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1,105

Article: Album Review

Oscar Peterson: Oscar Peterson: The Complete Clef/Mercury Studio Recordings of The Oscar Peterson Trio (1951-1953)

Read "Oscar Peterson: The Complete Clef/Mercury Studio Recordings of The Oscar Peterson Trio (1951-1953)" reviewed by Samuel Chell

by Samuel Chell
October 27, 2008

How do you criticize pianist Oscar Peterson? The two primary meanings of such a question expose the divide among those who must confront his talent--and, like it or not, no musician or supporter of the music can duck the issues raised by the most prolifically recorded pianist in jazz history. To the one camp, Peterson's playing ...

Album

Berlin Jazz Piano Workshop 1965

By Bill Evans

Label: Impro-Jazz
Released: 2007
Track listing: Intro ; Memories Of You ; I've Got The World On A String ; Love; All Of Me; Django ; Cool Boogie; Beautifull Love; Free Improvisation ; Rosetta;

Album

Once Upon A Time

By Earl Hines

Label: Impulse! Records
Released: 2003
Track listing: 1. Once Upon A Time 2. Black and Tan Fantasy 3. Fantastic That

277

Article: Album Review

Earl Hines: Once Upon A Time

Read "Once Upon A Time" reviewed by David Rickert

by David Rickert
May 18, 2003

Upon listening to Once Upon A Time for the first time, you may have to glance at the cover to confirm that you aren’t listening to an Ellington album by mistake, for this session is littered with Ellington stalwarts like Johnny Hodges, Ray Nance, Paul Gonsalves, and Jimmy Hamilton. You may also do a double take ...

Album

Earl Hines '65 Piano Solo

By Earl Hines

Label: Unknown label
Released: 2002

Album

Grand Terrace Shuffle

By Earl Hines

Label: Warner Bros. Records
Released: 2001

Album

Live at The Party

By Earl Hines

Label: Delmark Records
Released: 2001
Track listing: It's Only a Paper Moon; Coquette; Poor Butterfly; Indiana; Along The Santa Fe Trail; Lazy River; Chicago/I Left My Heart in San Francisco; I Want a Little Girl. Total Playing time: 67:20.

138

Article: Album Review

Earl Hines: Live at The Party

by AAJ Staff
December 1, 2001

Earl Hines is considered in some quarters, including the most relevant quarter of pianists themselves, to be “the father of modern jazz piano." Hines had a transitional style that took its main basis from swing but anticipated some important modern innovations. As such, being ahead of his time in some ways while firmly planted in the ...

Album