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8

Article: Album Review

Charlie Apicella & Iron City: Big Boss

Read "Big Boss" reviewed by Dan Bilawsky


Thank god for groove music. In an era when needless complexity often dominates, it's nice to encounter a throwback record that's built on feel-good rhythms and soulful declarations. That's what Big Boss is all about. Sparks (Carlo, 2009) set things in motion for this band, as guitarist-leader Charlie Apicella planted his flag in ...

7

Article: Extended Analysis

A Celebration of Cuba in America

Read "A Celebration of Cuba in America" reviewed by Harry S. Pariser


Picking up a copy of Michele Rosewoman's New Yor-Uba , the high quality sleeve design and liner notes prepare one for the wonderful music to be found within. This extraordinary two-CD set has both a history and legacy behind it. Born in 1953 in Oakland, California, Rosewoman migrated to New York City more than ...

4

Article: Extended Analysis

Pop-Culture Blues

Read "Pop-Culture Blues" reviewed by Jack Bowers


The blues, as it turns out, has many shades; an enduring art form that has been an integral part of the language of jazz since its beginning (if not before). Some aspects of the blues are readily perceived, others not so much. “The common thread," Michael Treni writes in his astute liner notes to Pop-Culture Blues, ...

1

News: Performance / Tour

Michele Rosewoman and New Yor-Uba Perform At The Painted Bride, April 13, 2013

Michele Rosewoman and New Yor-Uba Perform At The Painted Bride, April 13, 2013

Michele Rosewoman and New Yor-Uba celebrate the ensemble's 30th anniversary, and the successful funding of its debut CD via a Kickstarter campaign, with a performance at The Painted Bride in Philadelphia on Saturday, April 13, 2013. Over the past three decades, under Rosewoman's direction, New Yor-Uba's repertoire has deepened and evolved. New Yor-Uba premiered at Joseph ...

1

News: Performance / Tour

Michele Rosewoman And New Yor-Uba Perform At Roulette, April 5, 2013

Michele Rosewoman And New Yor-Uba Perform At Roulette, April 5, 2013

Michele Rosewoman and New Yor-Uba celebrate the ensemble's 30th anniversary, and the successful funding of its debut CD via a Kickstarter campaign, with a performance at Roulette in Brooklyn on Friday, April 5, 2013. Over the past three decades, under Rosewoman's direction, New Yor-Uba's repertoire has deepened and evolved. New Yor-Uba premiered at Joseph Papp's Public ...

3

Article: Album Review

Bill Cantrall & Axiom: Live at the Kitano

Read "Live at the Kitano" reviewed by Edward Blanco


The Kitano New York Hotel, in midtown Manhattan, offers one of the city's most intimate jazz lounge settings, and it is in this boutique hotel that trombonist Bill Cantrall follows up his critically acclaimed debut, Axiom (Up Swing, 2008), with an audacious second effort simply titled Live at the Kitano. Enlisting a core quintet group as ...

111

Article: Big Band Caravan

Nova Jazz Orchestra / Christian McBride Big Band / NYJO

Read "Nova Jazz Orchestra / Christian McBride Big Band / NYJO" reviewed by Jack Bowers


Nova Contemporary Jazz OrchestraWho Sez You Can't Dance to Bebop?Nova Jazz2010 When last heard from, Minnesota's dauntless Nova Jazz Orchestra was performing alongside the legendary Stan Kenton Orchestra--well, not actually “alongside," but as part of the Tantara label's ongoing two-disc salute to Kenton, Double Feature, Vol. 2. ...

247

Article: Album Review

Christian McBride Big Band: The Good Feeling

Read "The Good Feeling" reviewed by David Rickert


In today's jazz world, with most artists working clubs in small combos, there may be something a little retro about a big band recording. However, there are always musicians that are up for the challenge of arranging and recording for larger groups despite the logistics involved.Enter Christian McBride, one of the most accomplished and ...

213

Article: Album Review

Susie Meissner: I’m Confessin’

Read "I’m Confessin’" reviewed by C. Michael Bailey


On vocalist Susie Meissner's previous recording, I'll Remember April (Self Produced, 2008), the singer staked out the center of the middle of the road stylistically. Her repertoire was from the most popular sections of The Great American Songbook, dispatched tastefully in her well-balanced high alto. Dedicated to the melody, Meissner is clearly not one given to ...

377

Article: Live From New York

Wayne Shorter, Roscoe Mitchell & Oliver Lake

Read "Wayne Shorter, Roscoe Mitchell & Oliver Lake" reviewed by Martin Longley


The Wayne Shorter Quartet The Town Hall February 9, 2011 When observing Wayne Shorter on the stage, he's immediately remarkable for possessing an eccentric body language. In his childlike way (particularly the exploratory, enquiring nature of the as-yet-unformed), Shorter reveals his inner self, always responding to his ...


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