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2019: The Year in Jazz
by Ken Franckling
The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...
Mike Jurkovic's Best Releases of 2019
by Mike Jurkovic
It was this dozen plus of recordings, among many that deserve mention, that gratefully, again and again and again, pulled my attention away from binge watching the destruction of our cherished, yet all too vulnerable democracy. These are the recordings of 2019 that made it evident that we all need to remain vigilant and engaged, or ...
Troy Dostert's Best Releases of 2019
by Troy Dostert
Is it jazz? Perhaps not in the narrowest sense, but each of the releases below arguably retains enough of a foothold in the tradition to justify that description. Maybe we've finally reached the point where the question no longer matters. In any case, what these artists have in common is a commitment to venturing outward in ...
Never Forget to Say Thank You
by Mary Foster Conklin
This week we feature Grammy nominees and finalists from the Hot House/Jazzmobile NYC Readers Jazz Awards, a new release from Alice Ricciardi and Pietro Lussu, plus birthday shout outs to June Christy, Hoagy Carmichael, Johnny Mandel, Etta Jones, pianist Geoffrey Keezer and Michelle Ann May of Musique Noire, among others. Playlist Musique Noire “Pretty ...
Various Artists: Newvelle Muri
by Karl Ackermann
Swiss drummer/percussionist and composer, Stephan Diethelm lived in Zimbabwe for several years and was musically influenced by the African rhythms he heard. He had appeared on four albums when he launched the Muri Series, an ongoing succession of concerts that began in 2002, sometimes called Musig im Pflegidach. Pflegidach is a monastery that dates to the ...
Moon in Scorpio and Mischief Night
by Mary Foster Conklin
Besides some spooky seasonal fare, this week we focus on new releases from vocalists Carmen Lundy, Michelle Lordi and Carrie Wicks, trombonist Michael Dease and pianist Michele Rosewoman with birthday shout outs to Nellie Lutcher (pictured), Victoria Spivey, Laura Nyro, Bobby Troup, Jane Bunnett, Esperanza Spalding, Brenda Earle Stokes, Allison Miller and Freddy Cole, among others. ...
Kris Davis: Diatom Ribbons
by Troy Dostert
To call pianist Kris Davis stylistically omnivorous would seem to be an understatement. While she started her career solidly in the avant-garde circles that brought her into projects with stalwarts of the genre like Ingrid Laubrock, Tyshawn Sorey, Tom Rainey and Tony Malaby, that hasn't stopped her from forging connections with other musicians not typically included ...
Kris Davis: Diatom Ribbons
by John Sharpe
Cross fertilization has been at the heart of jazz since its inception when African rhythms met European instrumentation. That stylistic melange is taken to another level in the cultural melting pot of New York City. Being based in the city since 2001, it's little surprise that Canadian pianist Kris Davis has developed an ever-expanding list of ...
Kris Davis: Diatom Ribbons
by Karl Ackermann
The virtuoso pianist and composer Kris Davis has been ubiquitous in 2019. Her projects with Nate Wooley, Ken Vandermark, and Craig Taborn have been complemented by her appointment to the faculty of the Berklee Institute of Jazz and Gender Justice. Davis will serve as associate director of creative development and teach composition and improvisation courses. The ...
Results for pages tagged "Esperanza Spalding"...
Céline Rudolph
Vocalist and composer Céline Rudolph glides between Berlin, São Paulo, Paris and New York, between tongues and genres, always landing in the very heart of music.„Music is like breathing, it was there ever since I could remember“ Céline Rudolph says and recollects how her father always played a break when jamming on the guitar, so that there was a space for his children to create improvised lines or percussive fills. Born in Berlin and raised with her parents’ rich record collection, the daughter of a Frenchwoman from Bordeaux and a cosmopolitan musical enthusiast from Berlin, started singing along with an LP from João Gilberto performing the Brazilian classic “Rosa Morena” to an LP at the age of five. Her mother was singing French chansons to her at home, while Céline learned to play Nat Adderley’s “WorkSong” on her recorder. She picked up the piano and started composing as an autodidact, then started writing French songs on the guitar, which became her main tool of expression. In short: multi-path orientation was on the cards from the very beginning. After university studies of rhetorics and philosophy, she realized that music exerted a much stronger pull, so she switched to a degree in vocal jazz and composition at Hochschule der Künste Berlin with mentors David Friedman, Jerry Granelli, Kirk Nurock and Catherine Gayer. Soon, she plunged into African music and studied with the percussionist Famoudou Konaté in West Africa. Her love of Brazilian music led her to São Paulo where she met Rodolfo Stroeter who produced three of her albums and four tours across Europe and Brazil so far: The albums are BRAZAVENTURE, METAMORFLORES (enja records) and SALVADOR (Verve,Universal).
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