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11

Article: Interview

Jeff Parker: Reinventing Tradition

Read "Jeff Parker: Reinventing Tradition" reviewed by Jakob Baekgaard

by Jakob Baekgaard

Is there such a thing as a Chicago sound? Back in the year 2000, a compilation was released that tried to portray a new and exciting musical scene. The album was called Chicago 2018... It's Gonna Change and it highlighted a brilliant mixture of free jazz, electronica, post-rock, art pop and experimental folk music. Of the ...

Album

Our Roots

By Geof Bradfield

Label: Origin Records
Released: 2015
Track listing: Adam in the Garden; Clinton Hill; Yellow Gal; Black Girl; Meshell; Before This time another Year; Lead Belly; Dick's Holler; Mbira Song; Dark Was the Night, Cold Was the Ground; Motherless Children; Take This Hammer

64

Article: Year in Review

Dan McClenaghan's Best Releases of 2015

Read "Dan McClenaghan's Best Releases of 2015" reviewed by Dan McClenaghan

by Dan McClenaghan

My search for the best jazz recordings of 2015 led me to these marvelous CDs. Yelena EckemoffLions L&H Productions Pianist Yelena Eckemoff, originally from Russia, and originally a classical player, has driven deep into her quest to create first rate jazz. This ambitious two disc set, featuring Norwegian bassist Arild ...

4

Article: Album Review

Geof Bradfield Quintet: Our Roots

Read "Our Roots" reviewed by C. Michael Bailey

by C. Michael Bailey

Tenor saxophonist Geof Bradfield's inspiration for Our Roots came from Clifford Jordan's Huddie “LeadBelly" tribute, These are my Roots: Clifford Jordan plays Leadbelly (Atlantic, 1965). While there is a bit of overlap in material from both recordings, Bradfield adopts a very different format for his presentation. Jordan employed a standard jazz rhythm section, while Bradfield eschews ...

5

Article: Album Review

Geof Bradfield: Our Roots

Read "Our Roots" reviewed by Mark Corroto

by Mark Corroto

Without the blues, there would be no jazz, and arguably, no rock-and-roll. Think about it, if there were no rock-and-roll, Mick Jagger and Keith Richards, who stole every American blues lick they could find in the 1960s, would have had to get real jobs. Jazz musicians suffer no illusions that their music wasn't born ...

8

Article: Album Review

Geof Bradfield Quintet: Our Roots

Read "Our Roots" reviewed by Dan McClenaghan

by Dan McClenaghan

Discussing “roots" in the context of jazz, a good starting point is the Mississippi delta, down in New Orleans, where the music of trumpeters King Oliver and Louis Armstrong grew strong. And then there's the rich earth of the delta in north western Mississippi, up near Clarksdale, where the blues grew and blossomed. The roots from ...

8

Article: Album Review

Peter Lerner: Continuation

Read "Continuation" reviewed by Jack Bowers

by Jack Bowers

Nothing unflattering can be said about Chicago-born and -based guitarist Peter Lerner's latest album, Continuation. The energy level is high, the charts admirable, the supporting cast exemplary. On the other hand, it would be hard to separate the enterprise from a veritable sea of rivals that dwell in a comparable groove. As there is nothing explicit ...

Album

Melba!

By Geof Bradfield

Label: Origin Records
Released: 2013
Track listing: Kansas City Child; Central Avenue; Dizzy Gillespie; Randy Weston; Solo Saxophone Introduction; Detroit/Kingston; Homecoming; "Let Me Not Lose My Dream.

5

Article: Album Review

Clark Sommers: Ba(SH)

Read "Ba(SH)" reviewed by Dan McClenaghan

by Dan McClenaghan

There's something quite “free" about a trio without a guitar or piano in the mix, with no chords nailing the sound down. Seattle's Origin Records has a history of offering up excellent saxophone/bass/drums outings: bassist Jeff Johnson's Near Earth (2004) and Free (2000), and drummer John Bishop's Nothing If Not Something (2006). Now three veterans of ...

3

Article: Album Review

Matt Ulery's Loom: Wake An Echo

Read "Wake An Echo" reviewed by Hrayr Attarian

by Hrayr Attarian

Cinematic, soundtrack, and similar film related words are often used to describe Chicago bassist Matt Ulery's work. Ulery's compositions are certainly inspired by the 7th art and over the course of six years, and as many albums, they have achieved a complex texture that induces a sublime and pleasant synesthesia. Listening to his 2013 Wake An ...


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