Results for "Eddie Harris"
Eddie Harris

Born:
Eddie had always wanted to play the saxophone simply because he admired its design and the way it looked. But in order to play saxophone for Captain Dyette, the aspiring musician had to plat the clarinet. He took private clarinet and saxophone lessons for many years. As his playing improved, Eddie began his saxophone career playing with all types of bands. Captain Dyette retired in his mid-sixties and passed away in his mid-seventies. In the late 50's Eddie was drafted into the Army. While in the Army, he took an audition test for the Army band which included reading music, ear training, written phrases and command of the chosen instrument, Eddie scored a 98 out of 100
The First Generation 1965-1974

by John Kelman
What do guitarists Eric Clapton, Peter Green, Mick Taylor, Jon Mark, Harvey Mandel and Freddy Robinson, reed/woodwind multi-instrumentalists John Almond, Ray Warleigh, Alan Skidmore, Dick Heckstall-Smith, Red Holloway and Ernie Watts, bassists John McVie, Jack Bruce, Andy Fraser, Tony Reeves, Stephen Thompson and Larry Taylor, drummers Mick Fleetwood, Keef Hartley, Aynsley Dunbar, Jon Hiseman and Collin ...
Chris Nordman Trio: High Wire

by Jack Bowers
Time was when people retired to Florida to bask in the sunshine, play some golf and tend their backyard gardens. That was then; this is now. Pianist and organist Chris Nordman, who has roamed the world for more than half a century as a working musician and now calls Florida home, has no plans to rest ...
Tom Kennedy: Stories From Behind and Beyond The Bass

by Jim Worsley
Tom Kennedy has never considered himself a prospector, but surely has tapped into a goldmine. As if releasing a hotshot new record wasn't enough, the world class jazz and fusion bassist is in compositional bliss with a bevy of new material yet to be recorded. Kennedy and I talk at length about his new writing technique ...
Meet Kenny Barron

by Craig Jolley
From the 1995-2003 archive: This article first appeared at All About Jazz in March 2001. Jazz Education I recently retired from Rutgers University. Right now I teach piano one day a week at Manhattan School of Music. In September I'll be teaching at the new jazz program at Julliard. I've taught David Sanchez and ...
Tobias Grim: Spring 2020

by Mike Jurkovic
Locked down but cool, calm and collected in the midst of global strife, Swedish guitarist Tobias Grim and his equally cool, calm, and collected trio mates, bassist Magnus Bergström and drummer Adam Ross, took a couple of time suspended, life upended days in spring 2020 to jam on few new Grim tunes and some well-known standards ...
Meet Marc Cohn

by Marc Cohn
Meet Marc A. Cohn Dr. Cohn is a New Yorker-in-exile and has been doing jazz radio as an avocation since 1967. He is Professor Emeritus in Seed Biology at Louisiana State University, where he has won numerous teaching awards. He is a widely recognized authority on seed dormancy, is Editor Emeritus of Seed Science Research (the ...
Braxton with Dave Brubeck and Chick Corea & Much More

by Marc Cohn
We're going everywhere this week. We offer you twenty-first century music from Joshua Redman, Michael Sarian, magnificent Vanessa Perica, Nicole Mitchell and Manu Katche. Roll up the rug for Benny Goodman's trio, Fletcher Henderson and Rex Stewart(with Johnny Hodges on soprano and Harry Carney on clarinet). Our Charlie Parker @ 100 celebration continues as we start ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
Meet Andy Bey

by Chris M. Slawecki
From the 1995-2003 archive: This article first appeared at All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...