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Paul Lovens | Florian Stoffner: Tetratne
by Glenn Astarita
German drummer Paul Lovens' distinguished career within European free jazz / improvising circles is well-documented. Generally speaking, he's performed with a who's who of futurists and others who tend to stretch the limits of standard musical regimens. On this outing he partners with Swiss experimental guitarist Florian Stoffner for an interconnection of spurious ideas in front ...
Francesco Massaro: zoologo imperfetto
by Neri Pollastri
Francesco Massaro, quarantaduenne compositore, sassofonista e clarinettista pugliese, è da alcuni anni uno dei musicisti più interessanti della penisola, messosi in luce per il singolare tipo di ricerca a cavallo tra improvvisazione e scrittura non convenzionale portata avanti dalla sua principale formazione, Bestiario. Lo abbiamo intervistato in occasione dell'uscita del terzo lavoro del gruppo, Quaderni di ...
Alexander von Schlippenbach: Slow Pieces For Aki: Piano Solo
by Dan McClenaghan
Pianist Alexander von Schlippenbach began recording in the 1950s. Twenty years into the new millennium, he continues to do so prolifically, with twenty-five albums under his own name listed on Wikipedia--a seeming short shrift; his three solo albums on the Intakt Records label from 2005 and 2012 somehow didn't make the list, suggesting there are more. ...
Alex Harding, Lucian Ban: Dark Blue
by Neri Pollastri
Duo estremamente longevo questo tra il pianista di origini rumene Lucian Ban e il sassofonista di Detroit Alex Harding, questo Dark Blue è il loro quarto album, ma esce a undici anni dal precedente. E la loro intesa è tangibile lungo tutto l'arco del programma, che include solo brani originali (sei di Harding e cinque di ...
Evan Parker / Paul Lytton: Collective Calls (Revisited) (Jubilee)
by John Sharpe
Fifty years on from their first encounter, the British pairing of saxophonist Evan Parker and drummer Paul Lytton convened in a Chicago studio to record Collective Calls (Revisited) (Jubilee), named in echo of their first release. Of course they've reunited countless times in the interim, notably as two thirds of the classic trio completed by bassist ...
Heavy Rotation For A Pandemic Summer
by Mark Corroto
In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...
London Jazz Composers Orchestra: That Time
by John Sharpe
Issued to coincide with the 50th Anniversary of the London Jazz Composers Orchestra, That Time uncovers a fascinating window on the early years of the pioneering company which are only sparsely documented elsewhere. The first two tracks from Berlin and Donaueschingen date from 1972, some six months after the LJCO's debut album Ode (Intakt, ...
Agile Experiments: Alive In The Empire
by Ian Patterson
The clue is the name. Take a handful of musicians, place them in front of an audience and say ready, steady go." Since starting Agile Experiments in 2015, multi-instrumentalist Dave De Rose has marshaled dozens of musicians for his sonic experiments, whereby small combos play entirely improvised one-hour gigs. Alive in the Empire, the fifth release ...
Alexander Hawkins and Tomeka Reid: Shards and Constellations
by Troy Dostert
Although they have not recorded together previously, pianist Alexander Hawkins and cellist Tomeka Reid are both improvisers with omnivorous musical tastes and soaring ambition. Hawkins has fronted his own ensembles over the yearsperhaps the most notable example being Step Wide, Step Deep (Babel, 2014)but he's been active in freely-improvised contexts as well, working with everyone from ...
Brilliant Corners 2020
by Ian Patterson
Brilliant Corners 2020 Various Venues Belfast, N. Ireland February 27 to March 7, 2020 Maybe it's global warming, for just as the first bloom of spring in these strange times appears in February, so too, Brilliant Corners starts ever earlier. From its first, modest edition over three days ...




