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New Releases by Esperanza Spalding and Altoizm Plus A Jazz Celebration of the Songs of Joan Whitney
by Mary Foster Conklin
This broadcast presents new releases from bassist Esperanza Spalding, new group Altoizm (Greg Ward, Sharel Cassity, Rajiv Halim), flutist Ragan Whiteside and vocalists Queen Esther, Ann Hampton Callaway with birthday shoutouts to songwriter Joan Whitney (Candy, Ain't Nobody Here But Us Chickiens), trumpeter Carol Morgan, vocalists Lezlie Harrison and Mavis Staples, among others. Thanks for listening ...
L'autorevole inventiva di Salvatore Maiore
by Angelo Leonardi
Contrabbassista, violoncellista e compositore tra i più attivi in Italia, Salvatore Maiore ha evidenziato -nelle molte collaborazioni e nei progetti personali-una cifra espressiva particolarmente ricercata, dove il ruolo dei suoi strumenti assume un aspetto propositivo, in una chiara esaltazione delle forme melodiche e timbriche. Di recente ha pubblicato un progetto sulle musiche di Charles Mingus interpretate ...
New Releases and Celebrations for Blossom Dearie, Ma Rainey and More
by Mary Foster Conklin
This broadcast features new releases from the Steven Feifke Big Band, the Alpha Rhythm Kings, Nicki Parrott, Esperanza Spalding, Chien Chien Lu, Norah Jones and the Art of Time Ensemble with birthday shoutouts to Mother of the Blues Ma Rainey, Blossom Dearie, Shirley Horn, Connie Crothers, and Mary Ann McSweeney, among others. Thanks for listening and ...
Ricardo Pinheiro with Theo Bleckmann and Mônica Salmaso: Caruma
by Karl Ackermann
Ricardo Pinheiro is a Portuguese guitarist, composer and educator. He has a dozen previous recordings to his credit and leader or co-leader status on the majority of those projects. His music has covered ambient, electronic, bop, jazz standards, and jazz/poetry hybrids. Pinheiro, a Berklee alumnus, has recorded and played with Dave Liebman, Peter Erskine, Chris Cheek, ...
Becca Stevens and Elan Mehler: Pallet On Your Floor
by Karl Ackermann
Elan Mehler is well known as a producer and as co-founder of the all-vinyl Newvelle Records label, which he co-founded in 2016. Mehler's pianist-composer bona fides are long-established. His eight recordings to date have reflected a wide variety of approaches. The experimental remixes of Scheme For Thought (Brownswood Recordings, 2007), classical influences on Early Sunday Morning ...
2020: The Year in Jazz
by Ken Franckling
The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...
Billy Childs: L.A. Contentment
by R.J. DeLuke
Billy Childs says taking formal piano lessons as a young child didn't register" at the time. He didn't recoil from the instrument by any means, but it wasn't yet exciting. But he had a neighbor who also played. Childs looked up to him. It was that neighbor who showed him stuff--taught him to play Cantaloupe ...
Bassisterhood - Companion Mixtape
by Ludovico Granvassu
Straight-ahead to experimental, electric or acoustic, funky or bluesy, instrumental or with vocals, these female bass players cover the whole low-end gamut with their fascinating projects. This mixtape is a fun-filled companion to the two parts of our show Bassisterhood" (click here for Part 1 and Part 2). Happy listening!
Bassisterhood - Part 2
by Ludovico Granvassu
We continue our exploration of bands and projects lead by female bass players which have become exponentially more prominent in the past two decades. Here is the fascinating music by musicians that debunk commonly held stereotypes related to the physicality of music, and develop a personal way to synthesize their countless sources of inspiration.
The Volcanic World Of Pyroclastic Records
by Mark Corroto
As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...




