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David Kikoski: Surf's Up

by C. Andrew Hovan
It seems that the show tunes of the '30s, '40s, and '50s have served as fodder for several generations of jazz musicians, either providing their own melodies for subsequent development or lending their harmonic framework for the jazz writer to use as a basis for an original tune. Most recently, we've seen attention begin to shift ...
Patrick Brennan Sonic Openings: Tilting Curvaceous

by Karl Ackermann
The quintet project Tilting Curvaceous is saxophonist/composer Patrick Brennan's sixth leader/co-leader date since the late 1990s. His duo recording Terraphonia (Creative Sources Recordings, 2019) with guitarist Abdul Moimême demonstrated a strong affinity for free improvisation within unconventional settings and uncommon concepts. Brennan is joined by trumpeter and flugelhorn player Brian Groder. The native New Yorker has ...
Organ Monk: Uwo In the Black

by Howard Mandel
Organ Monk is the inspired--some might say mad"--project of Brooklyn-based keyboardist Greg Lewis to play the unique compositions of Thelonious Monk as they've never been played before. Lewis throws down Monk's memorable turns of melody and digs into his harmonic insights, mostly at groovin' rhythms, on the Hammond C 3 organ. It's tempting to say Lewis' ...
Trio Da Paz: 30

by Howard Mandel
Only very special collaborations last 30 years, and rarely do they become more exciting and together over the decades. Trio da Paz, however, is one such long-lasting and still lightning band. The team of drummer Duduka Da Fonseca, guitarist Romero Lubambo and bassist Nilson Matta, all Brasilian jazzmen of New York City, is just as dashing ...
Chris Potter: Got The Keys To The Kingdom: Live At The Village Vanguard

by Ian Patterson
The title references an old gospel song, but for Chris Potter the keys in question could be those to the Village Vanguard. This is the saxophonist's third live recording from jazz's most storied club, not counting those with Paul Motian. For musicians and fans alike, this is hallowed turf. But it's not just about playing at ...
Jerome Kern The Jazz Standard

by David Brown
This week we celebrate the 138th birthday of Jerome Kern. Born in 1885, Kern was an important composer of musical theatre and popular music in the early 20th century. Many of Kern's songs have been adapted by jazz musicians to become standard tunes. Featured interpreters of Kern's songs will include David S. Ware, Connie Crothers, Clifford ...
Jazz Musician of the Day: Don Pullen

All About Jazz is celebrating Don Pullen's birthday today! Don Pullen developed an extended technique for the piano and a strikingly individual style, post-bop and modern, but retaining a strong feeling for the blues. He produced acknowledged masterworks of jazz in a range of formats and styles, crossing and mixing genres long before this became almost ...
Steph Richards Supersense al Carambolage di Bolzano

by Giuseppe Segala
Steph Richards Supersense Quartet Carambolage Bolzano 28.11.2022 Presentato nel terzo album da leader della trombettista statunitense Steph Richards, Supersense è un progetto basato sulla relazione tra stimoli olfattivi e sonori. L'idea, la scintilla creativa nasce dalla reciproca connessione dei sensi, dalle suggestioni che ne scaturiscono in una dimensione sinestesica che spesso ...
Charles Mingus: The Lost Album from Ronnie Scott's

by Angelo Leonardi
Il 22 aprile scorso nel centenario della nascita di Charles Mingus la Resonance Records ha pubblicato un altro magistrale inedito storico. Ci riferiamo a The Lost Album from Ronnie Scott's, registrato nell'agosto 1972 dalla CBS britannica nel celebre locale londinese. Non è tanto un disco perduto ma un documento accantonato per decenni, che vede protagonista l'inedito ...
Nduduzo Makhathini: In The Spirit Of Ntu

by Chris May
There are strong links between London's alternative jazz scene and the parallel and burgeoning one in South Africa. A case in point is the connection between South African pianist Nduduzo Makhathini and British tenor saxophonist and clarinetist Shabaka Hutchings. Makhathini and Hutchings' similar ages and overlapping, cosmologically informed takes on jazz meant they were ...