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Davy Knowles: Best of the Bootlegs 2017
by Doug Collette
Davy Knowles inaugurated a monthly series of live concert downloads during the course of 2017. As the title denotes, Best of the Bootlegs 2017 is purportedly the proverbial cream of that digital crop, and the approximately seventy-five minute CD fairly well depicts the live presentations of the Isle of Man native. The collection succeeds ...
Free
By Uri Gincel
Label: Unit Records
Released: 2013
Track listing:
1. If I Were a Bell 12:31; 2. Parpar 07:17; 3. Syeeda’s Song Flute 06:54; 4. July 06:35; 5. Tomer 06:24; 6. India 06:18; 7. Free 05:15; 8. Avre tu puerta cerrada 07:18.
Uri Gincel Trio: Free
by AAJ Italy Staff
Informazioni biografiche ridotte all'essenziale - di sé tiene a far sapere che è un pianista israeliano stabilitosi a Berlino nel 2009 -, Uri Gincel pare essere uno di quegli artisti che puntano poco sull'autore e molto sull'opera. E fa bene. Questo suo disco in trio ha un titolo solo all'apparenza programmatico: Free. All'ascolto poi si rivela ...
Herb Alpert and Jerry Moss Curate 3-CD Set for 50th anniversary of A&M Records
It’s an archetypal story of the modern record business – two guys with a dream running their nascent label out of a West Hollywood garage in the summer of 1962. The label quickly gains momentum and eventually becomes one of the most important record companies the world has ever seen. The two guys were Herb Alpert ...
Free: Free Forever
by Doug Collette
Free Free Forever Eagle Vision 2010 (2006) Free was one of the most distinctive bands to emerge from the British blues-rock boom of the late 1960s, albeit a one-hit wonder to the audience that enjoyed its biggest mainstream success, “All Right Now." The full-length version of that single appeared on ...
Free
Label: Dreyfus Records
Released: 2008
Track listing: 01. Blast; 02. Funk Joint; 03. Free; 04. Strum; 05. Milky Way; 06. Pluck (Interlude); 07. When I Fall in Love; 08. Jean Pierre; 09. Higher Ground; 10. What Is Hip?
Marcus Miller: Free
by AAJ Italy Staff
Marcus Miller riporta prepotentemente il focus sullo strumento che lo ha fatto diventare famoso alla corte di re Miles Davis. Era il lontano 1981 e il suono del basso elettrico di Marcus era uno degli ingredienti più interessanti che segnarono il ritorno sulle scene del trombettista, dopo cinque anni abbondanti di esilio auto-imposto. Fu un legame ...
