Home » Search Center » Results: Freddie Hubbard
Results for "Freddie Hubbard"
Pryor Experiences
by Skip Heller
If it seems like everything is being anthologized into a box set these days, that's because it is. While on a trip to Amoeba Music (the enormous record store from where I live about a block), I took stock of all kinds of box sets. There was even one of the Mitch Miller Sing Along With ...
Pierre Sward Organ Jazz 'n' Soul Group: Slow But Fast
by Chris Mosey
This album poses two problems. First: the electric organ. Even when played by a master like Jimmy Smith, monotony can easily set in. It's something to do with the way the instrument dominates so completely, leaving no space. Problem No.2: funk, the dominant genre on Slow But Fast. The idea is to hit ...
Vocalist Barbara Montgomery In Collingswood NJ Thurs. May 2nd!
Appearing at the Collingswood Community Center, 30 Collings Avenue in Collingswood, New Jersey on Thursday, May 2nd is singer Barbara Montgomery. Tickets are $10, $5 for students, and are available only at the door. Show time is 7:30 p.m. Information: 215-517-8337. Barbara Montgomery has been in the entertainment field for over 30 years as a music ...
Tommy Flanagan / Jaki Byard: The Magic Of 2
by Dan Bilawsky
San Francisco's famed Keystone Korner shuttered its doors in 1983, but it's getting more press today than plenty of clubs that are still serving up jazz. In the past two years alone, a previously unreleased live recording of trumpeter Freddie Hubbard--Pinnacle (Resonance, 2011)--launched Resonance Records' Keystone Korner Live Discoveries series, photographer Kathy Sloane released Keystone Korner: ...
Art Blakey and the Jazz Messengers: Moanin'
by Mike Oppenheim
Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...
John Beasley: Everyone Loves John
by Scott Mitchell
Keyboardist John Beasley (aka The Bease" to friends and family) is a musician's musician and one of the busiest professionals in the game. His biography and list of credits are so broad and deep that they could fill an NFL playbook.If NASA or MIT were to invent a device that could measure creative and ...
Tommy Flanagan / Jaki Byard: The Magic of 2
by C. Michael Bailey
The story of this previously unreleased performance by pianists Tommy Flanagan and Jaki Byard at San Francisco's famous Keystone Korner begins with its unusual distributing label, Resonance Records. The original brainchild of studio owner George Kalbin, the label exists as part of the larger endeavor, the non-profit Rising Jazz Stars Foundation, dedicated to the discovery and ...
Death, Rebirth & New Revolution
by Ian Patterson
The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...
John Daversa: Bursting Out of LA
by R.J. DeLuke
Seen in the hallways at California State University in Northridge, a neighborhood of Los Angeles, where he teaches big band arranging, jazz history and other music courses, John Daversa might be seen with his goatee, and dense, dark and curly hair, parted in the middle, and correctly sense he might be involved in one of the ...
David Weiss & Point Of Departure: Venture Inward
by Mark Corroto
If music can be described as either masculine or feminine, then recordings by trumpeter David Weiss and his Point of Departure quintet are simply testosteronic. Built upon the legacy of trumpeter Miles Davis' second great quintet and saxophonist Billy Harper's Black Saint inheritance, Weiss presents dexterous arrangements of muscular, second wave hard bop music.This ...


