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Article: Album Review

Martin Wind: Light Blue

Read "Light Blue" reviewed by Geno Thackara


Releasing a defining album is a pretty nice way to celebrate hitting age 50. If it's a particularly solid outing, so much the better. Martin Wind's milestone comes as he also marks 25 years as a recording player. It seems faintly miraculous that there's really time for him to do his own thing, considering that he's ...

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Article: Multiple Reviews

Jon Catler: Sacred and Profane

Read "Jon Catler: Sacred and Profane" reviewed by Geno Thackara


On a certain fundamental level, music really comes down to math. The notes we consider normal are based on certain frequencies of sound vibration, after all, the pitches that make sense to our ears and that we find pleasing when they react in the right ways relative to each other. Jon Catler, however, is one fellow ...

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Article: Live From Philadelphia

Katie Thiroux Trio at South Jazz Parlor

Read "Katie Thiroux Trio at South Jazz Parlor" reviewed by Geno Thackara


Katie Thiroux Trio South Jazz Parlor Philadelphia, PA February 24, 2018 In time-honored Philly tradition, South is the kind of venue that recognizes jazz as a vital staple rather than just another aspect of business. Nestled on a corner in Center City's bustling north side (go figure), the place features a ...

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Article: Album Review

Gleb Kolyadin: Gleb Kolyadin

Read "Gleb Kolyadin" reviewed by Geno Thackara


One sometimes doesn't know where to start in describing things under the progressive-rock umbrella, considering that the term comes with such a pile of baggage it's practically impossible to see around. The modern-day genre (to the extent that's even a recognizable thing) arguably has even more issues than the 1970s version: there are more bands out ...

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Article: Album Review

Justin Almquist: The Speed of Dark

Read "The Speed of Dark" reviewed by Geno Thackara


How fast does dark actually go anyway? It's light that makes the most common and obvious metaphors for speed, after all. Then again, as the great Terry Pratchett wrote: “no matter how fast light travels, it finds the darkness has always got there first and is waiting for it." Shadows simply grow in a different way ...

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Article: Album Review

Andy Sheppard Quartet: Romaria

Read "Romaria" reviewed by Geno Thackara


Where so much music treats silence as an exception, Andy Sheppard's recordings find it serving more as the rule. He's never been one for weaving flashy speed runs or feeling pressure to fill space. Even when his sax lines speed up from time to time through Romaria, they serve the mood with tasteful restraint, smoothly evoking ...

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Article: Album Review

Phil Scarff: Ragas on Saxophone

Read "Ragas on Saxophone" reviewed by Geno Thackara


Plenty of Western players have been inspired by the exotic sounds and qualities of Indian music. It's a much smaller number who've formally studied its classical traditions, however, and fewer still have been successful enough to master the forms and play to the acclaim of Indian audiences. Quick--can you name one off the top of your ...

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Article: Album Review

GoGo Penguin: A Humdrum Star

Read "A Humdrum Star" reviewed by Geno Thackara


“Who are we? We find that we live on an insignificant planet of a humdrum star lost in a galaxy tucked away in some forgotten corner of a universe in which there are far more galaxies than people." -Carl Sagan GoGo Penguin's snappy-yet-offbeat name is a pretty good indicator of their personality—partly inspired ...

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Article: Album Review

URO: OR

Read "OR" reviewed by Geno Thackara


It's always nice to discover a meeting of new or unfamiliar bedfellows in the music world. However figuratively or geographically removed some things may seem to be--such as Scandinavia's fjords and the American heartland, let's just say for instance--you can probably count on a crew of good and willing players to find some common ground. Okay, ...

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Article: Album Review

Quentin Angus: In Stride

Read "In Stride" reviewed by Geno Thackara


Quentin Angus comes across as the kind of player who's seemingly absorbed everything in developing a repertoire--one whose extensive study lets him draw on any style and throw out familiar licks on a whim. Here we have soft electric tones worthy of Grant Green crossed with the expansive compositional smarts of Pat Metheny. Fleet lines and ...


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