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17

Article: Album Review

Jazzmeia Horn: Love & Liberation

Read "Love & Liberation" reviewed by Ian Patterson


It's a big step for any singer, the move from interpreter of jazz standards to songwriter. And when you've been Grammy-nominated for a debut album of covers, as Jazzmeia Horn was with A Social Call (Prestige, 2017), the temptation must be to carry on in the same vein. Horn, however, clearly has greater ambition, as the ...

2

Article: Radio & Podcasts

Love Song for August

Read "Love Song for August" reviewed by Mary Foster Conklin


The first broadcast in August included new releases from Veronica Swift, John Storie, Wendy Kirkland, Gretje Angell, Sara Gazarek and Wayne Wallace and Moy Eng, with birthday shout outs to Louis Armstrong, Tony Bennett, drummer Terri Lyne Carrington, pianists Diane Moser and Josh Nelson, plus vocalists Kat Edmonson, KJ Denhart, Kevin Mahogany, Baby Jane Dexter, and ...

12

Article: Take Five With...

Take Five with Tish Oney

Read "Take Five with Tish Oney" reviewed by AAJ Staff


Meet Tish Oney Dr. Tish Oney tours internationally as a jazz vocalist and symphony pops soloist. She has recorded and produced five critically-acclaimed albums, taught voice and jazz at eight universities, and has served several more as an artist-in-residence. She has headlined at thousands of venues worldwide and has performed as soloist with the Detroit Symphony ...

7

Article: Album Review

Veronica Swift: Confessions

Read "Confessions" reviewed by Mike Jurkovic


A born be-bopper, it's literally impossible not to love the energy that 25 year old Veronica Swift brings to her game. Soulfully infused with an infectious passion for jazz past and future, she is building a grand foundation for a long and colorful career, guaranteeing plenty of great performances and listenings along the way.

5

Article: Interview

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2

Read "Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2" reviewed by Victor L. Schermer


Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...

10

Article: Interview

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1

Read "Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1" reviewed by Victor L. Schermer


Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...

6

Article: Radio & Podcasts

The Songbooks (1950 - 1959)

Read "The Songbooks (1950 - 1959)" reviewed by Russell Perry


Songs from what came to be known as the Great American Songbook, have been part of jazz perhaps since The Original Dixieland Jazz Band began recording Irving Berlin compositions. In the 1940s, singer Lee Wiley recorded several collections of 78s, known as “albums"--a name that stuck into the LP era, focused on the work of individual ...

5

Article: Album Review

Steve Haines: And the Third Floor Orchestra

Read "And the Third Floor Orchestra" reviewed by Jerome Wilson


In the Fifties and Sixties it was very common to have jazz recordings that would feature a vocal or instrumental soloist like Ella Fitzgerald or Stan Getz in front of a full orchestra. That still happens today but nowhere as frequently as it once did. Bassist and composer Steve Haines revives that tradition with an amazing ...

5

Article: Radio & Podcasts

Norman Granz and Verve Records (1944 - 1962)

Read "Norman Granz and Verve Records (1944 - 1962)" reviewed by Russell Perry


In July 2, 1944, Norman Granz, a jazz fan and small-time LA promoter staged a concert in the Philharmonic Auditorium with $300 of borrowed money. His “Jazz at the Philharmonic" concerts were hugely successful and became tours that ran until 1957. These tours and the record labels they spawned—Clef, Norgran and especially Verve—became home to many ...

8

Article: Interview

Ashley Pezzotti: Telling Her Story

Read "Ashley Pezzotti: Telling Her Story" reviewed by R.J. DeLuke


As a child, Ashley Pezzotti, from Brooklyn, by way of Miami, was singing and performing. It hasn't stopped. And though only 23, it seems she has a strong career ahead of her. The title of her first album, We've Only Just Begun, out earlier this year, is a harbinger by title. As a work ...


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