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Bebop Big Bands - Earl Hines, Billy Eckstine, & Woody Herman (1940 - 1947)
by Russell Perry
Although Duke Ellington, Count Basie and Woody Herman soldiered on, mostly keeping bands on the road into the 1970s (Ellington) and 1980s (Basie and Herman), the era of the big band effectively ended with the American Federation of Musicians' strike and World War Two shortages of gas, rubber and players. A leaner combo-oriented music emerged in ...
Unforgettable: Nat King Cole at 100
by Peter Coclanis
Few cities in the U.S. have musical traditions so strong and varied as Chicago's. Although cases can be made for other cities--New Orleans, Detroit, New York, Philadelphia, Los Angeles, and Memphis come to mind--in no other city is the range and depth of musical expression so strong as in Chi-Town. Other cities may dominate certain genres ...
Etta Jones: A Soulful Sunday - Live At The Left bank
by Angelo Leonardi
Pochi si ricordano di Etta Jones e qualcuno la confonderà con {Etta James}}. A dispetto delle alte doti tecniche e interpretative, la cantante non ha avuto i riconoscimenti che meritava. Cresciuta ad Harlem, debuttò negli anni '40 nelle serate per debuttanti dell'Apollo Theater, si fece le ossa con Pete Johnson, Barney Bigard ed Earl Hines, ottenne ...
Documenting Jazz 2019
by Ian Patterson
Documenting Jazz Conservatory of Music and Drama TU Dublin Dublin, Ireland January 17-19, 2019 Jazz music, which has pretty much always meant different things to different people, has been comprehensively documented since its arrival in the first decades of the twentieth century. The most obvious form of ...
Women in Jazz, Part 1: Early Innovators
by Karl Ackermann
"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...
Blue Note 50th Anniversaries: January 1969 & More
by Marc Cohn
We celebrate Blue Note 50th anniversary recordings from Frank Foster (material never formally released until a CD reissue of Manhattan Fever), Lonnie Smith and Horace Silver. Certamente, there's more--including a 75th anniversary salute to sides by clarinetist Edmond Hall with Red Norvo and Teddy Wilson, and a 78 rpm recording of Blue Note 5 by Earl ...
Jazz Musician of the Day: Earl Hines
All About Jazz is celebrating Earl Hines' birthday today! A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called \'trumpet\' style used doubled octaves in the right hand to produce a clear ...
New Orleans Diaspora – Louis Armstrong (1926 - 1929)
by Russell Perry
In the past two hours, we've heard the music of the newly conceived jazz orchestras of New York and the Harlem-style or “Stride" pianists. We touched on Louis Armstrong's contributions to the Fletcher Henderson Orchestra and the invention of the big band soloist. In this hour, we return with Louis Armstrong to Chicago and listen to ...
December Birthday Salutes
by Marc Cohn
Whether they've grabbed their hats and caught the bus, or are still with us, every one of these musicians makes the world a bit brighter. Of those living that we've featured, a special Gifts & Messages greeting to Curtis Fuller, Barry Harris and Eddie Palmieri as each celebrated more than 80 years on the planet on ...
Chicago Jazz Roots (1922 - 1929)
by Russell Perry
In the last hour we listened to the music of the first great jazz composer, Jelly Roll Morton, and Sidney Bechet, the only soloist in early jazz to seriously challenge Louis Armstrong. In addition to Joe “King" Oliver, Jelly Roll Morton and Louis Armstrong, the Chicago scene bristled with black and white bands, initially ...
