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Reggie Nicholson: No Preservatives Added
by Howard Mandel
From cosmic gong signaling it's “Time to Reset" to bluesy combo asking that we “Say It Ain't So," Reggie Nicholson's Percussion Concept on No Preservatives Added makes music of real life and sonic imagination. Beats, breathes, cycles, syncopations and synchronizations--dances, stances, gestures, textures—rhythmic physicality and melodic extrapolation--expressive, engaging improvisations of a masterful team, that proceed by ...
John Abercrombie: The First Quartet
by John Kelman
With the release of Arcade (1979), Abercrombie Quartet (1980) and M (1981), John Abercrombie's entire ECM discography as a leader is finally available on CD. Looking back at these albums and their position in his oeuvre, they are revealed as seminal documents of Abercrombie's arrival as a distinctive writer, improvising guitarist and bandleader, delivering on the ...
Lou Donaldson: Alligator Bogaloo
by Joseph Vella
Who doesn't love the playing of Lou Donaldson? This late-'60s gem is one of those recordings where everything hits right. It is not only brilliant (and wonderfully dated) but it's also the type of record even your non-jazz friends can snap and tap to. The combo of hard bop and soul jazz is infectious. Right from ...
Matt Greenwood: Atlas
by Dan McClenaghan
There are a lot of jazz guitarists out there, and competence in the art of the guitar is common. Mature excellence is less so. But we expect that when we spin a CD. Matt Greenwood, born in Zimbabwe and now home-based in Canada, displays that rare-for-a-debut mature excellence on his axe-- and more importantly in his ...
Muriel Grossmann: Universal Code
by Mark Corroto
Infectious is a word much maligned of late. What with a worldwide pandemic, the word has come to stand in for other terms such as contagious and transmittable. The word though has another meaning as demonstrated by saxophonist Muriel Grossmann's Universal Code. Infectious can also mean irresistible or compelling in an infectious way. Together with her ...
Joe Lovano: Cleveland's Ultimate Jazz Titan
by Matthew Alec
Friday, June 24th, 2022, saxophonist Joe Lovano's group Sound Prints (alongside trumpeter and co-leader Dave Douglas) delivered a tour de force performance to spellbound audience members at the historic Mimi Ohio Theatre in Playhouse Square as a part of Cleveland's annual Tri-C JazzFest. Seasoned group interplay between drummer Rudy Royston, bassist Matt Penman, and pianist Leo ...
Lia Booth & Jason "Spicy G" Goldman: There's Only One
by Edward Blanco
Southern California-based saxophonist, songwriter and award-winning producer Jason “Spicy G" Goldman, presents There's Only One, an engaging encore performance to his previously well-received album Hypnotized (2020, Self-Produced). This offering provides a selection of re-imagined standards supported by a core septet, plus the addition of violins and cello on selected tracks, that manages to produce a large ...
Take Five with Yulia
by AAJ Staff
Meet Yulia I was born in Siberia. In 2000 there were cardinal changes in my life--I moved to the USA. My formation as a musician began in childhood, from the age of age I began to learn to play the piano, and a little later to compose and record my music on sheet music. I studied at ...
Shawn Purcell: 180
by Jack Bowers
Guitarist Shawn Purcell's latest CD, 180, is all about swinging; Purcell's trio (Pat Bianchi on Hammond B3 organ, Jason Tiemann on drums) nestles squarely into the groove on the double-quick opener, “Cat and Mouse," which sets an upbeat tone for the album as a whole. The rhythm seldom flags on Purcell's sunny compositions ...
Ramsey Lewis: Life is Good
by Jacob Blickenstaff
Some jazz aficionados might characterize pianist Ramsey Lewis' music as a gateway into more serious jazz, as if popular Lewis albums like The In Crowd (Verve, 1965) were meant to lead novice listeners to saxophonist Ornette Coleman's The Shape of Jazz to Come (Atlantic, 1959). But Lewis' commercial successes should not be viewed as a liability ...
