Results for "Experimental Jazz"

Luciana

Matt Clark

Born: July 2, 1971

Matt Clark is a guitarist/composer from Brighton, England. His career has spanned 35 years, encompassing genres as broad as jazz and blues, alternative, experimental and electronic music. The past year of COVID and lockdown has been both testing and inspiring. Lack of live music and in-person collaboration has meant re-thinking musical output. Matt is currently working under the moniker Matt Clark Three: “Jazz influenced grooves. Mostly instrumental. Combining a love of lo-fi loops and samples, avant-garde jazz and influenced by the contemporary jazz scenes of New York and Chicago…” Originally conceived as a solo project, Matt is about to release a new album “One From Brooklyn” which, whilst primarily a solo effort, also includes collaborations with bassist Mark Wilson (Caaw, Underhound) and drummer Darren Beckett (Madeleine Peyroux, Lauren Hill) “The overall effect creates a dynamic sonic quality, as if a laid-back street-level musical trio were performing their own structured and improvised material but also incorporating the ephemeral swell of sounds around them…” - Jordan Penney on AllAboutJazz.com Matt began by playing bass guitar in school band Southern Tongue Business in the late 1980s, and played in various bands during his teens in and around the Midlands

Craig Scott's Lobotomy

Born: August 21, 1987

Craig Scott (b.1987, Aberdeen,Scotland) creates sound works for human and non-human performers. Using handmade analogue hardware, robotics and modified obsolete audio technology exploring the disquieting tension that exists between human and machine made music. this takes form across three streams: Animating instruments and domestic objects in the absence of/in collaboration with improvising human performers; Exploiting malfunction as artistic expression, harnessing the inherent instability of obsolete audio technologies through the precision digital control affords; Acousmatic music in which live instrumental recordings are dissected, transformed and blended with synthetic sources and field recordings, blurring perceptions of the organic/artificial. As a solo artist he is the recipient of the PSR Composers Fund, Jerwood/PRS Take 5, Francis Chagrin Composer Award, Gain Trust Award, Hope Scott Trust Award, ECF and PRSF grants

Kjetil Jerve

Born: August 28, 1988

Norwegian piano player, father of triplets. Based in Oslo, working internationally. DUGNAD rec artist and maker of #DailyPiano videos on Facebook and Instagram. Born 1988 in Ålesund. Played in Åse Skolekorps Marching Band. Got a really great Swedish piano teacher at age 10, who encouraged to pursue all music, not just classical. Got heavily into early Elton John, soul, funk, fusion, jazz and avant-garde - still studying George Gershwin & Béla Bartók. Played in the local Big Odd Band, leading to The Middle Norwegian Youth Big Band (Midtnorsk ungdomsstorband), meeting future collaborator Henrik Munkeby Nørstebø, Kristoffer Eikrem and Dan Peter Sundland. Went to the Sund Folk College's jazz class (check that thing out!) and got to consistently playing piano with other people in bands for the first time

About Aphrodite

ABOUT APHRODITE comprises Gilda Razani on Theremin / soprano saxophone / The Pipe (a voice / breath / mouth-controlled dynamic FX processor and synthesizer from SOMA) / live electronics, Hans Wanning on piano / synthesizers / live electronics, and features Jaime Moraga Vasques on drums / percussion / vocals. Their music is a progressive crossover between jazz improvisation, classical and electronic music. After their debut album Polaris was well received in September 2018, ABOUT APHRODITE is releasing their sophomore album Future Memories in October 2020. The record is a reflection on the crises of planet Earth as a whole; the climate, and a questioning of the future. A truly multicultural group, whilst based in eastern Germany, Razani is part Persian and Moraga Vasques is half Chilean half Spanish

Paco Reinaldet

Paco Reinaldet was born in Campo Grande, and after living for a while in the capital of Brazil, Brasilia, he moved to São Paulo, where he studied music and worked as a gigging musician, playing from blues-jazz to the erudite, as a way of survival. At that time, he was immersed in São Paulo's bohemian music scene, participating in several music projects. ​

In 2000 he went to Rio de Janeiro in an attempt to start an authorial musical career. Been unsuccessful, persisted in his choice of music by going to live in Lima-Peru, and learning Latin music. Years later, he went to Wales-UK to study and play. Paco devoted his time to refining the instrument timbre and embracing “indeterminism” as an integral part of his songwriting process.

Vintage Astronaut

Vintage Astronaut is an experimental progressive jazz trio, creating adventurous narrative improvised music. Jonathan Greene, John Daniel Ray and Michael Kinchen are seasoned session musicians from Winston-Salem, NC

Sam Newsome

Born: April 28, 1965

Samuel Augustus Newsome was born on April 28, 1965 in Salibury, MD. He is the youngest of three boys. He began playing music at 12 years old when his family relocated to Hampton, VA. By the time he was 15 years old he began playing professionally around town with local R & B bands along with his high school classmate bassist James Genus. It was during high school that he became serious about studying jazz and began taking lessons after school with saxophonist Steve Wilson. It was Steve who introduced him to recordings of jazz legends such as Charlie Parker, John Coltrane, and Sonny Rollins. In 1983, after graduating high school, Sam received the Kool Jazz Festival scholarship to attend the prestigious Berklee College of Music in Boston, Mass

Filippo Bonaccorso

Born: January 29, 1957

Starting out on piano and drums, Filippo Bonaccorso gradually moved from being self-taught at a young age to attending several prestigious music schools, where he had the opportunity to study with teachers such as Agostino Marangolo, Giuseppe Urso, and Giovanni Renzo for a basic foundation in jazz.

He also attended many clinics (e.g., Giulio Capiozzo, John Scofield) and seminars (Roccella Jonica, Berklee-Perugia, Siena, Nuoro, Avigliana), where he honed his individual drumming technique with Eric Echampard, Ron Savage, Tyshawn Sorey, and Ettore Fioravanti. He also studied new techniques in collaborative improvisation with Claudio Lugo, theory and analysis of harmonic improvisation with Larry Monroe, and atonal composition and improvisation with George Garzone.

Jim Goetsch

The music of Jim Goetsch is the product of a widely divergent background that includes extensive jazz experience on saxophone, performance of avant garde classical works on clarinet and bass clarinet, tours with blues legend Albert King and Senegalese griot Mor Thiam, and a long history of performing electronic music in the Los Angeles area. He currently resides in Santa Fe, New Mexico and is primarily engaged in two projects at this time.

Baker’s Brew is an experimental jazz ensemble led by veteran drummer Maury Baker, which features total improvisation as well as the group improvising their parts over four channel electronic compositions by Jim. Their release “New Works” has been hailed as “An Album of the Future” by the Italian magazine JAZZit.