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Mototeru Takagi: Live At Little John Yokohama 1999
by John Sharpe
Four Japanese improvisers gather for an absorbing summit meeting in the Tokyo port city on Live At Little John Yokohama 1999. Probably the best known of the quartet will be tenor saxophonist Mototeru Takagi, who appeared on drummer Milford Graves' underground classic Meditations Among Us (Kitty, 1977) some 22 years earlier. There is a whiff of ...
Barry Harris: Iconic Jazz Pianist and Keeper of the Flame
by Victor L. Schermer
In memory of Barry Harris. This article was first published at All About Jazz on October 29, 2015. At the ripe age of 85, pianist Barry Harris has been on the jazz scene for seventy years, and throughout that time, he has remained loyal to and consistent with his bebop roots. Even though his ...
Hard Bop: Ten Essential Live Albums
by Chris May
"Fire! That's what people want. Music is supposed to wash away the dust of everyday life. You're supposed to make them turn around, pat their feet. That's what jazz is about. Play with fire. Play from the heart, not from your brain. You got to know how to make the two meet." So ...
Ritual Habitual: Pagan Chant
by Mark Corroto
All great music, at least in the jazz and improvisation world, shares a resonance of back to the future. Call it a placeholder, or flag planted so listeners can find their way, not only back, but forward. The trio Ritual Habitual plants that flag with Pagan Chant as an invitation to accompany them on a journey ...
Joe Henderson: The Complete Joe Henderson Blue Note Studio Sessions
by Scott Gudell
If an artist stamps his jazz passport with any one of these labels--Blue Note, Verve, Milestone--it's pretty much a guarantee that you've arrived in style. Tenor saxophonist Joe Henderson has traveled with all three and more. The 2021 reissue from the prestigious Mosaic Records focuses on Henderson's 1960s tenure with Blue Note offers a new opportunity ...
John Coltrane: A Love Supreme - Live In Seattle
by Mike Jurkovic
John Coltrane was moving faster than the speed of sound in 1965. Besides divining his place within the music, the world, his God, he was touring; a two week gig with Thelonious Monk at the Village Gate led to Newport then into a frenetic week in Europe. With the classic quartet plus Archie Shepp, Art Davis ...
James Brandon Lewis Quartet: Code of Being
by Troy Dostert
With each new release, tenor saxophone phenom James Brandon Lewis seems to raise his game even higher. He continues to craft ever more compelling compositions, with both lyrical intensity and conceptual rigor, and his sound on the tenor is just as noteworthy, mixing brawn with sensitivity in equal measure. It doesn't hurt that he has colleagues ...
Why Jazz?
by Dom Minasi
This is my first All About Jazz article since 2015. So much has happened to the world around us. I've been thinking a lot lately about my career choice and why I chose jazz and I wanted to hear why some of the best chose to devote themselves to a career in jazz. Here are their ...
Empathy
by Ian Patterson
In a fifty-year, on-off musical relationship that began with a jam session in 1967 and that deepened in New York's loft scene of the early '70s, Dave Liebman and Richie Beirach have made some remarkable music together. Their first recorded collaboration was on Liebman's First Visit (Philips, 1973). Liebman returned the compliment on Beirach's ...
On the Road With Idris Ackamoor & The Pyramids
by Gioele Pagliaccia
The first time I met Idris Ackamoor was inside of Centro Stabile di Cultura on a Sunday afternoon in November 2018. The organizers at this historical venue in San Vito di Leguzzano, a small village half hour from Vicenza surrounded by foundries and wheat fields, asked me if I could lend my Ludwig Drums to the ...



