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NEA Jazz Masters Program Morphs into Museum of Jazz Masters
By Fradley Garner It's happened every year since 1982, but it won't again after 2012, when the honors- loaded gravy train arrives at its 30th and last stop. The National Endowment for the Arts' Jazz Master Awards, America's highest honor in its own music genre, then goes the way of the space shuttle. For three decades, ...
Gent Jazz Festival 2011: Days 1-4
by Martin Longley
Days 1-4 | Days 5-8 Gent Jazz Festival Bijloke Gent, Belgium July 7-10, 2011 There has been a radical change to the Gent Jazz Festival site since last year. The historic Bijloke zone remains historic, but it now has a new concrete 'n' ...
Ryan Truesdell: The Gil Evans Project
by Victor L. Schermer
Imagine the commotion when previously unknown manuscripts of Beethoven or Bach were discovered. In the jazz world, the equivalent of such an event might occur with regard to the music of innovators like Duke Ellington or Gil Evans. Indeed, that is exactly what composer-arranger-conductor-producer Ryan Truesdell has uncovered with Evans' music. He researched and found a ...
Thelonious Monk: The Definitive Thelonious Monk on Prestige and Riverside
by Kevin Davis
One fundamental paradox of compilation albums is the way so many good ones ultimately render themselves useless. Consider how many hits packages sit untouched on the shelves of aficionados, doomed to a lifetime of neglect simply for having the gall to work efficiently as the conversion tools they were intended to be. Consequently, a great compilation ...
A Merger In Jazz Education
by Ed Hamilton
A musical merger of higher education has been established at the last university to include jazz into their curriculum--UCLA. Jazz Studies, under Director/guitarist Dr. Kenny Burrell, The Herb Alpert School of Music , and the Thelonious Monk Institute, guided by Herbie Hancock, have all joined jazztistical bonds in providing not only jazz but all-around musical learning ...
Take Five With Tim Richards
by AAJ Staff
Meet Tim Richards: Tim's first encounter with a piano was at the age of eight, in a dentist's waiting room. After classical piano lessons he taught himself jazz and blues from the age of 14, after seeing Thelonious Monk on TV.Since forming the long-lived modern jazz quartet Spirit Level in Bristol in ...
Gerald Wilson Orchestra: Legacy
by Raul d'Gama Rose
The beauty of listening to an orchestra in fine form is like being treated to an oceanic swell of music that rises and falls, creating great harmonic waves of sound. This further regales the intellect with the swish of brushstrokes as the music changes in color, from sometimes thick, dark dripping shades, evoking brooding emotion to ...
CrossCurrent 3: A Cry for Cultural Development
by Gian Paolo Galasi
CrossCurrent Festival 3: Press Conference Piazza Loggia, Café Aquarium Brescia, Italy June 21, 2011 This space may not be the most fitting for an extended cultural/sociological analysis of how artistic expression and economical acknowledgment feeds each other, but there are events that can be taken as a good starting point for ...
Jeff Lofton: Jazz to the People
by Josep Pedro
Born in Germany and raised in South Carolina, Jeff Lofton's trumpet sound has become a striking force in Austin's music scene since moved there about four years ago. Friendly and bright in his reasoning, Lofton has proved to be a versatile, mature musician overtly combining straight-ahead jazz with fusion. His appealing, laidback character and soulful playing ...
Denise Donatelli and Janis Mann at Charlie O's, May 20, 2011
by Chuck Koton
Denise Donatelli Charlie O's Van Nuys, CA May 20, 2011 The Los Angeles area is blessed with the presence of many talented vocalists--drawn, no doubt, by both the Mediterranean climate and the abundance of studio work. In May, a pair of transplanted East Coast songbirds, Denise Donatelli and Janis Mann, warbled their ...
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