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Not Your Classic: Carlos Redman
By CYRIL JOSH BARKER Carlos Redman is tooting his own horn across the city, becoming one of the most noted emerging musicians on the jazz scene. After spending years in the Midwest and southern U.S., the 30-year-old jazz trumpeter is making his mark on the Big Apple. With his band, Chemistry, Redman not only plays jazz, ...
Jeff Lofton: Jazz to the People
by Josep Pedro
Born in Germany and raised in South Carolina, Jeff Lofton's trumpet sound has become a striking force in Austin's music scene since moved there about four years ago. Friendly and bright in his reasoning, Lofton has proved to be a versatile, mature musician overtly combining straight-ahead jazz with fusion. His appealing, laidback character and soulful playing ...
Donald Byrd: Slow Drag
by Greg Simmons
Donald ByrdSlow DragBlue Note2011 (1967) In 1967 trumpeter Donald Byrd was a busy guy, teaching or lecturing at no fewer than four universities. It's a wonder he had time to play, let alone record. Fortunately, he did find the time, and the resulting Slow Drag takes an ...
Swingadelic: The Other Duke: Tribute To Duke Pearson
by Dan Bilawsky
Most four-letter words come with a negative connotation attached, but that's not always the case. When big band fans hear the word “Duke" uttered aloud, positive thoughts tend to take over and Duke Ellington immediately comes to mind. His legendary compositions and historic recordings elevated him to the very top of the jazz world, and one ...
Pannonia Project: The Bridge
by Nenad Georgievski
Project marks a new direction for bassist Vlada Samardžić in many ways. It is his debut as an author and bandleader, and also marks his parting with the band he was long associated with, The Vasil Hadžimanov Band. This project has been brewing for some time, as Samardžić as a regular member of the highly active ...
Benny Green Trio: Source
by Larry Taylor
Benny Green, now 48, is entering his middle years. Early on he was hailed as a budding master; today he has fully blossomed into one of the jazz world's finest pianists. Equally comfortable with a fast-paced piece and or a sensitive ballad, he is a go-to guy for sessions as back-up or leader. His last recordings ...
Don Sebesky: Giant Box
by Dan Bilawsky
It's a bit bizarre to find an album called Giant Box in a small cardboard case, or as a download lacking physical form, but times change. When Don Sebesky's grand musical statement on CTI hit the marketplace in 1973, it came in a classical-type record box, befitting the stature of the music. Opinions ...
Benny Green: Source
by C. Michael Bailey
Pianist Benny Green has not been in the studio leading a recording date since his collaboration with Russell Malone, Bluebird (Telarc, 2004). Far from stagnating, Green has most recently been found providing support on recordings like Hilary Kole's You Are There (Justin Time, 2010), Kenny Burrell's Be Yourself (HighNote , 2010) and Anat Cohen's Clarinetworks: Live ...
Making Cents Of It All: Jazz Enters The Money Jungle
by Dan Bilawsky
Is money the root of all evil? I, of course, can't answer that, but anybody with access to a newspaper, television and/or the internet knows that it's at the heart of many debates these days. As I sit here writing this column on a cloudy day in early April, I can't help but think that the ...
Art Blakey & The Jazz Messengers: The Sesjun Radio Shows
by Dan McClenaghan
The old and irksome “but is it jazz" argument has probably never been brought into play when it comes to drummer/bandleader Art Blakey (1919-1990) and his ever-changing line-up of Jazz Messengers. The music Blakey and his usually young players made was most certainly jazz, of the hard bop, hard-charging variety--brash and brightly hued, and joyously swinging. ...
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