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Alex Norris: King Band Geek
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]When I was a young middle school trumpet player in Columbia, MD, Alex Norris was kind of a musical legend around Howard County. Not only was he arguably the best trumpeter in the state, but he could play funk electric bass, and ...
Gary Bartz: Students Are Learning But They Are Learning Backwards!
by Joan Gaylord
"This is folk music. It is good that we have it in the schools, but we need to get it back more into the street--that's where it came from." When saxophonist Gary Bartz is not headlining his own band or touring with McCoy Tyner, he is a professor in the Jazz Studies department ...
Chris Kelsey & What I Say: The Electric Miles Project
by Jeff Dayton-Johnson
Trumpeter Miles Davis' post-Bitches Brew (Columbia, 1970), pre-hiatus (1975-1981) electric music--dense, loud, dark, funky, vast--has posed problems for musicians. The Yo Miles! collective, led by trumpeter Wadada Leo Smith and guitarist Henry Kaiser, gamely approached it as a repertoire: these are songs, they seemed to say; let's just play them (and so they did, on albums ...
Chris Kelsey & What I Say: The Electric Miles Project
by C. Michael Bailey
It takes no shortage of fortitude for contemporary artists to take on the electric Miles Davis. Banking off of his seminal Bitches' Brew (Columbia, 1970), the trumpeter headed for looser, louder and funkier fare, culminating in the twin two-disc releases, Agartha (Columbia, 1975) and Pangea (Columbia, 1976), two shows performed in the afternoon and evening of ...
Freihofer's Saratoga Jazz Festival, Saratoga Springs, NY, June 29-30, 2013
by R.J. DeLuke
Saratoga Performing Arts CenterFreihofer's Saratoga Jazz FestivalSaratoga Springs, NYJune 29-30, 2013 Fiery music that burned with intensity, eclectic compositions that shifted in time signature and tempo, sweet melodies and down-home dirty blues--all were heard at this year's Freihofer's Saratoga Jazz Festival in upstate New York, an event that is among the ...
Wallace Roney: In the Realm of Anti-Gravity
by R.J. DeLuke
Much is made of trumpeter Wallace Roney coming from the Miles Davis school, a mentor-protégé situation that blossomed in the 1980s that Roney is very proud of. But that wouldn't be telling the whole story of the Philadelphia native who, in his prime years, has become one of the world's finest trumpet players, and a musician ...
Will Budget Cuts Hurt Jazz Education's Swing in the USA?
by Joan Gaylord
Though economic indicators suggest we are slowly emerging from the Great Recession here in the United States, repercussions could echo through the jazz world for a generation. The past five or so years of extreme cuts to public school budgets--especially the arts programs-- could mean a dearth of well-trained, young musicians.“I am seeing students ...
Pointing Fingers... And Naming Names
by Jack Bowers
As the countdown continues toward the last Big Band Report in June, the time has come to point fingers and name names--in other words, to compile a short list of contemporary jazz musicians who have risen above the norm to help make life more pleasurable for one devoted listener. These are, mind you, personal choices, and ...
Coltrane Rules (Tao Of A Music Warrior)
By Gary Bartz
Label: Double Moon Records
Released: 2012
Don Byron: Music Wikipedia
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ]I got my Bachelor's in Music Ed and Trumpet from Peabody Conservatory. I got my Master's in Jazz from Queens College. But I did my real graduate work playing with clarinetist Don Byron. My first gigs with Byron were playing Stravinsky ...
