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Chris Kelsey & What I Say: The Electric Miles Project
by C. Michael Bailey
It takes no shortage of fortitude for contemporary artists to take on the electric Miles Davis. Banking off of his seminal Bitches' Brew (Columbia, 1970), the trumpeter headed for looser, louder and funkier fare, culminating in the twin two-disc releases, Agartha (Columbia, 1975) and Pangea (Columbia, 1976), two shows performed in the afternoon and evening of ...
Freihofer's Saratoga Jazz Festival, Saratoga Springs, NY, June 29-30, 2013
by R.J. DeLuke
Saratoga Performing Arts CenterFreihofer's Saratoga Jazz FestivalSaratoga Springs, NYJune 29-30, 2013 Fiery music that burned with intensity, eclectic compositions that shifted in time signature and tempo, sweet melodies and down-home dirty blues--all were heard at this year's Freihofer's Saratoga Jazz Festival in upstate New York, an event that is among the ...
Wallace Roney: In the Realm of Anti-Gravity
by R.J. DeLuke
Much is made of trumpeter Wallace Roney coming from the Miles Davis school, a mentor-protégé situation that blossomed in the 1980s that Roney is very proud of. But that wouldn't be telling the whole story of the Philadelphia native who, in his prime years, has become one of the world's finest trumpet players, and a musician ...
Will Budget Cuts Hurt Jazz Education's Swing in the USA?
by Joan Gaylord
Though economic indicators suggest we are slowly emerging from the Great Recession here in the United States, repercussions could echo through the jazz world for a generation. The past five or so years of extreme cuts to public school budgets--especially the arts programs-- could mean a dearth of well-trained, young musicians.“I am seeing students ...
Pointing Fingers... And Naming Names
by Jack Bowers
As the countdown continues toward the last Big Band Report in June, the time has come to point fingers and name names--in other words, to compile a short list of contemporary jazz musicians who have risen above the norm to help make life more pleasurable for one devoted listener. These are, mind you, personal choices, and ...
Coltrane Rules (Tao Of A Music Warrior)
By Gary Bartz
Label: Double Moon Records
Released: 2012
Don Byron: Music Wikipedia
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ]I got my Bachelor's in Music Ed and Trumpet from Peabody Conservatory. I got my Master's in Jazz from Queens College. But I did my real graduate work playing with clarinetist Don Byron. My first gigs with Byron were playing Stravinsky ...
Gregory Porter: Sound & Vision
by Chris M. Slawecki
Artists who mix or move between two styles, no matter how smoothly, sometimes risk being critically or commercially marooned between them. Gregory Porter sings in a style deeply steeped in the best soul and rhythm-and-blues schools; his deep and warm instrument conjures echoes of Sam Cooke, Lou Rawls and other legendary voices. Even so, his first ...
McCoy Tyner: McCoy Tyner: Extensions
by Chris May
Languishing off-catalogue for many years, McCoy Tyner's Extensions may be the pianist's most unjustly neglected album. Strange days, for not only is the music ineffably vibrant, but Extensions is the only recording ever to feature Tyner alongside pianist and harpist Alice Coltrane, who replaced him in saxophonist John Coltrane's group in 1966. The album has one ...
The Microscopic Septet: Friday the Thirteenth: The Micros Play Monk
by C. Michael Bailey
If two creative star trajectories were ever meant to cross, it was those of pianist/composer Thelonious Monk and the Microscopic Septet. Sure, Steve Lacy and Mal Waldron had a pretty good Monk gig going, and Sphere was a great tribute band lead by Monk's longtime tenor saxophonist Charlie Rouse (followed by Gary Bartz). But, the Micros...here ...
