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Tony Bennett Slays 'Em At Gilmore Keyboard Festival in Kalamazoo
by John Ephland
Tony Bennett and His Quartet Chenery Auditorium Irving S. Gilmore International Keyboard Festival Kalamazoo, MI May 7, 2016 You could sense it. Here was an artist who was the last man standing from an era that covered anything and everyone, from Gershwin to Gaga. With an accent on George. Tony ...
George Shearing: Late '60s
So much of George Shearing's extensive Capitol catalog is disappointing. I'm not complaining about Shearing's playing, which was mostly lively and thoughtful. Rather, it's the unevenness of his individual albums during this period and from one album to the next. It's almost as if the suits at Capitol had no clue what sounded good and what ...
Unreleased Ella Fitzgerald On Dot Time Records!
The inaugural release of the Legends series is Ella Fitzgerald: Live at Chautauqua. Vol. 1. The date is July 11, 1968. The venue is the Chautauqua Institution Amphitheater in Western New York near Lake Erie (a venue built in 1893 that had housed such varied programs as those presented by Booker T. Washington, Amelia Earhart, Marian ...
Jennifer Leitham: Mood (S)wings
by Jack Bowers
One of the rules of thumb in jazz is that hardly anyone ever looks forward to a bass solo. Rules, however, were made to be broken, and a case in point is multi-talented Jennifer Leitham whose solos on Mood (S)wings are nimble, well-crafted and consistently engaging--in other words, worth looking forward to. Not that anything less ...
Gary Burton: A Lifetime of Collaborations
by Chris M. Slawecki
This interview was first published at All About Jazz in April 1999. Vibraphonist, composer and teacher, Gary Burton was among the first modern jazz musicians to come out of the fertile American Midwestern musical ground from which Pat Metheny and others later grew. Born in Anderson, Indiana, Burton began his professional career while still ...
Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience
by Bill Dal Cerro
The following is an excerpt from the “Lennie Tristano: The Passionate Intellectual" chapter of Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience by Bill Dal Cerro and David Anthony Witter (Bella Musica Publishing, 2015). World War II and the atomic bomb changed not only the political landscape, but art, architecture ...
Yvonnick Prene and Pasquale Grasso: Merci Toots
by Chris Mosey
It is often said--rather nastily--that nobody can name five famous Belgians. Jazz fans can certainly name one: harmonicist Toots Thielemans. Thielemans, who in 2014 announced his retirement at the age of 92, decamped from his homeland after the war to play with just about everyone in the US, including Charlie Parker and--primarily--George Shearing. ...
Ronny Johansson: Japanese Blue
by Jack Bowers
Abandoning for the moment his usual piano-bass-drums format, Swedish pianist Ronny Johansson has the stage to himself on Japanese Blue, an album whose name and spirit epitomize a country in which Johansson has spent many pleasurable moments. Aside from pointing out the obvious --that Johansson's harmonic figures are engaging and his technique flawless ...
Buddy De Franco (1923-2014)
Buddy De Franco, a highly accomplished and exquisite jazz clarinetist who began his career in several leading swing bands of the 1940s before pivoting to bebop in the late 1940s and early '50s and teaming with leading jazz artists throughout the LP era, died on Dec. 24. He was 91. Buddy's first recording in 1943 was ...
Lyn Stanley: Potions: From the ‘50s
by C. Michael Bailey
We Baby Boomers are a persnickety bunch. We revel in our nostalgia while keeping a jaundiced eye on current trends and how derivative they are compared with those we experienced when they were really new. Critics dismiss this nostalgia as wasted pathos, pining away for what can never be again. That is missing the point. Memory ...
