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Jazzmeia Horn: Love & Liberation
by Ian Patterson
It's a big step for any singer, the move from interpreter of jazz standards to songwriter. And when you've been Grammy-nominated for a debut album of covers, as Jazzmeia Horn was with A Social Call (Prestige, 2017), the temptation must be to carry on in the same vein. Horn, however, clearly has greater ambition, as the ...
Jazzkaar 2019
by Martin Longley
Jazzkaar Tallinn, Estonia April 23-28, 2019 Towards the second half of Jazzkaar, there was an invasion of starry Americans, overwhelming the normally quite striking wealth of indigenous Estonian talent. As ever, the fundamental structure of this 10-dayer revolved around its two main stages in the Telliskivi Creative City, Vaba Lava ...
Jared Pauley: On Capitol Street
by Roger Farbey
Hailing from Charleston, West Virginia, but now resident in NYC, Jared Pauley's first musical experiments were with the guitar but he abandoned this in favor of piano as a teenager. His influences include Herbie Hancock, George Duke and Chick Corea and his first purchased albums were Miles Davis' Milestones (Columbia, 1958), Herbie Hancock's Headhunters (Columbia, 1973) ...
Festival International de Jazz de Montréal 2019
by John Kelman
Festival International de Jazz de Montréal Various Venues Montréal, Canada June 27 -July 1, 2019 Forty years. Not a lifetime, perhaps, but a remarkably long time for any festival to not only continue to exist but, despite increasing challenges, to thrive. An even greater achievement when it's the Festival International de ...
Ivan Conti: Poison Fruit
by Chris M. Slawecki
If the music on his fourth solo album Poison Fruit is a true indicator, Ivan “Mamão" Conti hasn't lost his uncanny producer's ear or instrumentalist's touch for clubbers or dancers in Brazil. A legendary bandleader, percussion and drum player, and composer, Mamão sweetens Poison Fruit by letting it ripen in the hands of two younger, next ...
Big Bands, Orchestras and Soft Machines
by Chris M. Slawecki
Randy Brecker & NDR Bigband Rocks Piloo Records & Productions LLC 2019 The easiest answer isn't always the best answer, but sometimes it is. So it's both easy and proper to point out that trumpet and flugelhorn master, composer, and bandleader Randy Brecker was kind enough ...
Take Five with Christian de Mesones
by AAJ Staff
About Christian de Mesones Christian “Big New York" de Mesones has been playing bass guitar for decades. At 18, he graduated from the world-famous Bass Institute of Technology (now the Musician's Institute) in Hollywood, California where he studied with such greats as Abraham Laboriel, Pat Martino, and the late Tommy Tedesco. He ...
Bruford-Borstlap: Sheer Reckless Abandon
by John Kelman
One of the great joys of music can be that of distance: coming back to a piece of music, a musician/group or a discography, even, years later to rediscover it anew. While returning to music after a break of months, years...even decades...is not always a revelation, it's likely true that, if the music was appealing the ...
Aaron Rimbui: Nairobi to New York City
by Seton Hawkins
Kenya is noted for an extraordinary array of musical offerings yet its jazz scene has historically been quite slim. However, Nairobi-born pianist Aaron Rimbui may change that dynamic. Drawing on the musical traditions of Kenya and East Africa, Rimbui has established a singular and absolutely arresting approach to jazz piano. With several ...
Brent Birckhead: Birckhead
by Mike Jurkovic
As an alumnus of Lauryn Hill, Nas, George Duke, and Larry Graham as well as a Downbeat Award winner for outstanding instrumentalist, alto saxophonist Brent Birckhead has certainly absorbed his influences well. So it's anyone's conjecture why he would possibly want to undermine his musical intentions by intro-ing his eponymous release with a brief but utterly ...
