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Under the Big Top: Detroit's 31st Year Hits a High Note
by C. Andrew Hovan
31st Annual Detroit Intermational Jazz FestivalHart PlazaDetroit, MichiganSeptember 3-6, 2010Last year may have been their 30th anniversary year, but this past Labor Day weekend, The Detroit Jazz Festival pulled out all the stops for what had to be one of the most memorable line-ups of recent memory. Mother Nature would cooperate ...
Eric Alexander at the 20th Anniversary Celebration of Chris’ Jazz Café, on September 24 & 25, 2010
Chris' Jazz Café celebrates its 20th anniversary on September 24 and 25, 2010, with an all-star band featuring Eric Alexnader and Pete Bernstein. 20th Anniversary Band Eric Alexander—saxophone Bootise Barnes—saxophone Larry McKenna—saxophone Peter Bernstein—guitar Dan Kostelnik—organ Rodney Green—drums September 24 and 25, ...
Michael Dease, Mike Fahie: Attack of the Killer Trombones!
by J Hunter
The trombone: long locked into a stereotypical role formed by Dixieland, and only occasionally broken since. Fortunately, the last few years have seen more and more trombonists following J.J. Johnson's lead and bringing the instrument out front. Four discs with trombones at their center have stood out so far in 2010; two are reviewed here, two ...
Joe Chambers: Horace to Max
by Larry Reni Thomas
Drummer/vibraphonist/composer/educator Joe Chambers' Horace to Max is an awesome display of versatility and master musicianship; that's impossible to put away, it gets better with each listen. The distinctive blue-and-black colored cover design is similar to those fine Blue Note records of the 1960s and 1970s. The disc possesses a subtle suggestive theme that can only be ...
Take Five With John Troy
by AAJ Staff
Meet John Troy:John Troy has had a rich affinity towards the performance and development of his music since beginning the saxophone at age twelve. After showing exceptional ability in the classical realm throughout middle school, and with the tutelage of William Eicher, his attention gradually turned toward the study of jazz saxophone. ...
Mike LeDonne: The Groover
by Jack Bowers
So who knew that Mike LeDonne is actually a Jazz organist cleverly disguised as a pianist? Well, for starters, the folks who've been coming to see him perform regularly at Smoke, the New York City nightclub where he's been the house organist for more than a decade. As it turns out, LeDonne's not a garden-variety organist ...
Joe Chambers: Horace To Max
by Edward Blanco
In this follow up to the critically-acclaimed The Outlaw (Savant 2006) recording, Joe Chambers tips his hat to colleagues Horace Silver and Max Roach with Horace To Max, paying tribute to mentor Roach and recognizing Silver as one of the most important composers of the post-bop era of jazz. A highly-regarded session drummer of the '60s ...
One for All: Incorrigible
by Sean Coughlin
One for All Incorrigible Jazz Legacy Productions 2010 One for All's Incorrigible showcases some of the best original writing the group has had in its 14 releases. It no longer sounds like a bunch of “young lions" thrown together in a recording studio. Cohesive and interdependent, these musicians ...
Joe Chambers: Horace to Max
by John Kelman
Though best known for his drum work on key 1960s Blue Note sessions with artists including vibraphonist Bobby Hutcherson, pianist Andrew Hill and saxophonist Wayne Shorter, Joe Chambers has gradually built a reputation as an equally distinctive composer and mallet player. Horace to Max is more heavily weighted towards cover material from Shorter, bassist Marcus Miller, ...
Two by One For All
by Ken Dryden
One For All Incorrigible Jazz Legacy 2010 One For All Return of the Lineup Sharp Nine 2009 One For All is a collective of hard bop/straight-ahead players who have busy ...
