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Matt Wilson’s Big Happy Family: Beginning of A Memory
by Mark Sullivan
For this mostly retrospective session drummer/composer Matt Wilson convened all of the members--past and present--of his longest established groups: the Matt Wilson Quartet, Arts & Crafts, and Christmas Tree-O. So it's not only a larger ensemble than usual, but also a melding of the different stylistic focuses represented by those projects. There are 13 players altogether, ...
Rob Garcia: Finding Love in an Oligarchy on a Dying Planet
by Franz A. Matzner
A complex amalgam, drummer-composer Rob Garcia's Finding Love in an Oligarchy on a Dying Planetis as densely constructed and provoking as its title. Despite the socially conscious themes that its track titles, lyrics, and multi-layered musical journeys explore, Garcia has made clear this is not a protest album. At least not in the typical sense.
Rob Garcia Presents: Finding Love In An Oligarchy On A Dying Planet On Brooklyn Jazz Underground Records - April 29, 2016
ROB GARCIA PRESENTS: FINDING LOVE IN AN OLIGARCHY ON A DYING PLANET ON BROOKLYN JAZZ UNDERGROUND RECORDS APRIL 29, 2016 Featuring the Rob Garcia 4: Rob Garcia (drums & compositions), Noah Preminger (tenor saxophone), Gary Versace (piano), Masa Kamaguchi (bass), with special guests Joe Lovano (tenor saxophone), Kate McGarry (vocals) & Brendan Burke (spoken word) CD ...
Kurt Elling at Bing Concert Hall
by Lily O'Brien
Kurt Elling Stanford Jazz / Bing Concert Hall Palo Alto, CA February 27, 2016 Kurt Elling is full of it--talent that is. As a vocalist, performer and writer/poet, he is just, simply--off the charts. His performance for Stanford Live at Bing Concert Hall, at Stanford University in Palo Alto on Saturday, ...
Ralph Alessi: Quiver
by Mark Sullivan
Quiver finds trumpeter Ralph Alessi and his quartet in a lyrical, reflective mood. Alessi describes the atmosphere in the recording studio as “pensive," a quality that imbues this music. The group includes most of the players from Alessi's acclaimed ECM leader debut Baida (2013). Drew Gress (double-bass) and Nasheet Waits (drums) return, with Gary Versace taking ...
Joseph Howell: Time Made to Swing
by Mark Sullivan
Ace clarinetist Dr. Joseph D. Howell dedicated this CD to the late Buddy DeFranco, king of bebop clarinet. In addition to being a role model as a player, his recordings with accordionist Tommy Gumina inspired Howell's collaboration with Cory Pesaturo, accordionist on this album. The accordion has found its way onto a number of jazz recordings ...
Maria Schneider Orchestra: The Thompson Fields
by Karl Ackermann
At the time Maria Schneider released Evanescence (Enja, 1994), big band jazz--especially in the US--was overly predictable and indecisively hanging on like ballroom music in a ghost town. Schneider, while embracing the best practices of earlier legendary big band leaders and her mentors, Gil Evans and Bob Brookmeyer, had added unconventional elements to her own compositions. ...
Maria Schneider Orchestra: The Thompson Fields
by Angelo Leonardi
Scomparso Butch Morris, Maria Schneider è da considerare il massimo compositore-orchestratore del jazz contemporaneo. Ogni suo nuovo disco è un evento e The Thompson Fields lo è in misura maggiore per la lunga gestazione che l'ha caratterizzato. A sette anni di distanza dal celebrato Sky Blue (Artist Share, 2007) Maria presenta nuove composizioni in un ...
Maria Schneider Orchestra: The Thompson Fields
by Budd Kopman
The singular achievement of Maria Schneider is to merge the particular with the universal: to use her very personal experiences and memories as grist for music which is aurally beautiful and deeply infused with love. This love originates from Schneider the person and artist; it is amplified and returned by those directly involved in ...
Ray Anderson's Organic Quartet: Being the Point
by Stefano Merighi
Un suono scuro, profondo, indeterminato nelle intenzioni, trova improvvisamente la luce del calypso. Una luce che spinge la musica verso una danza sinuosa, scattante. È l'inizio di Being the Point, disco che riporta Ray Anderson alle sue passioni per il blues, per New Orleans, per i ritmi obliqui già frequentati all'epoca di Slickaphonics. ...
