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Musician

Eddie Harris

Born:

Eddie had always wanted to play the saxophone simply because he admired its design and the way it looked. But in order to play saxophone for Captain Dyette, the aspiring musician had to plat the clarinet. He took private clarinet and saxophone lessons for many years. As his playing improved, Eddie began his saxophone career playing with all types of bands. Captain Dyette retired in his mid-sixties and passed away in his mid-seventies. In the late 50's Eddie was drafted into the Army. While in the Army, he took an audition test for the Army band which included reading music, ear training, written phrases and command of the chosen instrument, Eddie scored a 98 out of 100. This score was so high that he was recommended to join the symphony orchestra in Germany.

Article: Live Review

Merano Jazz Festival And Academy 2025

Read "Merano Jazz Festival And Academy 2025" reviewed by Giuseppe Segala


Merano Jazz Festival and Academy 2025 Varie sedi Merano 8-13 luglio 2025 Il jazz a Merano ha mostrato alcuni dei suoi molteplici volti. Quello dell'orgoglio, della denuncia sociale e della teatralità afroamericana intrisa di soul con il quartetto We Exist! guidato da Dee Dee Bridgewater. Quello eclettico, ricco di humor e ...

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Article: Radio & Podcasts

Funky Mama Show

Read "Funky Mama Show" reviewed by David Brown


This week's edition of The Jazz Continuum celebrates Mother's Day with an energetic mix of soul-jazz, jazz-funk, R&B, and groove-oriented selections. The program opens with classic organ-driven tracks from saxophonist Lou Donaldson, funk pioneers The Meters, and organist Jimmy McGriff, laying the foundation for the show's rhythmic theme. As the sound evolves into 1970s jazz-funk, selections ...

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Article: Interview

Meet Andy Bey

Read "Meet Andy Bey" reviewed by Chris M. Slawecki


From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...

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Article: Album Review

Rob Brown: Walkabout

Read "Walkabout" reviewed by Fran Kursztejn


Despite spending the majority of his career as a side man for William Parker and Matthew Shipp, Rob Brown is perhaps the most recognizable alto saxophonist on the East Coast. Recognizable not because he is famous (far from it), but simply because he is rather difficult to mistake. His sound is abrasive, bellowing and free, oozing ...

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Article: Radio & Podcasts

Jazz Continuum Latin Edition

Read "Jazz Continuum Latin Edition" reviewed by David Brown


This week, we're featuring the Jazz Continuum Latin Edition. Let's dive into some Latin sounds from NYC, starting with Pete Rodriguez's “I Like It (I Like It Like That)," followed by the Joe Cuba Sextet and Nuyorican percussionist Ray Barretto. We'll also spotlight two albums from this weekend in history: Kenny Dorham's Afro-Cuban (1955) and McCoy ...

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Article: Play This!

Slow Poke: Listen Here

Read "Slow Poke: Listen Here" reviewed by Ludovico Granvassu


Here is a track in which the simmer might be low, but the temperature is definitely very high. “Listen Here" is a composition which Eddie Harris wrote and played with his, usual, fat groove. This, however, is a sultrier rendition by a band that made the savoring of each note, and the development of a hypnotic ...

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Article: Album Review

Nancy Reed & Spencer Reed: Happying

Read "Happying" reviewed by Katchie Cartwright


The jazz world encompasses a multitude of local communities. Jazz came to Delaware Water Gap and the Pocono Mountains of northeastern Pennsylvania via the inns and summer resorts for which the region has been known since the second decade of the 19th century, attracting New Yorkers and Philadelphians seeking summer refuge and fresh woodland air. By ...

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Article: Album Review

Chad Edwards: Wyoming Roads

Read "Wyoming Roads" reviewed by Nicholas F. Mondello


In his performing career, pianist Chad Edwards has probably heard more wisecracks and quips about his actually being a retired rocket scientist than there are stars in the Cosmos. However, rest assured--as he has done in his parallel and now formal career, and is presented in Wyoming Roads--his keyboard and compositional talents certainly stand on their ...

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Article: Radio & Podcasts

Basketball and Jazz: The Art of Improvisation, Part 3

Read "Basketball and Jazz: The Art of Improvisation, Part 3" reviewed by Ludovico Granvassu


In our final look into the basketball & jazz interconnectedness, we focus on several jazz, or funk-jazz soundtracks for movies dedicated to the game, on jazz musicians with a basketball career like Cab Calloway and Wayman Tisdale, a composition inspired by the elegant and creative crossover dribble known as the Shammgod, and more!Happy listening!


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