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The Cookers Quintet: The Path
by Paul Beard
The Path is the fourth record to be released by Canadian group The Cookers Quintet and is a collection of eight originals, recorded at the Warehouse, Vancouver, that were first played to live audiences on a West Canadian tour in the fall of 2021, and then put down in the studio. The album continues ...
CTI Records: Ten Tasty Albums With No Added Sugar (Almost)
by Chris May
Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...
Carole Nelson: Zen And The Art Of Music Making
by Ian Patterson
To what extent music is a product of nature versus nurture is impossible to qualify, but it is reasonable to assume that a musician's immediate environment plays into the music somehow. Difficult, certainly, to imagine bebop birthing anywhere other than in the hurly burly of 1940s New York, for example. For London-born, Ireland-based pianist Carole Nelson, ...
Nate Smith: A Drummer's Life
by Mark Robbins
Nate Smith can't sit down! After headlining with two of his bands at the 2022 Newport Jazz Festival, The Fearless Flyers and Nate Smith + Kinfolk he is off to New York for a one week run at the Blue Note followed by Los Angeles, Europe and then back to the United States where he is ...
A Mix Of New And Old
by Bob Osborne
This week a mix of brand new releases and classic recordings. There are fascinating new albums from Gard Nilssen, Steve Tibbetts, Daniel Carter with Evan Strauss, 5-Track, and Sheridan Riley, Alex Fournier, Trevor Watts & Liam Genocky, and, Brian Eaton. I also have some older releases from Elvin Jones, Pharoah Sanders, Clifford Jordan, Maria Schneider and ...
Ugly Beauty: Jazz in The 21st Century
by Philip Freeman
The following is an excerpt from Chapter 1, “JD Allen: Just Keep Going" from Philip Freeman's Ugly Beauty: Jazz in The 21st Century (ZerO Books, 2022). Queens, New York seems purposely designed to confuse travelers. It's January 2, 2020, a brisk but sunny day, and I'm to meet saxophonist JD Allen at Samurai ...
Walt Weiskopf European Quartet: Diamonds and Other Jewels
by Dan McClenaghan
Two distinct types of jazz album have emerged in the difficult Covid pandemic times: the do-it-yourself statements, usually recorded in a home studio, often with internet sound swapping; and the pent-up energy, post-pandemic energy bursts, musicians getting together again after a year or more of minimal in-person collaboration. Diamonds And Other Jewels, from the Walt Weiskopf ...
Take Five with Matthew Muñeses
by AAJ Staff
Meet Matthew Muñeses Matthew Muñeses is a saxophonist and educator residing in the northwest suburbs of Chicago. In 2011, he received his B.M. in Saxophone Performance at Illinois State University and his M.M. in Jazz Performance at the University of Illinois at Urbana-Champaign in 2013. During this time, Matthew studied with Dana Hall, Chip McNeill, Ron ...
Tumi Mogorosi: Group Theory: Black Music
by Chris May
In summer 2022, the portents suggest that South Africa, while not exactly the new London, is shaping up nicely to become another geo-cultural crucible for the reforging of jazz. Prominent among the signs is the formation of Blue Note's imprint Blue Note Africa, which launched in mid June with pianist Nduduzo Makhathini's highly recommended In The ...
Take Five with Clemens Grassmann
by AAJ Staff
Meet Clemens Grassmann Berlin-born, Brooklyn-based drummer, percussionist, composer and educator Clemens Grassmann has collaborated across the U.S. and internationally, releasing multiple recordings as a leader, including Grass Machine (self released, 2022). Recipient of the 2015 Armand Zildjian Percussion Award, Grassmann's genre-defiant aesthetic stretches across generations and unites listeners of every sonic prerogative. Grassmann's compositions ...
