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Joëlle Léandre - Urs Leimgruber - Fred Frith - Alvin Curran: Oakland/Lisboa
by Glenn Astarita
This multinational dream team's second album was recorded live at a venue in Lisbon, Portugal. MMM stands for Mills Music Mafia, alluding to the respective artists' tenure or residency at Mills College in Oakland, CA. As anticipated, the quartet embarks upon a course of ingenuity that would be difficult to top within global improvisational circuits. Indeed, ...
Logan Richardson: Shift
by Mark F. Turner
Shift is a welcome return to the emotive stylings of Logan Richardson, the Paris-based, Kansas City-born saxophonist and composer who garnered respect as a fluent voice with his 2007 debut Cerebral Flow (Fresh Sound) and projects with peers like pianist Gerald Clayton in NEXT Collective. With this debut on Blue Note the blending of culturally rich ...
Leandre - Delbecq - Houle: 14 rue Paul Forte, Paris
by Glenn Astarita
Leo Records' press release correlates this trio's output to “heavy artillery" music, but it's most assuredly not all about bombast or in-your-face type avant-garde improvisation. Hence, these esteemed improvisers do what they do best in front of a select audience in Paris. Bassist Joelle Léandre and Benoit Delbecq hail from France and like Canadian clarinetist Francois ...
Trio Sud: Young and Fine
by John Kelman
Trio Sud Young and Fine Dreyfus Jazz2008 It's hard to believe that a guitarist as fine as France's Sylvain Luc has been so overlooked by supposedly comprehensive music sites like All Music Guide--especially with albums like today's Rediscovery, Young and Fine, featuring his Trio Sud group, out in the world. While ...
Benoit Delbecq 3: Ink
by Glenn Astarita
Berlin-based bassist Miles Perkin handles the duties previously held by revered French bassist Jean-Jacques Avenel (Steve Lacy, Pharoah Sanders) who passed away in 2014. Therefore, this enterprising piano trio led by Frenchman Benoit Delbecq surges forward with the similar level of ingenuity conveyed on The Sixth Jump (Songlines, 2010). In addition, Congolese drummer Emile Biayenda intersperses ...
The Turbine!: Entropy/Enthalpy
by John Sharpe
Among a stream of US/French collaborations documented on the Rogue Art label, The Turbine! represents an unlikely combination: two double basses and two drum kits. One pair hails from each side of the ocean with the Chicago team of Hamid Drake and Harrison Bankhead matched against Benjamin Duboc and Ramon Lopez (in fact a Paris-based Spaniard). ...
Free Jazz / Black Power
by Ian Patterson
Free Jazz / Black Power Philippe Carles and Jean-Louis Comolli 256 Pages ISBN: ISBN 978-1-62846-039-1 University Press of Mississippi 2015 Forty four years after its publication in French, Philippe Carles and Jean-Louis Comolli's thought-provoking, fiercely intellectual book Free Jazz/Black Power finally finds its way into English, ...
Shannon Murray, alias Saxman, Releases "The Stuff That Dreams Are Made Of…"
Plaza Mayor Company is proud to announce the return of the internationally acclaimed jazz artist Shannon Murray, alias Saxman, with his new recording Cool West Coast Jazz: The Stuff that Dreams are made of… The soulful Californian's new album of original jazz compositions are inspired by Hollywood's Film Noir genre of the 1940s. Film excerpts, photos, ...
Edith Piaf: 1915-2015
by Bruce Lindsay
2015 is the centenary of one of the best-loved, most charismatic singers of the twentieth century. For some that singer is Billie Holiday, for others it's Frank Sinatra: but for many more, especially in the French-speaking world, it's the legendary Edith Piaf. 1915-2015, a vinyl-only Best Of collection, establishes the case for Piaf's status beyond doubt.
Double Basse: This Is Not Art
by John Sharpe
Although the group moniker might suggest two bull fiddles, in fact it describes the French pairing of bassist Benjamin Duboc and contrabass clarinetist Jean-Luc Petit. No strangers to each other (Petit appears on the bassist's leadership debut under his own name on Primare Cantus (Ayler, 2011)), they nonetheless pile up the challenges for themselves: no charts; ...
