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Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
Ben Goldberg: Everything Happens To Be.
by John Chacona
The music of Ben Goldberg seems to come from a place outside of time--or maybe it comes from several times simultaneously. Maybe it's the instruments he chooses; while the clarinet family has been on the comeback trail in jazz for a quarter century, it's a sound that invariably invokes the New Orleans of a century ago. ...
Aki Takase: Auge
by John Sharpe
While it might be Aki Takase's name which grabs the attention thanks to her illustrious track record, the trio on Auge represents a true co-operative, as the Berlin-based Japanese pianist joins forces with Swiss bassist Christian Weber and German drummer Michael Griener in a perfectly balanced triumvirate. Takase draws on an ouevre which ...
Entity
By Satoko Fujii
Label: Libra Records
Released: 2020
Track listing: Entity; Flashback; Gounkaiku; Elementary Particle; Everlasting.
Angel Bat Dawid, Fay Victor, Satoko Fujii and Clean Feed Releases
by Maurice Hogue
Risk-taking singer Fay Victor's powerhouse new album for ESP-Disk is called We've Had Enough, but the title could easily be used on Angel Bat Dawid's latest as well. It reflects some rather shabby treatment on a recent our in Europe. Her album Live sees and Tha Brothahood in full bore. Other new releases sampled come from ...
Susan Alcorn Quintet: Pedernal
by Troy Dostert
Pedal steel guitarist Susan Alcorn has achieved the enviable feat of commanding her own instrumental niche in the jazz world. Much like Toots Thielemans' harmonica, Gary Versace's accordion or Béla Fleck's banjo, she seems to have a unique role all to herself, at least until her substantial talents eventually spawn a host of imitators. From her ...
Nate Wooley: Seven Storey Mountain VI
by Karl Ackermann
From 2010 onwards, composer-trumpeter Nate Wooley has explored creative music as a solo artist and through a spectrum of collaborators such as Ingebrigt Håker Flaten, Mary Halvorson, Ken Vandermark, and Matthew Shipp. These projects have been offset by Wooley's Seven Storey Mountain succession of releases; Seven Storey Mountain VI is a masterwork of expressionist passion and ...
Matthew Jacobson: Rituals Of Sound And Time
by Ian Patterson
For someone whose livelihood and lifeblood are all about rhythms, the COVID-19 lockdown, with its very different rhythms, must be extremely frustrating. Especially when, as is the case with Matthew Jacobson, renowned drummer, composer, promotor and record label manager, there is no drum kit in his Dublin apartment. “I've been doing more work on ...
Kirk Knuffke, Rick Countryman & Lakecia Benjamin
by Maurice Hogue
Saxophonist Ohad Talmor's new release, Long Forms, with his Newsreel sextet has just been released by Intakt Records and it's a must-listen; strong playing by some of the best musicians around, complicated but highly interesting tunes and arrangements, and a fully realized project. Another saxophonist, Rick Countryman, plies his trade in Manila in The Philippines now ...
Results for pages tagged "Ellery Eskelin"...
Ellery Eskelin
Born:
For the past forty years Ellery Eskelin has been at the forefront of the global creative improvised music scene. Based in New York City, he has traveled widely, performing, recording and amassing a personal and iconoclastic body of work with the view that jazz and American music is an ongoing creative process with great relevancy to our time. In this pursuit Eskelin consistently delivers a passionate musical expression to the listening public.
Ellery Eskelin (born 1959) was raised in Baltimore and began playing the tenor saxophone at age ten, inspired by his mother "Bobbie Lee" who played Hammond B3 organ professionally in the early sixties. In 1983 Eskelin moved to New York City and in 1987 began recording with the cooperative group Joint Venture which also began his exposure on the European international touring circuit. Soon after, Eskelin formed the first of many projects as a leader beginning with a trio comprised of bassist Drew Gress and drummer Phil Haynes followed by a short lived group featuring Joe Daley on tuba and Arto Tuncboyaciyan on bakdav drums and percussion. In 1992 Eskelin joined drummer Joey Baron’s group, "Baron Down" (instrumentation of drums, trombone and saxophone), an experience that proved to be an important catalyst in his own work fostering an increased interest in new and unusual instrumentation. In 1994 Eskelin formed the group most often associated with him including accordionist Andrea Parkins and drummer Jim Black. To date he has written over 50 compositions for this group, each of which has been documented on a series of CD releases on the Swiss hatHUT record label. The band has toured regularly and performed hundreds of concerts in the US, Canada and throughout Europe during the past twenty years.
