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Bill Evans: Behind The Dikes – The 1969 Netherlands Recordings
by Dan McClenaghan
Zev Feldman, co-president of Resonance Records, seems to have made it his life's mission to present every unreleased note that pianist Bill Evans ever recorded. Live At Art D'Lugoff's Top Of The Gate (2012), Some Other Time (2016), Another Time: The Hilversum Concert (2017), Evans In England (2019) and Live At Ronnie Scott's (2020) represent the ...
Craft Recordings Celebrates The Legacy Of Bill Evans With First-Ever Career-Spanning Collection, Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)
Craft Recordings proudly honors the pioneering jazz artist Bill Evans and his enduring musical contributions, with two new titles. The first—a deluxe, five-CD box set and digital album, titled Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)—marks the first-ever career-spanning collection of music from the pianist, featuring over 60 tracks that spotlight Evans’ exceptional work ...
Record Store Day 2021 Jazz Releases
Since its inception in 2007, Record Store Day has become an important event for record collectors around the world. Every year, limited edition runs of albums from a variety of different genres hit the shelves, and jazz is no exception. There are two 2021 Record Store Day drops planned: one on June 12 and the other ...
Having A Good Time With Alberta Hunter
by Mary Foster Conklin
This broadcast celebrates the birthday of legendary pianist and songwriter Alberta Hunter, who returned to the NYC clubs after a twenty year nursing career. Also featured are new releases from composer/arranger Jihye Lee, and vocalists Clare Foster, Aubrey Logan, Alyssa Allgood and Veronica Swift. Other birthday shoutouts include Norah Jones, Tessa Souter, Tina May, Aimee Allen ...
Bill Evans: Hey Bill, It's Paul From Abbey Road
by Mike Jurkovic
Hot after the release of Bill Evans Live at Ronnie Scott's (2020), Resonance Records and the Estate of Bill Evans announced an extraordinary find, now in the final stages of being prepped as a two-disc set entitled Hey Bill, It's Paul from Abbey Road. Recorded off the cuff as a sort of mic-set-up time ...
Bill Evans: Live at Ronnie Scott's
by Mike Jurkovic
Bill Evans was always at home onstage. Live at Ronnie Scott's, Resonance Records' fifth Bill Evans archival offering, hits the same high marks as its predecessors--2012's standard bearer Live at Art D'Lugoff's Top of The Gate , 2016's Some Other Time: The Lost Session From the Black Forest, 2018's Another Time and 2019's Evans In England--majestically ...
Meet BlueStem Jazz's Dave Stone & Thomas Ferrella
by Hrayr Attarian
Since 2016, and even through the pandemic of 2020, Madison Wisconsin has hosted a steady stream of improvisational music concerts. The majority of these are thanks to the organization named after Wisconsin's native grass, BlueStem Jazz. Founded by two retired professionals and melophiles this non-profit, award-winning establishment is dedicated to promoting and hosting a wide range ...
Bill Evans: Bill Evans Live at Ronnie Scott's
by Stefano Merighi
Dobbiamo ringraziare la determinazione e la perseveranza di Zev Feldman, inesausto ricercatore di perle musicali dei grandi del jazz, pubblicate con fierezza dalla Resonance Records. Lo scavo assiduo riguarda in particolare Bill Evans, del quale sono già comparsi alcuni dischi con concerti inediti, cui si aggiunge questo Live at Ronnie Scott's che documenta esibizioni nel celebre ...
Guitar Gods & Goddesses: An Alternative Top Ten Albums
by Chris May
Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...
Notable and Nearly Missed 2020
by C. Michael Bailey
The strange year that was 2020 yielded, reluctantly, re-issued and previously unissued recordings from across the spectrum of music and ain't it fine to have such to consider. The value of such recordings lay in their function in pointing to the musical future we presently inhabit. They fill in the blank spaces between then and now. ...
