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Eddie Harris
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Eddie had always wanted to play the saxophone simply because he admired its design and the way it looked. But in order to play saxophone for Captain Dyette, the aspiring musician had to plat the clarinet. He took private clarinet and saxophone lessons for many years. As his playing improved, Eddie began his saxophone career playing with all types of bands. Captain Dyette retired in his mid-sixties and passed away in his mid-seventies. In the late 50's Eddie was drafted into the Army. While in the Army, he took an audition test for the Army band which included reading music, ear training, written phrases and command of the chosen instrument, Eddie scored a 98 out of 100. This score was so high that he was recommended to join the symphony orchestra in Germany.
David Murray: Hope Scope
by Fran Kursztejn
There should be no doubt of David Murray's position. Since the death of Eddie Harris, he is the finest tenor saxophonist in jazz, arguably one of the most prolific bandleaders in the modern age. He stands among a rare few reedmen working to redefine the sonic quality of their instrument. Looking back at any of Murray's ...
Remembering Jack DeJohnette: Unlimited Imagination
by Ian Patterson
It is with sadness that All About jazz must report the passing of NEA Jazz Master Jack DeJohnette--one of the most respected and influential of modern jazz drummers. He died of congestive heart failure on October 26, 2025. He was 83. DeJohnette belongs in the pantheon of great jazz drummers. If there were a ...
RIP Bassist Anthony Jackson. Honoring His Contributions to Pop, R&B, and Jazz
by David W. Daniels
Remembering Anthony Jackson with an opening montage of familiar pop and R&B songs where he contributed bass, then going into his fusion work with Lee Ritenour, Hiromi, and more. New music from Phil Bancroft, Adam Blackstone, and more. Music from jazz musicians with birthdays this week including Dianne Reeves, Sonny Criss, Steve Lukather, and more. Continuing ...
Merano Jazz Festival And Academy 2025
by Giuseppe Segala
Merano Jazz Festival and Academy 2025 Varie sedi Merano 8-13 luglio 2025 Il jazz a Merano ha mostrato alcuni dei suoi molteplici volti. Quello dell'orgoglio, della denuncia sociale e della teatralità afroamericana intrisa di soul con il quartetto We Exist! guidato da Dee Dee Bridgewater. Quello eclettico, ricco di humor e ...
Funky Mama Show
by David Brown
This week's edition of The Jazz Continuum celebrates Mother's Day with an energetic mix of soul-jazz, jazz-funk, R&B, and groove-oriented selections. The program opens with classic organ-driven tracks from saxophonist Lou Donaldson, funk pioneers The Meters, and organist Jimmy McGriff, laying the foundation for the show's rhythmic theme. As the sound evolves into 1970s jazz-funk, selections ...
Meet Andy Bey
by Chris M. Slawecki
From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...
Rob Brown: Walkabout
by Fran Kursztejn
Despite spending the majority of his career as a side man for William Parker and Matthew Shipp, Rob Brown is perhaps the most recognizable alto saxophonist on the East Coast. Recognizable not because he is famous (far from it), but simply because he is rather difficult to mistake. His sound is abrasive, bellowing and free, oozing ...
Jazz Continuum Latin Edition
by David Brown
This week, we're featuring the Jazz Continuum Latin Edition. Let's dive into some Latin sounds from NYC, starting with Pete Rodriguez's “I Like It (I Like It Like That)," followed by the Joe Cuba Sextet and Nuyorican percussionist Ray Barretto. We'll also spotlight two albums from this weekend in history: Kenny Dorham's Afro-Cuban (1955) and McCoy ...
Slow Poke: Listen Here
by Ludovico Granvassu
Here is a track in which the simmer might be low, but the temperature is definitely very high. “Listen Here" is a composition which Eddie Harris wrote and played with his, usual, fat groove. This, however, is a sultrier rendition by a band that made the savoring of each note, and the development of a hypnotic ...
