freer jazz language. Coleman's album titles became more prophetic as they were ...

192

Article: Big Band Report

Big Band Jazz: It's Not Just for Guys Anymore

Read "Big Band Jazz: It's Not Just for Guys Anymore" reviewed by Jack Bowers


Back in the early '90s, Stanley Kay, one-time back-up drummer for the incomparable Buddy Rich, later a manager of such artists as Maurice Hines, Michelle Lee and Paul Burke and the entertainment director for the New York Yankees, had a good idea: the time had come, he reasoned, to assemble an all-woman big band that would ...

324

Article: Reassessing

Ornette Coleman: Tomorrow is the Question!

Read "Ornette Coleman: Tomorrow is the Question!" reviewed by C. Michael Bailey


Ornette ColemanTomorrow is the QuestionContemporary1959Shaking out of the contractual obligation forcing him to employ a pianist on his debut, Something Else!!!! (Contemporary, 1958), alto saxophonist Ornette Coleman dispensed with the instrument altogether on 1959's Tomorrow is the Question!, causing a bit of consternation on the part of the ...

388

Article: Interview

Ryan Truesdell: The Gil Evans Project

Read "Ryan Truesdell: The Gil Evans Project" reviewed by Victor L. Schermer


Imagine the commotion when previously unknown manuscripts of Beethoven or Bach were discovered. In the jazz world, the equivalent of such an event might occur with regard to the music of innovators like Duke Ellington or Gil Evans. Indeed, that is exactly what composer-arranger-conductor-producer Ryan Truesdell has uncovered with Evans' music. He researched and found a ...


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