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Machine Mass feat. Dave Liebman: Inti
by Glenn Astarita
Renowned saxophonist Dave Liebman's legacy as a musician who radiates illimitable vigor and a broad artistic expanse, hearkens back to his stint with Miles Davis and seemingly countless collaborations with a who's who in jazz amid an extensive resume as a leader. On this supercharged jazz-fusion gala he is the featured artist with spiraling young star, ...
Michel Delville: Guitar, Improv & Electro
by Jean-Pierre Goffin
Besides teaching at the University of Liège, Michel Delville is widely regarded as one of the most original musicians and composers of the current jazz, rock and jazz-rock scenes. His latest offering, Machine Mass' INTI (2014), recorded with Dave Liebman and Tony Bianco, has just been released by New-York-based label MoonJune Records. Michel Delville: ...
Elton Dean / Paul Dunmall / Paul Rogers / Tony Bianco: Remembrance
by John Sharpe
English saxophonist Elton Dean has inspired several memorials since his untimely demise in 2006. But there is always space for another when it is as vital as Remembrance, a two CD set from 2004 issued by the Lithuanian NoBusiness imprint. Best known for his seminal work with the jazz rock pioneers Soft Machine, Dean also amassed ...
The End of an Ear
By Elton Dean
Label: Self Produced
Released: 2013
Track listing:
01. Las Vegas Tango Part One (Repeat); 02. To Mark Everywhere; 03.
To Saintly Bridget; 04. To Oz Alien Daevid and Gilly; 05. To Nick
Everyone; 06. To Caravan and Brother Jim; 07. To The Old World (Thank
You for the Use of Your Body); 08. To Carla, Marsha and Caroline (For
Making Everything Beautifuller); 09. Las Vegas Tango Part One.
Howard Riley: Live with Repertoire
by Duncan Heining
Pianist Howard Riley turned 70 in February and belatedly celebrates the event with the release of a new CD, Live with Repertoire (NoBusiness Records). It's a really strong live, solo set of standards and a few original tunes recorded last year in Leicester and one that emphasises one particular aspect of his playing. Riley remains one ...
The Wrong Object: After the Exhibition
by Dave Wayne
Sometime during the late 1960s, adventurous European rock musicians led by the likes of Gong, Soft Machine, Magma, and Arzachel began incorporating elements of avant-garde jazz, contemporary classical and various ethnic musics into their own original progressive rock music. The result varied somewhat from region to region, but the most important thing was that very little ...
Robert Wyatt: The End of an Ear
by AAJ Italy Staff
La grande destrezza di Robert Wyatt nel saper giocare con le parole e le assonanze gli ha permesso di titillarsi con la frase 'The End of an Era' sostituendo l'ultima parola di quella che è una frase fatta, con la parola che viene utilizzata in inglese per designare l'organo umano che si occupa del data entry ...
The Wrong Object Returns with "After the Exhibition" (MoonJune)
Belgian prog heavyweights The Wrong Object make a spectacular return to center stage, with a studio album of brilliant original compositions — and monumental significance! After a five-year absence, After The Exhibition showcases a variety of fresh, powerful material, masterfully delivered by a capable, cohesive new lineup. With their aesthetics still rooted in an array of ...
Keith Tippett/ Giovanni Maier: Two For Joyce
by Mark Corroto
Two For Joyce, that's James Joyce the title is referring to. And the 'Two' is a reference to the two musicians, pianist Keith Tippett and bassist Giovanni Maier, because Two For Joyce is one long (50 minute) improvised recorded live performance.Captured May 2012, during the “Le Nuove Rotte del Jazz" (New Routes in Jazz) ...
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