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Results for "Eddie Lockjaw Davis"
Nick Hempton Cory Weeds: Horns Locked
by Pierre Giroux
The storied tradition of tenor saxophone battles has produced some of jazz's most thrilling moments, dating back to the classic duels of Gene Ammons and Sonny Stitt or Johnny Griffin and Eddie Davis. Carrying that torch forward with equal measures of bravado and reverence are Nick Hempton and Cory Weeds on Horns Locked, a rollicking straight-ahead ...
Fantasy Box Set League
by Patrick Burnette
Box sets are back, baby! Some of us old timers thought they might be gone for good after the CD crash (remember when Joe Henderson's The Milestone Years was going for twenty-bucks at your local mall?) But companies have realized that for those happy few who continue collecting “physical media," the big-ole stack of music still ...
Basie All Stars: Live At Fabrik Vol. 1
by Chris May
Such are the glories of his band's recorded legacy from the 1930s through the 1950s, that the mere mention of Count Basie's name will trigger a Pavlovian response from his fan base. Like no other, the Count Basie Orchestra epitomised big-band swing at its most sublime; reefer fuelled, riff based, loose and louche Kansas City jazz ...
Red Garland with Eddie "Lockjaw" Davis
One of the greatest pairings of piano and tenor saxophone was pianist Red Garland and saxophonist Eddie “Lockjaw" Davis. Both artists were steeped in the blues and knew how to feed a blues and coax it up on its hind legs. And yet, they only recorded one album together, and only four tracks for that album, ...
Lockjaw and Zoot in France, 1975
Imagine a concert with Dorothy Donegan on piano, Arvell Shaw on bass and Panama Francis on drums. Then add tenor saxophonists Eddie “Lockjaw" Davis and Zoot Sims and trumpeter Harry “Sweets" Edison in the front line. On July 19, 1975, that's exactly what happened at the Nice Jazz Festival, held at Arènes de Cimiez, a Roman ...
Lockjaw Davis Meets the Hammond
Tenor saxophonist Eddie “Lockjaw" Davis was among the first jazz saxophonists who used an organ combo on tour and when recording. Like many horn players who started out in R&B bands along the Chitlin' Circuit in Black communities throughout the upper Midwest in the early 1950s, Davis realized that the Hammond B-3 organ was a moneymaker. ...
Judith & Dave O'Higgins: His 'n' Hers
by Chris May
Here is a great idea for a tough tenors face-off in the tradition of the Johnny Griffin / Eddie “Lockjaw" Davis group... Get hold of a tenor duo comprising a husband and wife who are on the verge of divorce and can barely stand being in the same room together and record them as they try ...
Jay Thomas Quartet: Upside
by Paul Rauch
Seattle-based musician Jay Thomas may be considered the oddest of ducks in the jazz universe. By that, I am referring to his fierce musicality expressed both on trumpet and saxophone, as well as most members of the brass and woodwind families. Inspired early in his career by the like minded veteran Ira Sullivan, Thomas in a ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
A Garland of Red
by C. Michael Bailey
Like pianist Wynton Kelly and Kelly's debut recording New Faces -New Sounds (Blue Note, 1951), William McKinley Red Garland performed for years as a sideman before releasing his first recording as a leader, A Garland of Red. Originally from Dallas, Texas, Garland migrated to New York City after a stint with Hot Lips Page in 1946. ...
