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Three Gems from Guitarist Samo Salamon: Joy and Sorrow, Freed Distance Volume 2/Poems Are Opening, and Pure and Simple
by Hrayr Attarian
Innovative guitarist Samo Salamon always thrills with the diversity of his output. Right on the heels of his two-disc solo recording of the entirety of saxophonist Eric Dolphy's compositions,Dolphyology (Samo, 2022), come three very different releases. Samo Salamon Joy and Sorrow Klopotec Records 2022 The first a ...
Charles Mingus: The Lost Album from Ronnie Scott's
by Mark Corroto
Professionally recorded for Columbia Records, but never released, this live concert from London's Ronnie Scott's Jazz Club is seeing the light of day some fifty years later, as well as marking the centennial celebration of Charles Mingus' birth. The music was never released, not because it was unworthy (it is indeed worthy), but because Mingus along ...
Tension: Riesling meets Eric Dolphy
by Kristen Lee Sergeant
Welcome back to the second season of “Jazz & Juice!" Last week, I published something called the Tasting Spiral as a bonus podcast/post. It's a great way to visualize wine tasting and is in keeping with our journey together. You can check it out on the website here if you're curious! Onto the first adventure of ...
Amersfoort World Jazz Festival 2021
by Martin Longley
Amersfoort World Jazz Festival Amersfoort, Netherlands August 9-15, 2021 As with so many festivals during the last 18 months, the Amersfoort World Jazz Festival was forced to concentrate on local talent. Although steering away from big name international visitors, this summer edition offered a prime opportunity to familiarise our ears ...
Mary LaRose: Out Here
by Mark Corroto
Vocalist Mary LaRose has explored the instrumental music of jazz artists in the past, penning lyrics to the music of Thelonious Monk,Ornette Coleman, Albert Ayler, and Charles Mingus. Also included in her previous releases is the music of Eric Dolphy, who has always been a spirit guide for LaRose. With Out Here, she dedicates an entire ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
I.P.A.: Bashing Mushrooms
by Troy Dostert
Comprised of an impressive roster of Scandinavian all-stars, I.P.A. might only need a better name if the group is to break through to wider notice. Harnessing its commitment to post-bop freedom to thoughtful tunecraft, the band's music is both accessible and tough-edged, cerebral and hard-grooving in equal measure. The quintet's first Cuneiform release, I Just Did ...
John Coltrane Quartet: Impressions: Graz 1962
by Mark Corroto
This live concert is a welcome excuse to go to your happy place. Sixty years after John Coltrane's quartet toured Europe, this radio broadcast with its excellent audio fidelity opens like a capsule. Both a time capsule and a seed capsule, one that continues to pollinate today's music. The year was 1962 and Coltrane ...
Vintage Dolphy
by Duncan Heining
Vintage Dolphy appeared originally in 1986/7 on both vinyl and CD. Featuring recordings from three separate live performances from Eric Dolphy, two at Carnegie Hall, both with his own quartet and in two 'third stream' settings devised by Gunther Schuller, the album provided intriguing insights into Dolphy's improvisational skills and approach. Were this not enough, the ...
Kresten Osgood Quintet: Kresten Osgood Quintet Plays Jazz
by Mark Corroto
Danish drummer Kresten Osgood achieves the musical equivalent of pay-it-forward with Kresten Osgood Quintet Plays Jazz. His ensemble of up-and-coming Copenhagen musicians delivers convincing renditions of some archetypal compositions, plus three originals by the leader. The choice of music on these two discs exposes the quintet to many types of possible criticism. Listeners familiar ...
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