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Mette Rasmussen/Chris Corsano: All The Ghosts At Once
by Mark Corroto
Today's hypothesis states that all free jazz improvisation demands the musicians maintain the music's vigor like a juggler, to all appearances, keeping all the balls in the air at once. Proof of this theory is the opening piece Train Track" from alto saxophonist Mette Rasmussen and drummer Chris Corsano's release All The Ghosts At Once. The ...
John Russell: With...
by John Eyles
This album is a faithful record of John Russell's sixtieth birthday concert which took place at Cafe Oto, London, on Friday 19th December 2014. Everything is included here except for announcements, applause and less than half a minute of music which were all edited out to fit it onto one CD; at a few seconds short ...
Casa Futuro: Casa Futuro
by John Sharpe
At the juncture of free jazz and free improv sits the eponymous debut of Casa Futuro. In a truly co-operative trio, saxophonist Pedro Sousa joins forces with bassist Johan Berthling and drummer Gabriel Ferrandini. Portuguese improvisers Sousa and Ferrandini last combined with Sonic Youth frontman Thurston Moore on Live At ZDB (Shhpuma, 2014), while Berthling keeps ...
Alexander Hawkins: Alexander Hawkins Trio
by John Sharpe
For the inaugural release on his own imprint, pianist Alexander Hawkins for the first time tackles the classic piano trio. Hawkins has already convinced in an increasing variety of formats, ranging from his customary ensemble, heard in its latest incarnation on Step Wide, Step Deep (Babel, 2014) to chamber nonet (broadcast on BBC Radio 3, but ...
Dre Hocevar Trio: Coding Of Evidentiality
by Mark Corroto
Given the title of drummer Dre Hocevar's recording, the question arises: can one classify or identify a system's disorder, i.e. entropy? The liner notes give us a hint. Laurence Donohue-Greene writes, this trio of Hocevar, pianist Bram De Looze and cellist St.Louis, develop each improvisation compositionally and with tenacious unity." I suspect, when there is human ...
Filomena Campus, Giorgio Serci: Scaramouche
by Alberto Bazzurro
Filomena Campus, cantante sarda in bilico fra jazz ed eredità popolare, trasferitasi a Londra nel 2001 e collaboratrice fra gli altri di Evan Parker, Paolo Fresu e Antonello Salis, e il chitarrista Giorgio Serci, sardo a sua volta, firmano un album assai composito forte di nove pagine originali, tutte a firma di Cerci per la parte ...
Joe McPhee: Solos : The Lost Tapes (1980 – 1981 – 1984)
by Mark Corroto
The young cats (players thirty years his junior) know Joe. Players who have immersed themselves in free improvisation, like Ken Vandermark, Mats Gustafsson, Peter Evans, Martin Kuchen, and Mikołaj Trzaska, learned the possibilities of creating a new music from, not thin air, but from listening. They model their approach after Joe McPhee. Born in ...
I 10 CD nel CD player di... Nicola Guazzaloca
by Vincenzo Roggero
01. Massimo De Mattia -Quartet Hypermodern (Rudi Records -2014). Un lavoro in cui le individualità emergono nitide ed autorevoli, ogni elemento è inserito nel processo con salda intenzione e responsabilità, con sottesa energia lungo un percorso timbricamente vario e stratificato, a snodarsi fra le geometrie evocate dal flauto di De Mattia nel pulsare di ...
Anthony Braxton Quartet: (Santa Cruz) 1991 1st Set
by Mark Corroto
Decoding the music of Anthony Braxton might be a lifetime's mission. With his symbol system compositions and grand unification theories, even the trained ear admits to perplexity and a certain ignorance. Braxton has never stopped, nor slowed to explain himself to listeners. There are moments of insights though, in his performances. One can glean his approach ...
Save the Date - Maggio 2015
by Luca Canini
Maggio, tempo di festival. Concerti e rassegne da un angolo all'altro dello Stivale. Piazze piene, cortili aperti, giardini sonanti: non c'è che da scegliere. In base ai gusti, alle distanze e agli impegni. Dal canto nostro, come ogni mese, ci permettiamo di caldeggiare le proposte più allettanti e fuori dagli schemi, lasciando da parte i cartelloni ...




