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Goldsmiths

By Iskra 1903
Label: Emanem
Released: 2012
Track listing: Cohesion 1A; Cohesion 1B; Cohesion 2A; Cohesion 2B; Unknown 1; Unknown 2.
Gratuitous Abuse

Label: Emanem
Released: 2012
Track listing: Rigwiddie Snauchle Strikes Again In Style; Soft Porn & Hard Cheese; Sklatch: unseemly semi-liquid mess; Moths & Feathers.
Stevens / Rutherford / Parker / Guy: One Four and Two Twos

by John Eyles
This release brings the very welcome return of an August 1978 studio session involving four legends of British improv: drummer John Stevens, trombonist Paul Rutherford, saxophonist Evan Parker and bassist Barry Guy. The first four of its five quartet tracks were originally released on LP in 1980 by View; all five were rereleased on CD in ...
Charlotte Hug & Frederic Blondy: Bouquet

by John Eyles
This meeting of French pianist Frédric Blondy and Switzerland's Charlotte Hug on viola and voice was studio-recorded in March 2008 in Paris. Performing as a duo since 2005, Hug and Blondy continue to do so. The album sleeve bears a phrase that is increasingly seen in recent years: No overdubbing or electronic modification was used." In ...
Varyan Weston - Ingrid Laubrock - Hannah Marshall: Haste

by AAJ Italy Staff
Il trio di questo disco omonimo sembra essere di casa in festival e rassegne dedicati espressamente alla libera improvvisazione. In questo caso i tre brani sono stati registrati a Barcellona il 9 febbraio 2011 all'interno del XV Festival Internacional de Improvisación Hurta Cordel. Per quanto si tratti di un trio paritario si può percepire una certa ...
Iskra 1903: Goldsmiths

by AAJ Italy Staff
Si deve alla passione e alla tenacia di Martin Davidson la pubblicazione postuma di questo concerto, tenuto al londinese Goldsmiths College nel 1972 dal trio Iskra 1903, all'epoca composto da Paul Rutherford, Derek Bailey e Barry Guy. Come le precedenti incisioni del gruppo edite dalla Emanem (Chapter One e Buzz Soundtrack) anche questo CD non suona ...
Kay Grant / Alex Ward: Fast Talk

by Raul d'Gama Rose
It is not often that the human voice is pitted against another human voice expressed through the vibrations of a moist and well-shaven reed of any instrument that has one, let alone a clarinet, which is made of seasoned wood and has the ability of being made to cry and wail just as naturally as another ...