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40

Article: Building a Jazz Library

Miles Davis: The Real Second Great Quintet

Read "Miles Davis: The Real Second Great Quintet" reviewed by Chris May


Miles Davis' first great quintet is generally agreed to be the one with tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones--the group which in 1955-56 recorded Columbia's 'Round About Midnight and Prestige's The New Miles Davis Quintet, Steamin', Workin', Relaxin' and Cookin'. Davis' second great quintet ...

1,018

Article: Interview

George Coleman: The Quiet Giant

Read "George Coleman: The Quiet Giant" reviewed by R.J. DeLuke


This interview was first published at All About Jazz on March 13, 2004. The tenor sax is one of the great emblems of jazz. From Coleman Hawkins to Lester Young. Byas and Ben Webster. Dexter, Trane. Getz and Sonny Rollins, on and on. And today's practitioners like Branford and Brecker, Joshua Redman and James ...

4

Article: Album Review

Adam Nolan: Prim and Primal

Read "Prim and Primal" reviewed by Richard J Salvucci


Tell you what. A lot of listeners have never been particularly big fans of free jazz. “It is difficult to understand." Really? “Formalism," said Sergei Prokofiev, “is the name given to music not understood on first hearing." This, recall, was a statement made in defense of Dmitri Shostakovich and his Fourth Symphony. This is not to ...

8

Article: Album Review

Alex Jenkins Trio: Tri-Cycle

Read "Tri-Cycle" reviewed by Dan McClenaghan


The Alex Jenkins Trio, out of Sacramento, California, has a forthright, muscular sound. Sax, bass and drums--things boiled down to the essentials. Tri-Cycle, Jenkins' second trio recording presents music in an uncluttered style, opens the show with the cool pop and bubble of Jenkin's original, “Scarlet Lullaby." Jenkins drumming style--on a drum kit here, ...

Article: Interview

Dino Piana: un altro giro di Blues

Read "Dino Piana: un altro giro di Blues" reviewed by Paolo Marra


A 91 anni Dino Piana ha ancora voglia di suonare come quando da bambino lo faceva con un pezzo di legno sullo scalino di casa--"non potrei stare un giorno senza suonare, starei male perché ho bisogno di esprimermi" così ci dice il trombonista piemontese nell'intervista che abbiamo realizzato in occasione dell'uscita del suo nuovo disco Al ...

21

Article: Book Review

Beneath Missouri Skies: Pat Metheny in Kansas City 1964-1972

Read "Beneath Missouri Skies: Pat Metheny in Kansas City 1964-1972" reviewed by Kyle Simpler


Beneath Missouri Skies: Pat Metheny in Kansas City 1964-1972 Carolyn Glenn Brewer 266 Pages ISBN: # 978-1-57441-823-1 University of North Texas Press 2021 Although Pat Metheny is in many aspects a global citizen, he is first and foremost a native of Missouri. His midwestern-American background and influences appear in ...

9

Article: Album Review

Tim Mayer: Keeper of the Flame

Read "Keeper of the Flame" reviewed by Jack Bowers


On Keeper of the Flame, Tim Mayer, a Bostonian who now calls Mexico home, leads a sharp, swinging group of like-minded amigos on a (mostly) octet studio date enriched by Diego Rivera's colorful arrangements. Mayer plays tenor sax on half a dozen tracks, soprano sax on “Bye Bye Blackbird" and “Get Organized," alto flute on “Elusive." ...

2

Article: Radio & Podcasts

Cooking with Coleman

Read "Cooking with Coleman" reviewed by Patrick Burnette


In honor of a Record Store Day release of In Baltimore, we decided to devote an episode to tenor saxophonist George Coleman, who served tours of duty with Max Roach, Elvin Jones, and Miles Davis among others. The focus is on his mid-sixties to early seventies work as we ponder George's strengths and weaknesses and whether ...

1

Article: Radio & Podcasts

Eric Revis, Billy Higgins & Rob Scheps

Read "Eric Revis, Billy Higgins & Rob Scheps" reviewed by Joe Dimino


We begin the 696th Episode of Neon Jazz with bassist Eric Revis and a track from his 2020 release Slipknots Through a Looking Glass. We take a closer look at the musicians who made made 2020 a fantastic year for new jazz releases with Ron Miles, Jen Hodge and Ben Rosenblum. We also listen to a ...

29

Article: Building a Jazz Library

Instrumental Duos

Read "Instrumental Duos" reviewed by Karl Ackermann


The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...


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