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Article: Big Band Caravan

Phil Woods / Stan Kenton / The Les Hooper Band

Read "Phil Woods / Stan Kenton / The Les Hooper Band" reviewed by Jack Bowers


Phil Woods / DePaul University Jazz Ensemble Solitude Jazzed Media 2010 Not to underplay the title, but Solitude, from alto saxophone master Phil Woods and the splendid DePaul University Jazz Ensemble, embodies far more than the sort of serenity it implies. In fact, Woods is as animated and ...

452

Article: Album Review

Geri Allen: Geri Allen & Timeline Live

Read "Geri Allen & Timeline Live" reviewed by Mark F. Turner


Remember the time when jazz and dance were simpatico partners? Where swing and tap were intertwined with lively music and sweltering choreography in joints, halls, and clubs. Probably not, but pianist Geri Allen does, as she reflects on those past golden moments and dares to create new ones with Geri Allen & Timeline Live. ...

362

Article: Album Review

Bruce Barth / Steve Wilson: Home

Read "Home" reviewed by Larry Taylor


The increase in house concerts throughout the country is apparent, taking place in big cities like Los Angeles, San Francisco and Baltimore, as well as in smaller towns such as Columbia, Missouri, where this recorded duo date took place. Appearing at the home of Barbara Tellerman and Allyn Sher in 2009, pianist Bruce Barth and saxophonist ...

528

Article: Live Review

Andy Fusco and Friends

Read "Andy Fusco and Friends" reviewed by David A. Orthmann


Andy Fusco and Friends Kean UniversityEnlow Recital Hall Hillside, NJ March 25, 2010 There was a stark contrast between the first and the second half of a concert billed as “Jazz on the Fazioli" and “Andy Fusco and Friends." Pianist Ted Rosenthal opened with jazz interpretations on classical ...

228

Article: Album Review

Dan Dean: 2 5 1

Read "2 5 1" reviewed by Dan McClenaghan


Bassist Dan Dean is no stranger to the format of the intimate duo. His teaming with vibraphonist Tom Collier on the superb and aptly titled Duets (Origin Records, 2005) was a bright sparkling gem of a recording. On 2 5 1 he goes for a broader exploration of that sound, pairing up with four of his ...

310

Article: Album Review

Ehud Asherie: Modern Life

Read "Modern Life" reviewed by John Barron


New York-based pianist Ehud Asherie swings hard on Modern Life, his third release for Posi-Tone Records. With the help of tenor saxophonist Harry Allen, bassist Joel Forbes and drummer Chuck Riggs, the Israeli-born Asherie demonstrates an in-depth understanding of the piano jazz tradition. Throughout this set of standards and riff-based Asherie originals, it doesn't take long ...

255

Article: Album Review

Ehud Asherie: Modern Life

Read "Modern Life" reviewed by Bruce Lindsay


Modern life, if this fine recording from Israeli-born, New York-based pianist Ehud Asherie is anything to go by, happened sometime between the late-1940s and the late-'50s. From the beautifully-designed packaging--with the greens and golds of the graphics matched by those of Asherie's suit, shirt and tie--to the exquisite renditions of classic tunes and a couple of ...

407

Article: Album Review

Ehud Asherie: Modern Life

Read "Modern Life" reviewed by Dan Bilawsky


A dichotomy exists within the musical mind of pianist Ehud Asherie. The youthful pianist is clearly an old soul in many ways. His choice of material--including tunes from George Gershwin, Billy Strayhorn and Jerome Kern--combined with his knowledge of stride piano and fondness for the jazz masters of the early twentieth century are a throwback. However, ...

512

Article: Album Review

Anne Bisson: Blue Mind

Read "Blue Mind" reviewed by Jerry D'Souza


When singer-pianist Anne Bisson decided to record her first album, she had planned on giving classical music a jazz approach. However, one day as she was sitting by her piano, the muse descended and inspired her to write “Little Black Lake." She discovered an inner trove of songs that emerged from her heart to fill this ...

508

Article: Album Review

Amit Chaudhuri: This Is Not Fusion

Read "This Is Not Fusion" reviewed by Chris May


Being opposed to musical fusion in 2010 is a bit like being opposed to digital technology. It appears rather ridiculous, for the comingling of global musical flavors is now practically the norm. It's not a norm shared by the Calcutta-born novelist and poet Amit Chaudhuri, who takes a contrary tack on This Is Not Fusion.


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