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344

Article: Album Review

Helen Sung Trio: Helenistique

Read "Helenistique" reviewed by John Fidler


The clean, uncluttered sound of the piano trio gets a refreshing workout on Helenistique, Helen Sung's tribute to the jazz standard. For her second recording, Sung works with drummer Lewis Nash and bassist Derrick Hodge.A classically trained pianist, Sung leads her trio well: she solos with authority, intelligence and grit, especially on Rodgers and ...

95

Article: Album Review

Kris Davis: The Slightest Shift

Read "The Slightest Shift" reviewed by Mark F. Turner


If Canadian pianist Kris Davis' auspicious debut, Life Span (FSNT, 2004), was an indication of her progressive tendencies, then The Slightest Shift reinforces those forward-thinking ideas in resounding and surprising ways. Whereas her debut was colored with expansive lyricism and melodic tapestries, the new recording is a bolder statement of Davis' compositional prowess, and the music ...

380

Article: Album Review

Walter Smith III: Casually Introducing Walter Smith III

Read "Casually Introducing Walter Smith III" reviewed by Nic Jones


Walter Smith has a whole lot going on here. On this programme of originals and standards, the saxophonist's work is often so far advanced from a harmonic standpoint (in particular) that he manages to carve out his own space in the modern mainstream idiom, and that's no mean feat in itself. He also likes to take ...

113

Article: Album Review

Kris Davis: The Slightest Shift

Read "The Slightest Shift" reviewed by John Kelman


Canadian-born, New York-based pianist Kris Davis takes the delicate left-leaning balance of form and freedom of her debut, Lifespan (Fresh Sound New Talent, 2004), and moves even farther away from the center on The Slightest Shift. While Lifespan featured ensembles ranging from trio to sextet, the new record showcases Davis' working group of saxophonist Tony Malaby, ...

225

Article: Album Review

Jason Rigby: Translucent Space

Read "Translucent Space" reviewed by John Kelman


On the competitive New York scene, you've got to be more than just a strong player; you've got to have a concept. Woodwind multi-instrumentalist Jason Rigby's eclectic yet focused debut, Translucent Space, is one of those records that creeps up on you. Recorded live to two-track in just one day, the disc shows Rigby's broad textural ...

158

Article: Album Review

Jason Rigby: Translucent Space

Read "Translucent Space" reviewed by Dan McClenaghan


Multiple reedman Jason Rigby plays soprano, alto and tenor saxophones, as well as bass clarinet and wood flute, on Translucent Space. But it's not his skill with the instruments that makes the disc so rewarding, it's the fully realized ensemble sound he's crafted. The 31-year-old musician's debut recording puts on full display his considerable skills as ...

121

Article: Album Review

Jamie Stewardson: Jhaptal

Read "Jhaptal" reviewed by Michael P. Gladstone


Guitarist Jamie Stewardson's new album, whose title refers to a ten-beat rhythmic cycle frequently used in Indian music, brings together a talented ensemble to explore nine original compositions. With Stewardson are tenor saxophonist Tony Malaby, vibraphonist Alexei Tsiganov, bassist John Hebert and drummer George Schuller. Stewardson studied under John Abercrombie and Mick Goodrick at ...

155

Article: Album Review

Andrew Rathbun / George Colligan: Renderings: The Art of the Duo

Read "Renderings: The Art of the Duo" reviewed by Budd Kopman


Renderings could be the perfect album for the jazz lover who thinks he doesn't like classical music, or vice versa. The recording is extremely beautiful for many reasons, in no small part because of the classical music chosen on which to improvise, as well as the leaders' own classically inspired compositions. From the ...

15

Song of the Day

Sick Leo

Album:
By
Label: Fresh Sound Records
Released: 2004
Duration: 9:56

99

Article: Album Review

Jamie Stewardson: Jhaptal

Read "Jhaptal" reviewed by John Kelman


The downside of more accessible jazz education is a proliferation of young players who speak the language but lack the kind of spark that marks great jazz. And as “the new mainstream incorporates broader harmonic and rhythmic palettes, it's becoming even more difficult to avoid sounding purely cerebral. Not that there's anything wrong with an intellectual ...


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