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A Mix Of New And Old
by Bob Osborne
This week a mix of brand new releases and classic recordings. There are fascinating new albums from Gard Nilssen, Steve Tibbetts, Daniel Carter with Evan Strauss, 5-Track, and Sheridan Riley, Alex Fournier, Trevor Watts & Liam Genocky, and, Brian Eaton. I also have some older releases from Elvin Jones, Pharoah Sanders, Clifford Jordan, Maria Schneider and ...
Ugly Beauty: Jazz in The 21st Century
by Philip Freeman
The following is an excerpt from Chapter 1, “JD Allen: Just Keep Going" from Philip Freeman's Ugly Beauty: Jazz in The 21st Century (ZerO Books, 2022). Queens, New York seems purposely designed to confuse travelers. It's January 2, 2020, a brisk but sunny day, and I'm to meet saxophonist JD Allen at Samurai ...
Walt Weiskopf European Quartet: Diamonds and Other Jewels
by Dan McClenaghan
Two distinct types of jazz album have emerged in the difficult Covid pandemic times: the do-it-yourself statements, usually recorded in a home studio, often with internet sound swapping; and the pent-up energy, post-pandemic energy bursts, musicians getting together again after a year or more of minimal in-person collaboration. Diamonds And Other Jewels, from the Walt Weiskopf ...
Take Five with Matthew Muñeses
by AAJ Staff
Meet Matthew Muñeses Matthew Muñeses is a saxophonist and educator residing in the northwest suburbs of Chicago. In 2011, he received his B.M. in Saxophone Performance at Illinois State University and his M.M. in Jazz Performance at the University of Illinois at Urbana-Champaign in 2013. During this time, Matthew studied with Dana Hall, Chip McNeill, Ron ...
Tumi Mogorosi: Group Theory: Black Music
by Chris May
In summer 2022, the portents suggest that South Africa, while not exactly the new London, is shaping up nicely to become another geo-cultural crucible for the reforging of jazz. Prominent among the signs is the formation of Blue Note's imprint Blue Note Africa, which launched in mid June with pianist Nduduzo Makhathini's highly recommended In The ...
Take Five with Clemens Grassmann
by AAJ Staff
Meet Clemens Grassmann Berlin-born, Brooklyn-based drummer, percussionist, composer and educator Clemens Grassmann has collaborated across the U.S. and internationally, releasing multiple recordings as a leader, including Grass Machine (self released, 2022). Recipient of the 2015 Armand Zildjian Percussion Award, Grassmann's genre-defiant aesthetic stretches across generations and unites listeners of every sonic prerogative. Grassmann's compositions ...
John Coltrane: Favorites Revisited
by Mark Corroto
Besides “Giant Steps," the songs that every Coltrane fan, er fanatic, has probably committed to memory note-for-note are the three presented here, “Naima," “My Favorite Things" and the four-part suite “A Love Supreme." It is as if those sounds had existed even before John Coltrane penned them. Forgive the hyperbole, but listeners of the great man's ...
John Coltrane: A Liturgical Discography
by Steve Cook
So much to hear and so little time. The immensity of the recording legacy of John Coltrane as leader, co-leader and side player can be daunting for newcomers and long-time fans alike. Without needing to argue for the place of Coltrane's oeuvre in history, the following proposes a year-long calendar by which to experience and enjoy ...
Julius Rodriguez: Let Sound Tell All
by Chris May
At 23 years, New York-based keyboards player and drummer Julius Rodriguez is close to being a founder member of Gen Z and so was an adolescent when the iPad was giving way to streaming and a new, randomised perspective on jazz and music in general was being shaped. The Juillard School dropout--Rodriguez quit in 2018 to ...
I Am: Beyond
by Chris May
Tenor saxophone and drums duos were a thing at least as early as the 1950s, but John Coltrane and Elvin Jones elevated the format a decade later. Among their most exalted forays was the 27:04 title track of Coltrane's One Down, One Up: Live At The Half Note (Impulse, 2005), recorded in 1965. In case you ...
