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"Lone Wolf" Finds Plenty to Chew On
by Jack Bowers
With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...
Eddie Durham: Genius in the Shadows
by Jim Gerard
On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...
Ernie Kovacs and Edie Adams For Beginners
by Skip Heller
Fifty years after his death, Ernie Kovacs is de rigueur. Mainstream, even. His angular, imaginative approach to humor was impossible to imitate, but his influence on television-specifically television comedy-is intractable. He's the Thelonious Monk of the small screen. And just trying to play in a Monkish style always points out that Monk is Monk and nobody ...
Jurgen Friedrich: Monosuite
by Dan Bilawsky
Pianist Jurgen Friedrich doesn't play a single note of music on Monosuite, but his personality and cognitive bearing are omnipresent. While Friedrich's piano was at the heart of the sound on the trio-based Pollock, he removes his hands from the ivories on this follow-up date, allowing a cadre of string players and a highly flexible foursome ...
Femi Temowo: Orin Meta
by Chris May
Femi TemowoOrin MetaFemitone Records2011 The British jazz and black music scene started beating a path to guitarist Femi Temowo's door ten years ago. No sooner had he graduated from Middlesex University with a degree in Jazz Studies than he was featured on jazz, rap and samples group ...
Clifford Brown: With Strings
by Chris May
Clifford BrownWith StringsEmarcy1955 Recordings setting soloists alongside string ensembles were not a staple of the bop years, but, when trumpeter Clifford Brown recorded With Strings, he had two illustrious predecessors. In 1946, trumpeter Dizzy Gillespie recorded four Jerome Kern standards with an ensemble arranged by Johnny Richards. ...
George Russell: The Story of an American Composer
by Duncan Heining
This article, adapted by the author, appears in Chapter 4 of George Russell: The Story of an American Composer, by Duncan Heining (Scarecrow Press, 2010). New York, NY It was May 1945, the war was still on, Bebop was at its height in New York and George Russell and his two ...
Ryan Truesdell: The Gil Evans Project
by Victor L. Schermer
Imagine the commotion when previously unknown manuscripts of Beethoven or Bach were discovered. In the jazz world, the equivalent of such an event might occur with regard to the music of innovators like Duke Ellington or Gil Evans. Indeed, that is exactly what composer-arranger-conductor-producer Ryan Truesdell has uncovered with Evans' music. He researched and found a ...
Loren Schoenberg: From Benny Goodman to The Savory Collection
by AAJ Staff
Saxophonist, band-leader and writer Loren Schoenberg, now Executive Director of the National Jazz Museum in Harlem, spent an interesting childhood and teenager-hood growing up in New Jersey in the 1970s, meeting and befriending both Teddy Wilson and Hank Jones, and ultimately becoming employed by Wilson's famous '30s boss, Benny Goodman. Schoenberg was first an assistant to ...
Alex Chilowicz Senior Recital
by David A. Orthmann
Alex Chilowicz Senior Recital William Paterson University Wayne, NJ May 9, 2010 In November of 2009, Alex Chilowicz, along with members of the Manhattan School of Music's Jazz Philharmonic Orchestra, performed Focus, Eddie Sauter's seven part composition for string orchestra and improvised tenor saxophone. The piece was originally written for ...
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