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Three Sounds: Groovin' Hard

Three Sounds: Groovin' Hard

In the early 1960s, a growing number of lounges and clubs geared to young adults began emerging in Chicago. Some clubs such as the Playboy Club, which first opened in Chicago in 1960, pulled in white customers, while plenty of others were aimed at African-American audiences. All of these establishments began featuring jazz-soul trios, offering a ...

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Article: Album Review

Three Sounds: Groovin’ Hard - Live at the Penthouse 1964 - 1968

Read "Groovin’ Hard - Live at the Penthouse 1964 - 1968" reviewed by C. Michael Bailey


Pianist Gene Harris was a durable jazz force from the beginning of his career as leader of the soul-jazz trio, The Three Sounds in the mid-1950s until his death in 2000. He described himself as “a blues pianist with chops" and that is as good a description as can be had. He had a piano style ...

Album

Groovin' Hard (Live At The Penthouse 1964-1968)

Label: Resonance Records
Released: 2016
Track listing: Girl Talk; The Night Has A Thousand Eyes; Blue Genes; The Shadow Of Your Smile; Rat Down Front; Yours Is My Heart Alone; A.M. Blues; Bluesette; Caesar And Cleopatra (Film Theme); The Boogaloo;

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Article: Profile

James Clay: Texas Tenor, Second Generation

Read "James Clay: Texas Tenor, Second Generation" reviewed by David Perrine


The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...

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Article: My Blue Note Obsession

Stanley Turrentine and The 3 Sounds: Blue Hour – 1960

Read "Stanley Turrentine and The 3 Sounds: Blue Hour – 1960" reviewed by Marc Davis


Every good record collection has music for many moods. Feeling frantic? Try Dizzy Gillespie or the Ramones. Feel like dancing? Definitely the big bands. Feeling wistful? Maybe Ben Webster or Frank Sinatra. But if you're feeling blue, you need Stanley Turrentine, and Blue Hour is exactly the right prescription. Stanley Turrentine is ...

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Article: Album Review

Ron Thomas: Impatience

Read "Impatience" reviewed by C. Michael Bailey


There is something elemental about the jazz piano trio. It is classically called the “Rhythm Section," that practical subset of a larger ensemble that produces the pulse that propels the band and compositions the band plays. It is also the most enduring of jazz performance formats that has included the giants of jazz. Whether it is ...

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Article: Take Five With...

Take Five With Noah Haidu

Read "Take Five With Noah Haidu" reviewed by AAJ Staff


Meet Noah Haidu: Pianist and composer Noah Haidu is evidence that 21st century jazz can be adventurous, fresh and swing hard; that an exciting, modern pianist can play memorable melodies and soulful grooves. His powerful Posi-Tone Records CDs Slipstream and Momentum garnered an impressive response: write-ups included All About Jazz, JazzTimes, The Financial Times, ...

Album

Reference Soundcheck

Label: in-akustik
Released: 2014
Track listing: Your Luck Will Find You; I'm An Errand Boy For Rhythm; Little Bit Of That; Friends; Gåte Ved Gåte; Finger Snappin' Good; Sur; Halleluja; Just For You; What I Am Here For?; Belle On The Ball; Tricycle; Save Your Love For Me; Exactly Like You;

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Article: Album Review

Steven Schoenberg: Christmas Reimagined

Read "Christmas Reimagined" reviewed by C. Michael Bailey


Categorization is an anti-entropic effort to describe similar, but not equal, things for comparative reasons. So was my thinking when I began my review of pianist Steven Schoenberg's recording Steven Schoenberg Live: An Improvisational Journey (Quabbin Records, 2009) with: “Like the face of Helen launching a thousand ships, for better or worse, Keith ...

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Article: Album Review

Jon Mayer: The Art of the Ballad

Read "The Art of the Ballad" reviewed by C. Michael Bailey


Jon Mayer not John Mayer. This particular Mayer is a jazz pianist currently living on the West Coast who has been plying his Jazz trade in one form or another since the mid-1950s. Early on, Mayer played on two notable sessions: alto saxophonist Jackie McLean's Strange Blues (Prestige, 1957) and on the John Coltrane sessions recorded ...


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