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536

Article: Album Review

Christian McBride & Inside Straight: Kind of Brown

Read "Kind of Brown" reviewed by Ken Dryden


Since arriving in New York City in the late 1980s, where he briefly studied at Juilliard, Christian McBride has been one of jazz's most in-demand bassists. In addition, he has become a valuable composer, arranger and jazz educator with a wide-open interest in many musical styles. The initial CD by McBride's Inside Straight quartet ...

592

Article: Album Review

Christian McBride & Inside Straight: Kind of Brown

Read "Kind of Brown" reviewed by John Barron


Bassist/composer Christian McBride is one of the most in-demand sidemen in the music business, having toured and recorded with the likes of Herbie Hancock, Chick Corea, Diana Krall and Sting. The Philadelphia-native has also made a name for himself as a daring leader, exploring both acoustic and electronic styles. For Kind of Brown, his premier date ...

324

Article: Album Review

John Patitucci Trio: Remembrance

Read "Remembrance" reviewed by Chris May


It's true what they say: you can't judge an album by looking at the cover. Contrary to the mood suggested by the title and the monochrome sleeve shot of an autumnal city park, bassist John Patitucci's Remembrance is a warm and perky affair. The album is Patitucci's salute to some departed heroes--saxophonists John Coltrane, Joe Henderson ...

570

Article: Interview

Meet Kurt Elling

Read "Meet Kurt Elling" reviewed by Craig Jolley


This interview was originally published in February 2000.Chicago music scene On my new recording [Kurt Elling Live in Chicago, Blue Note] I'm really proud to feature a lot of the musicians who have treated me well and who have taught me and who have been on the team with me from the get-go. Not ...

403

Article: Live Review

Vision Festival 2009: Day 7 Finale

Read "Vision Festival 2009: Day 7 Finale" reviewed by John Sharpe


Day 1 | Day 2 | Day 3 |Day 4 | Day 5 | Day 6 | Day 7 Jason Kao Hwang's Spontaneous River / Trio X / Patricia Nicholson Dance / William Parker Quartet 14th Annual Vision Festival Angel Orensanz Foundation for the Arts New York City

387

Article: Album Review

Alexander Zonjic: Doin' the D

Read "Doin' the D" reviewed by Jeff Winbush


Last year it had the highest murder rate in America. The mayor resigned in disgrace following a sex scandal and went to prison. Its football team won all its games in the preseason and went on to lose every game in the regular season. That's how things went for the city of Detroit last year and ...

1,077

Article: Live Review

Umbria Jazz: Days 1-3, July 10-12, 2009

Read "Umbria Jazz: Days 1-3, July 10-12, 2009" reviewed by Michael J. West


Days 1-3 | Days 4-6 | Days 7-10 “You know," said one American tourist to his friend as he walked past the tents on the first day of Umbria Jazz, “Ever since we got here last week this is all we've heard anyone talk about." Small wonder. The 10-day, citywide festival is more than ...

555

Article: Record Label Profile

Enja Records

Read "Enja Records" reviewed by Donald Elfman


Matthias Winckelmann's favorite recording of the hundreds he's made is the one just finished. Over the years, he's documented music from all over the world and of many different stripes and has always been eloquent and passionate. His label Enja has been in existence for 38 years and a look at the catalogue tells you that ...

406

Article: Album Review

Donald Malloy: Spirituality

Read "Spirituality" reviewed by C. Michael Bailey


Jazz's most searing spiritual statement is not John Coltrane's A Love Supreme (1964, Impulse!); it was his recording, “Alabama," released a year earlier on Live at Birdland (1963, Impulse!). Written in the wake of the Ku Klux Klan's bombing of the 16th Street Baptist Church in Birmingham on September 15, 1963, “Alabama" was an improvisation on ...

273

Article: Multiple Reviews

Chico Freeman, Air, Walt Dickerson, George Cables: Buried Treasures Now On CD

Read "Chico Freeman, Air, Walt Dickerson, George Cables: Buried Treasures Now On CD" reviewed by Chris May


Not to be confused with the Swedish trance and electronica label of the same name, the original Why Not label was an adventurous affair run by the Japanese businessman and jazz fan Masahiko Yuh for a brief but productive spell in the 1970s. With few contacts, but armed with an outstanding pair of ears, a cheque ...


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