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Thailand International Jazz Conference, January 28-30, 2011
by Ian Patterson
Thailand International Jazz Conference Mahidol University School of Music Bangkok, Thailand January 28-30, 2011It's almost impossible to go anywhere in Thailand without hearing music at all hours: people sing for their own enjoyment as they go about their daily business, displaying a lack of inhibition generally absent in ...
Abdullah Ibrahim & Ekaya: Sotho Blue
by Ian Patterson
Pianist Abdullah Ibrahim's Ekaya is more an expression of the South African's musical philosophy than a fixed combo; musicians have come and gone and his collaborators have changed completely since its inception in 1983. Ekaya is not about personalities, but about music born of South Africa and the Afro-American experience. Speaking of Ekaya, Ibrahim states, “Its ...
Herbie Hancock: Maiden Voyage
by Greg Simmons
There are few worse examples of a masterpiece performance being savaged by poor recording quality than Herbie Hancock's Maiden Voyage. This very expensive recent re-release on 45RPM vinyl by Analogue Productions only serves to highlight its engineering travesty.Rudy Van Gelder had the great fortune to record the best of the best in jazz for ...
Esperanza Spalding: The Intimate Balance
by Esther Berlanga-Ryan
To celebrate Esperanza Spalding's Grammy award win as “Best New Artist," we're rerunning this September 2010 interview. Enjoy!Fans of classical music and jazz have argued about music for years. If Wolfgang Amadeus Mozart and Duke Ellington had ever met, they may have looked at each other in awe--right before debating about bars and notes ...
Turn Up Those Footnotes!
by Andrew J. Sammut
Even if the names William Shakespeare and Wolfgang Amadeus Mozart ring some bells for contemporary audiences, chances are Thomas Marlowe or Giovanni Paisiello might not get a chime. Yet, Marlowe's plays drew droves of theatergoers in Elizabethan England, and Paisiello's operas packed 18th century houses. It doesn't take an English scholar or the ...
Take Five With Frank Macchia
by AAJ Staff
Meet Frank Macchia: Born and raised in San Francisco, CA., Frank started on the clarinet at the age of ten years old. Soon afterward he began studies on bassoon, saxophone and flute. By the age of fourteen he began studying composition, writing jazz and classical pieces for his high school band and orchestra and ...
Milt Jackson and Paul Desmond: Elder Statesmen on CTI
by Dan Bilawsky
Popular music is usually a young person's game. Older artists, in any genre, often get pushed to the periphery to make way for the next big thing that can sell in numbers. But the CTI label was age-blind when it came to its artist roster. While it's certainly true that the stable of musicians on the ...
Thomas Savy: The French Suite
by Greg Simmons
Frenchman Thomas Savy seems intent on making a statement with his bass clarinet, and he's doing so in a challenging format: a trio, accompanied only by bass and drums. He's out of the gate running with French Suite. The bass clarinet is a terrific sounding instrument, with a big wooden resonance and dimensional texture, ...
DIVA Jazz Orchestra / Paul Read Orchestra / Andy Farber and His Orchestra
by Jack Bowers
DIVA Jazz OrchestraJohnny Mandel: The Man and His MusicArbors Jazz2010 Note to NARAS members: please do not cast your vote for Best Big Band Album of 2011 without first having listened to Johnny Mandel: The Man and His Music, recorded in concert at Dizzy's Club Coca-Cola in Manhattan ...
Microscopic Septet: Chance Meeting with the Future
by Gordon Marshall
The Microscopic Septet is all about swing, but swing in a sense extrapolated from the stale, dated pages of the past. Its take on the music of the '30s and '40s is too scholarly to fall off the map as retro, and too deeply felt to be dismissed as a dusty trove of museum pieces. The ...
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