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Nika Project: Elusive
by Geno Thackara
When Veronika Griesslehner opens her mouth, you can hear an impressive weight of experience to go with such a young voice. She doesn't try or claim to approach the worldly depths of an Ella Fitzgerald or a Nina Simone and doesn't have to--the similarities in sound here are impressionistic rather than imitative, but those classic divas ...
Mark Guiliana: Jersey
by Geno Thackara
With an all-encompassing style that keeps him in high demand throughout the jazz world and beyond, perhaps it's unsurprising (if unfortunate) that Mark Guiliana boasts only a handful of titles to his own name. The middle of the 2010s saw him drumming in sessions with Dave Douglas or Avishai Cohen (among others) to briefly subbing with ...
Tubis Trio: The Truth
by Geno Thackara
A title such as The Truth may seem like some kind of commentary or bold statement in what's strangely referred to as the post-truth era, though Maciej Tubis and his cohorts thankfully don't bring any such weighty baggage to their first studio date (following two live releases with slightly different lineups). In the end, you need ...
John McLaughlin and the 4th Dimension: Live at Ronnie Scott's
by Geno Thackara
Music has taken him and his guitar to some of the most exotic far reaches of the world, but Ronnie Scott's Jazz Club will always have a special place in John McLaughlin's heart. His mid-1960s time in the famous London venue's house band was a key early step in his musical life, and he idly wonders ...
LRK Trio: If You Have a Dream
by Geno Thackara
It begins with a swell of strings that could almost serve as a prelude to something classical. Before the first minute is over, the piano swoops in for a brief but dizzying solo as the intro builds to a plateau. In the next minute we're launched into a tumble down a very steep slope--the piece's composer ...
Stick Men at Havana
by Geno Thackara
Stick Men Havana New Hope, PA August 15, 2017 Stick Men look like a secondary project or side endeavor on the surface--probably inevitable since the members are most known in the progressive music world for being part of the King Crimson family--but there's a real difference between being a side ...
Steven Wilson: To the Bone
by Geno Thackara
Wait long enough and everything old becomes new again. Steven Wilson's career has often seemed like one long exercise in putting that idea into practice. Through at least half a dozen different musical outfits, he's continually borrowed from and paid homage to the vast genre stew of music that's shaped his life, from progressive rock to ...
Portico Quartet: Art in the Age of Automation
by Geno Thackara
It's an inevitable rule that pretty much any piece of automated technology, especially digital technology, gets criticized for replacing something natural. The synthesizer invited a backlash when it was used (and yes, often misused) as a substitute for 'real' instruments--ditto the computerized tones and robotic timekeeping of MIDI and digital programming. Nonetheless, it's just as inevitable ...
The Art (de Vivre) of the Trio
by Geno Thackara
Amaury Faye Trio Clearway Pias Jazz Village 2017 Following several years of studying and reputation-building in his native France and beyond, Amaury Faye makes an accomplished and overdue step foward with Clearway. It was largely a standards affair on his leader debut Big Moe Trio (Greenworks, 2010). Here the French ...
Frode Kjekstad: A Piece of the Apple
by Geno Thackara
There's no telling just when or why a certain place will sink its hooks into you. However active Frode Kjekstad remains in his native Norway, he's clearly left his heart in New York City. The bustling personality of the metropolis can be felt all over his bop-and-blues compositions and fleet fretwork. With a classy full-bodied tone ...


