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676

Article: Building a Jazz Library

Alto Saxophone

Read "Alto Saxophone" reviewed by Bob Bernotas


Of the many members of the saxophone family, the alto and tenor have emerged as its most prominent siblings. From the mid-1920s onward, many big band alto saxophonists have filled a dual role, best personified by the multi-talented Benny Carter, serving as the lead voice in the saxophone section as well as a featured solo improvisor. ...

9

Article: Interview

Glenn Zottola: A Jazz Life - Hollywood, the World and the Stars

Read "Glenn Zottola: A Jazz Life - Hollywood, the World and the Stars" reviewed by Nicholas F. Mondello


Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, “musical natural" and aural savant also percolate rapidly to mind. Now ...

16

Article: Album Review

Allison Neale: I Wished On The Moon

Read "I Wished On The Moon" reviewed by Bruce Lindsay


Classic tunes, played by a young alto saxophonist with a distinctive tone, impeccable taste and a talent for recruiting three of the best bandmates around. Add a quartet of guest appearances by a fine young Milt Jackson-inspired vibes player. Do the music justice by ensuring high-quality sound. Presenting I Wished On The Moon, the third album ...

Album

Magic 201

Label: IPO Recordings
Released: 2014
Track listing: It Could Happen to You; A Cottage for Sale; After Paris; The Summer Knows; Embraceable You; Blues for Ruby; If You Can't Call, Don't Come; If It's the Last Thing I Do.

1

Article: Album Review

Frank Wess: Magic 201

Read "Magic 201" reviewed by Maurizio Zerbo


Maestro riconosciuto dell'arrangiamento per big band jazz, Frank Wess si distingueva altresì per le linee morbide e sinuose del suo sax tenore. In questa veste lo ritroviamo protagonista di questo CD, registrato due anni prima della sua scomparsa. Lo affianca un notevole quintetto che con classe e discrezione ripercorre un ammaliante filo della memoria, intriso di ...

16

Article: Interview

Billy Hart: Welcoming New, Loving Old, Sounds

Read "Billy Hart: Welcoming New, Loving Old, Sounds" reviewed by R.J. DeLuke


The ubiquitous drummer Billy Hart brings a special energy to the many projects of which he is a part. A band leader, composer and educator, he's been on hundreds of albums. He has taken the stage with countless bands, adding his rhythmic pulse to formations led by a litany of the biggest names in the business. ...

4

Article: Album Review

Frank Wess: Magic 201

Read "Magic 201" reviewed by Jack Bowers


The cover of the late Frank Wess' final album, Magic 201, closely resembles that of its predecessor, Magic 101--so much so that a reviewer who didn't look closely enough might assume he'd been sent a second copy of the earlier album by mistake. (Oops!) Wess recorded Magic 201 in September 2011, two months after Magic 101 ...

4

Article: Album Review

Frank Wess: Magic 201

Read "Magic 201" reviewed by C. Michael Bailey


IPO Records has become the jazz destination for seasoned jazz veterans. Saxophonist James Moody (1925--2010) recorded his last two releases for the label: Moody 4A (2009) and Moody 4B (2010). Hard on Moody's heels is saxophonist Frank Wess (1922- -2013) who followed his Magic 101 (2013) with the predictable titled Magic 201. Pianist Kenny Barron and ...

24

Article: Album Review

Frank Wess: Magic 201

Read "Magic 201" reviewed by Karl Ackermann


Despite a career that spanned more than half of a century, Frank Wess was not a household name. The flautist/saxophonist spent the 1950s and 60s playing with some of the best known big bands in the U.S. including those of Billy Eckstine, Count Basie and Clark Terry. During that period he was primarily recognized as a ...

5

Article: Bailey's Bundles

Jazz Quanta: January

Read "Jazz Quanta: January" reviewed by C. Michael Bailey


The beauty of having written for All About Jazz since the early years is that I was given one of the first personal columns, “Bailey's Bundles," as named by publisher Michael Ricci. I have used it mostly for thematically-based multiple record reviews, then my end-of-the-year lists. As the years sped on, I began to concentrate on ...


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