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Charles Lloyd: A Wild, Blatant Truth
by Ian Patterson
Charles Lloyd: A Wild, Blatant Truth Josef Woodard 229 Pages ISBN: 978-1-935247-13-5 Silman-James Press 2016 A book on Charles Lloyd--one of the most celebrated and enigmatic jazz musicians of the past fifty years--has been a long time coming. It's been a while in the making too, for author ...
Wayne Shorter: Speak No Evil – 1964
by Marc Davis
It's hard to imagine a jazz musician who has had more success with more bands than Wayne Shorter. His tenor sax was an essential part of three landmark combos: Art Blakey and the Jazz Messengers (1959-1964), Miles Davis' classic quintet (1964-70) and Weather Report (1971-86)--27 consecutive years of uninterrupted magnificence. In other words, if ...
Take Five with Tom Harrison
by AAJ Staff
Meet Tom Harrison: For alto saxophonist/composer Tom Harrison, the art of jazz is far more than mastery of the instrument, fluency in the repertoire and respect for the tradition. For Tom, the real undertaking is to connect with that which inspired the immortals of jazz, and to cultivate it within his own work. Born ...
Schlippenbach Trio: Warsaw Concert
by John Sharpe
There can't be too many outfits still going strong after 44 years, especially with an unchanged roster. But that's exactly the situation German pianist Alexander von Schlippenbach faces with his trio of countryman Paul Lovens on the drum stool and the legendary Evan Parker on tenor saxophone, give or take an occasional bassist. As a consequence ...
Ashley Kahn: The Making of the Miles Davis Masterpiece
by Lazaro Vega
This interview was first published at All About Jazz in November 2000 and is part of our ongoing effort to archive pre-database material. Ashley Kahn, the author of Kind of Blue: The Making of the Miles Davis Masterpiece (Da Capo Press, 224 pgs.), is Music Editor at VH1, and was the primary editor ...
West Coast Chamber Jazz Trio: L.A. Strictly Confidential
by Alberto Bazzurro
Quarant'anni di Ictus, ventiquattro di States, diciassette come cittadino americano: con alle spalle questi numeri, se vogliamo persino pedissequi (ma significativi), Andrea Centazzo approda a un nuovo album, di rimpatriata jazzistica. Lo certifica lui stesso, affermando: “Il West Coast Chamber Jazz Trio riprende stilemi di quel genere, trasformando composizioni del mio repertorio (dall'opera lirica all'orchestra e ...
Young People's Concerts: Jazz
In early 1964, Leonard Bernstein and the New York Philharmonic staged a series of Young People's Concerts at the newly opened Lincoln Center that married storytelling with different forms of music, including classical, jazz and folk. The point was to narrate original children's stories on stage while the New York Philharmonic or jazz and folk groups ...
Jason Roebke Octet: Cinema Spiral
by Troy Collins
The widely acclaimed collaborative nature of the contemporary Chicago jazz scene is expertly demonstrated on Cinema Spiral, the sophomore effort by double bassist Jason Roebke's all-star Octet, which continues the creative in-roads made on the unit's celebrated 2014 Delmark Records debut, High/Red/Center. Starring eight of the Windy City's most intrepid improvisers, the ensemble features ...
Empirical: Out 'N' In
by Jakob Baekgaard
One of the great things about tributes is that they allow one to revisit and appreciate the influence of artists that deserve more exposure. This is definitely the case with the British group Empirical's tribute to reed player and composer, Eric Dolphy. Out 'n' In was released in 2009 and is still a text book example ...
John Coltrane: Coltrane And Crescent—Shadows And Light
by Mark Werlin
Visual art is a play of shadow and light, and contrast makes the forms visible. In the best jazz music, there is a kind of inner light that emanates from the musicians, the light of creative impulse, the light of spontaneous artistic expression. Some jazz musicians--too many--cast their own shadows of addiction and self-destructiveness. But often--too ...
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