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Molten Gold
By Ivo Perelman
Label: Fundacja Słuchaj!
Released: 2023
Track listing: CD1: Warming Up; Liquid. CD2: Aqua Regia; Gravity.
Keep The Dream Up
Label: Fundacja Słuchaj!
Released: 2023
Track listing: Keep The Dream Up; You See the Lights; The Essence Vibrates Love; Reaching Ever Out; Use of
Clay; Buffaloes; Cracks into Burning; Take me to the spring; They will say; Invocation.
Mike Jurkovic's Best Albums Of 2023
by Mike Jurkovic
Led by Veronica Swift and Lakecia Benjamin, 2023 spotlighted some brilliantly moving new music in a year of previously unheard masterpieces. If music soothes the savage beast, this was a great year to be listening. John ColtraneEvenings At The Village Gate Impulse! Records
Kirk Knuffke / Joe McPhee Quartet + 1: Keep The Dream Up
by Mark Corroto
Synergy might be the best way to describe the result of this assemblage of musicians. Cornetist Kirk Knuffke and saxophonist Joe McPhee combine their various ensembles to create an effect much greater than the sum of their separate parts. Knuffke has worked extensively with bassist Michael Bisio in duo and trio formats, plus in the bassist's ...
Ivo Perelman: Molten Gold
by Hrayr Attarian
Saxophonist Ivo Perelman is a restless innovator, and his recorded output is as inventive as it is prolific. On the exhilarating Molten Gold he explores a new sonic texture by playing with the equally idiosyncratic trombonist Ray Anderson. In addition to Anderson, the quartet includes another Chicago native, drummer Reggie Nicholson who developed his unique sound ...
Ivo Perelman: Molten Gold
by Mike Jurkovic
A tactile, umbilical cord tension binds you to the slithery movements advanced on Molten Gold, the umpteenth in a slew of hard-core free jazz releases, one of them being the twelve disc set Reed Rapture In Brooklyn (Mahakala, 2022), from the generative mind and horn of saxophonist Ivo Perelman. Recorded at ParkWest Studio by Jim Clouse, ...
Ivo Perelman / Ray Anderson / Joe Morris / Reggie Nicholson: Molten Gold
by Chris May
Lovingly described by one critic as a leather-lunged monster," reviews of saxophonist Ivo Perelman's albums typically attract words such as honking, squawking, squealing and apocalyptic. Perelman is not interested in the current vogue for creating safe spaces. He is not the sort of free-improv player one would, in the normal course of things, recommend to AAJers ...
The Pandemic Sessions: Solos, Pt. 1
by Mark Corroto
Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis and of course, that includes musicians. Unable to tour and record with their various ensembles, many prepared solo projects (some recorded before the virus struck) for your listening pleasure. Most of the music is very personal, as if the ...
Two contrasting releases from Charlotte Hug on the Fundacja Słuchaj! label
by John Eyles
For many followers of improvised music, their first experience of Switzerland's Charlotte Hug was around the turn of the millennium, as a viola player, an instrument on which she was classically trained. In collaborations such as the all-female trio with Maggie Nicols and Caroline Kraabel, or the London Improvisers Orchestra (LIO), she soon gained a reputation ...